SKU: 83131678287
sleeve kings card game card sleeves

sleeve kings card game card sleeves Standard Card Game Card Sleeves (63.5x88mm) 110 Pack, 60 Micron, SKS-8810

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sleeve kings card game card sleeves Standard Card Game Card Sleeves (63.5x88mm) 110 Pack, 60 Micron, SKS-8810Standard Card Game Card Sleeves (63. 5x88mm) 110 Pack, 60 Micron, SKS 8810 NOTE WE ALSO OFFER THIS SIZE SLEEVE IN SEVERAL OTHER OPTIONS TOO IF YOU PREFER: SKS 7710 are our Penny Sleeves of this same size. They are for 63. 5 X 88 MM cards but are the most economical sleeve we offer at just $1. 75 per pack with 110 sleeves in each pack. They retail for just $1. 75 per pack! SKS 7711 are our Inner Sleeves of this same size. They are for 63. 5 X 88 MM

Standard Card Game Card Sleeves (63.5x88mm) 110 Pack, 60 Micron, SKS-8810

NOTE WE ALSO OFFER THIS SIZE SLEEVE IN SEVERAL OTHER OPTIONS TOO IF YOU PREFER:


SKS-7710 are our Penny Sleeves of this same size.  They are for 63.5 X 88 MM cards but are the most economical sleeve we offer at just $1.75 per pack with 110 sleeves in each pack.  They retail for just $1.75 per pack!

SKS-7711 are our Inner Sleeves of this same size.  They are for 63.5 X 88 MM cards but are a VERY SNUG fit and are 60 microns in thickness and are also 110 per pack, they are idea for those who want to double sleeve cards for extra protection as a first sleeve.

SKS-9905 are our PREMIUM thickness sleeves at 100 microns thick.  These are specifically designed to be wider and taller than the card for our most liberal fit.  These come 55 sleeves per pack.

 Protect your favorite cards with Sleeve Kings Standard Card Sleeves, designed for medium MTG size cards measuring 63.5 x 88 mm. These clear sleeves are suitable for trading card games, board games, and tabletop games that use this widely supported card size.

Made from 100% polypropylene, these sleeves are crystal clear, acid-free, and PVC-free to support long-term card storage and regular gameplay. The 60 micron thickness provides balanced durability, smooth handling, and easy shuffling for casual and frequent players.

Each pack includes 110 clear card sleeves, compatible with popular games such as Magic: The Gathering, Terraforming Mars, Brass: Birmingham, Ark Nova, Pandemic, Gloomhaven, Bomb Busters, and more.
SKU: SKS-8810.

  • Precise Fit for Standard Cards: Tailored for cards measuring 63.5 x 88 mm, providing a secure and consistent fit for Magic: The Gathering, Terraforming Mars, Brass: Birmingham, and other popular board game cards during play and storage.
  • Comfortable Shuffling & Handling: Durable 60 micron sleeves offer smooth handling and easy shuffling, helping reduce friction and wear during frequent gameplay and regular use.
  • Clear Card Visibility: Made from transparent polypropylene to keep card artwork, text, and details clearly visible while protecting cards from dust, fingerprints, and everyday handling.  
  • Archival-Safe Materials: 100% polypropylene construction is acid-free and PVC-free, designed to support long-term card storage without affecting card appearance or print quality.
  • 110 Count Pack: Includes 110 clear card sleeves for everyday play and storage. SKU: SKS-8810 is clearly labeled for quick size confirmation and easy identification. For more info on how we do this click HERE.

These are sized to fit cards measuring 63.5x88 mm.  Check HERE for a list of games that have cards this size!

** Note Game Titles and their intellectual property rights are © and TM of their respective rights holders, no challenge to these rights is expressed or implied.  Compatibility claims only extend to the physical size of the cards in each respective game and no claim to endorsement or authorization by the respective rights holders is expressed or implied by Sleeve Kings or Imperial Publishing.  Our products are compatible with the respective games only and all rights are reserved by the respective rights holders.

 

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SKU: 83131678287

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4.4 ★★★★★
Based on 16 reviews
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T
Verified Purchase
Tahoeman
Lowell, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
D
Verified Purchase
David R. Papke
Chelsea, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
West Palm Beach, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Lowell, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Chelsea, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014

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