SKU: 11149053474
difference in britax convertible car seats

difference in britax convertible car seats Britax Poplar 2-in-1 Convertible Car Seat with ClickTight - Open Box - Store

$18.74 $20.82
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Description

difference in britax convertible car seats Britax Poplar 2-in-1 Convertible Car Seat with ClickTight - Open Box - StoreThis item is an open box model and includes full manufacturer warranty. Purchase online for store pickup, we cannot ship these If you need to come in and test this model out as well as others in our showroom, be sure to book a consultation through our website. Ready to go with room to grow! The Britax Poplar Convertible Car Seat takes the stress out of moving to the next car seat stage thanks to the patented ClickTight Installation and slim SpaceSaver

This item is an open box model and includes full manufacturer warranty.

Purchase online for store pickup, we cannot ship these

If you need to come in and test this model out as well as others in our showroom, be sure to book a consultation through our website.

Ready to go with room to grow! The Britax Poplar Convertible Car Seat takes the stress out of moving to the next car seat stage thanks to the patented ClickTight® Installation and slim SpaceSaver™ design. This car seat accommodates up to 50 pounds rear facing to help keep your child riding safely even longer and easily switches to a forward facing car seat as your child grows. ClickTight Technology installation provides fully open seat belt paths that are clearly labeled and easy to access, and the automatic tensioner takes care of the tightening. Slim outside and spacious inside, the toddler car seat features 17" SpaceSaver technology designed to fit 3-across* without compromising on trusted Britax safety and premium comfort. The Britax car seat boasts a patented SafeCell® crumple zone and V-shaped top tether to help manage crash energy. The reinforced frame and belt paths provide strength and stability. Rear facing car seat cover fabrics are naturally flame retardant with no added FR chemicals and safe to machine wash and dry. *Britax cannot guarantee 3-across installation fitment in all vehicles

  • CONVERTIBLE DESIGN: Works as a rear facing car seat with the infant insert, rear facing and converts to a forward facing car seat
  • CLICKTIGHT INSTALLATION: With ClickTight, you know it’s right in just 3 easy steps: open, buckle and close 
  • INFANT INSERT: Specifically designed to fit newborns 22 lbs and under 
  • 5-POINT SAFETY HARNESS: Helps evenly distribute crash energy to keep your child safe
  • CONVENIENT BUCKLE: Fully open seat belt paths are clearly labeled and easy to access, while the automatic tensioner takes care of the tightening
  • PATENTED V-SHAPED TOP TETHER: Has 2 connection points to help slow and reduce forward movement in a crash; easily stores away when not in use
  • FLAME RETARDANT: The fabric is naturally flame retardant with no added FR chemicals
  • SAFECELL® TECHNOLOGY: Acts as a crumple zone, helping to keep crash energy away from your child 
  • ADJUSTABLE HARNESS: The 14-position harness and headrest move with one hand to grow with your child 
  • 5-POINT SAFETY HARNESS: Helps evenly distribute crash energy to keep your child safe
  • WASHER AND DRYER-FRIENDLY: No more hand washing or waiting for the cover to air-dry; just quick and easy cleanup, so you can keep moving
  • DISHWASHER-SAFE CUP HOLDERS: The 2 cup holders slide in-and-out for easy cleaning between rides
  • EASY-READ LEVEL INDICATORS: The 6-position and quick-adjust recline help you find the most comfortable fit for your child and the best fit for your vehicle

Specifications

  • Product Dimensions: 20.5"L x 17"W x 23.5"H
  • Harness Slot Heights: 8", 8.7", 9.4", 10.1", 10.8", 11.5", 12.2", 12.9", 13.6", 14.3", 15", 15.7", 16.4", 17"
  • Buckle Strap Depths: 4" - 7"
  • Child Weight: 5-65 lbs
  • Rear-facing Harnessed Height: Less than 49"
  • Forward-facing Harnessed Height: Less than 49"
  • Rear-facing Harnessed Weight: 5-50 lbs
  • Forward-facing Harnessed Weight: 30-65 lbs
  • Seat Area Depth/Width: 11" / 12"
  • Shoulder Width: 14"
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 11149053474

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4.8 ★★★★★
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Trendy Chic
Boise, US
★★★★★ 5
Not what I was expecting, but I liked it.
Format: Paperback
My first book by Emma Slate. Wonderful writing style, I wanna read some more MC books.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 8, 2024
M
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Matthew
West Palm Beach, US
★★★★★ 1
Poor read
Format: Paperback
Not worth the hype. Was poorly written and had to put it down and not finish it.
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Reviewed in the United States on May 20, 2025
T
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T
Dallas, US
★★★★★ 4
Great story
Format: Paperback
I’m not an avid reader, but this was finished in a few days. Such a good book!
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Reviewed in the United States on June 14, 2025
A
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AMD
Los Angeles, US
★★★★★ 3
Won’t be buying book two.
Format: Paperback
Entertaining enough but poorly written. Lots of typos. Won’t be buying book two.
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Reviewed in the United States on July 8, 2025
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Dr.C.J.Singh.Wallia
Grantham, US
★★★★★ 5
An Excellent Primer on Novel-Writing
Format: Paperback
WIRED FOR STORY By Lisa Cron Reviewed by C J Singh (Berkeley, California) Excellent Primer on Novel-Writing In Berkeley, California, we happily have access to four independent bookstores that display literary novels and creative-writing craft books. Browsing, I picked up two books by Lisa Cron on using "Brain Science" for writing fiction. The jacket quote by Caroline Leavitt rivetted my attention: "I'd never consider writing a novel without Lisa's input, and neither should you." As a longtime fan of Leavitt's novels "Is This Tomorrow," " Pictures of You, " "Girls in Trouble," I looked up Stanford Continuing Education where Leavitt regularly teaches online courses. As a Stanford Alumnus (Psychology PhD), I've taken several on-campus and online workshops on fiction-writing. While still at the bookstore, I promptly signed up for Leavitt's soon-to-begin course that uses two coaching books: Cron's Wired For Story and John Truby's The Anatomy of Story. I'm familiar with Truby's book and its nine excellent exercises. See my detailed review on amazon: https://www.amazon.com/review/R29NU7U6LAHGBV/ Here's my review of Lisa Cron's "Wired For Story" "WIRED FOR STORY' presents a unique, distinguishing feature among fiction-writing primers: throughout its text, the author includes excerpts from the published works of leading contemporary brain-scientists that validate the principles of narrative craft. Cron explains the principles of narrative craft in twelve well-organized chapters that focus on theme, the protagonist's issue, characters' bios, points of view, rising conflicts, subplots, suspense, reveals, and the arc from setup to payoff. At the beginning of each chapter, she presents sentences in italics that illuminate the cognitive-science underpinnings of narrative craft. Examples follow. "Cognitive Secret: When the brain focuses its full attention on something, it filters out all unnecessary information. Story Secret: To hold the brain's attention, everything in a story must be there on a need-to-know basis" (page 23). . "Cognitive Secret: Everything we do is goal directed and our biggest goal is figuring out everyone else's agenda, the better to figure out our own. Story Secret: A protagonist without a clear goal has nothing to figure out and nowhere to go" (p 65) . "Cognitive Secret: It takes long-term, conscious effort to hone a skill before the brain assigns it to the cognitive unconscious. "Story Secret: There's no writing; there's only rewriting" (p 219). Also remarkable are sentences in bold that challenge advice offered in some writing-craft workshops and books. Examples follow. "Myth: Write What You Know. "Reality: Write What You Know EMOTIONALLY" (p 62). . "Myth: Sensory Details Bring a Story to Life." "Reality: Unless They Convey Necessary Information, Sensory Details Clog a Story's Arteries" (p 118). . "Myth: `Show, Don't Tell' Is Literal - Don't Tell Me John Is Sad, Show Him Crying. "Reality: `Show, Don't Tell Is Figurative - Don't Tell Me John Is Sad, Show Me WHY He's Sad" (p 152). Has the author introduced a Myth of her own? I am afraid so. On page 57, "No matter whose point of view you're writing in, you may be in only one head per scene." In my opinion, the Reality is: No matter whose point of view you're writing in, you may be in only one head per PARAGRAPH. This is the new reality -- virtually every fiction-readers' perception has been reshaped by watching films and TV dramas that imply the camera engaged in frequent head-hopping in a scene. At the end of each chapter, Cron presents a concise series of checkpoints to remind the readers while they develop their work-in-progress. Throughout, she includes many examples from literary works and films. Literary works like Gabriel Marquez's "Love in the Time of Cholera," Margaret Mitchell's "Gone with the Wind," and Caroline Leavitt's "Girls in Trouble." Films like "It's a Wonderful Life," "Vertigo," and "American Graffiti." An inspiring citation for writers: " `Recent breakthroughs in neuroscience reveal that our brain is hardwired to respond to story.... It turns that a powerful story can have a hand in rewiring the reader's brain -- helping empathy, for instance - `which is why writers are, and always have been among the most powerful people in the world'. " (On p 239 of Endnotes is the specific citation of three scientists' 2009 article "On Being Moved by Art: How Reading Fiction Transforms the Self" in the Creativity Research Journal vol. 21, no.1 ) WIRED FOR STORY fully earns its title with its numerous citations of recent contributions of neuroscience that validate narrative craft. Examples of cited works included are: V. S. Ramachandran's "The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human"; Michael Gazzaniga's "Human: The Science Behind What Makes Your Brain Unique; and Steven Pinker's "How the Mind Works." These stellar books illuminate the nexus between art and science; their shining light reflects on Lisa Cron's book as a five-star primer for novel-writing.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 7, 2020

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