SKU: 14170340616
cinnamon girl plant

cinnamon girl plant Buy Cinnamon Girl Distylium Plant for Sale Online

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Description

cinnamon girl plant Buy Cinnamon Girl Distylium Plant for Sale OnlineBuy Cinnamon Girl Distylium Online Evergreen Shrub With Winter Blooms Originating from China and a member of the witch hazel family, Cinnamon Girl Distylium plant is a hardy, low growing, evergreen shrub ideal for southern climates. It resists pests and stands strong where other shrubs fail to thrive. The Distylium Cinnamon Girl plant is a low maintenance woody shrub known for its no nonsense reliability. This shrub is relatively new on the market and

Buy Cinnamon Girl Distylium Online

Evergreen Shrub With Winter Blooms

Originating from China and a member of the witch hazel family, Cinnamon Girl® Distylium plant is a hardy, low-growing, evergreen shrub ideal for southern climates. It resists pests and stands strong where other shrubs fail to thrive. 

The Distylium Cinnamon Girl plant is a low-maintenance woody shrub known for its no-nonsense reliability. This shrub is relatively new on the market and was uniquely designed to withstand hot and humid climates. 

New growth on Cinnamon Girl® Distylium starts out with an attractive purplish plum color and its foliage slowly changes to exhibit a blue-green color when mature. 

Cinnamon Girl® Distylium blooms have small red flowers that appear in late winter to early spring. These darling maroonish flowers remind us that spring is just around the corner as they are often the first pop of color we see before other plants wake up from their winter slumber. These delicate flowers bloom from January through March. 

How to Use Distylium in the Landscape

Use it as a continuous low hedge, standalone shrub, or in container gardening. It works well as a soil stabilizer and can be used for erosion control on sloped lots. Cinnamon Girl® Distylium is an excellent stabilizing plant and can be used for foundation planting also. 

Cinnamon Girl Distylium Care Information

Cinnamon Girl® Distylium is resistant to pests and disease. It also resists deer and rabbits. 

Cinnamon Girl® Distylium grows best in USDA hardiness zones 7 through 9. It is considered to be evergreen within these zones and is especially agreeable to the southern regions. As such, it is a good alternative to boxwoods, hollies, junipers, and other evergreens. 

This distylium is drought and heat tolerant. It also tolerates southern humidity well. Additionally, Cinnamon Girl® Distylium is also one of the most cold-hardy distyliums available. 

In northern climates, below zone 7, Cinnamon Girl® Distylium is not adapted to winter living. Therefore, it is advisable for those in northerly climates to house this shrub in a large pot so that it can be bought inside to overwinter. 

Cinnamon Girl® Distylium enjoys full morning sun with afternoon shade or all-day dappled sunlight. Longer exposure to sunlight encourages a denser growth pattern. To encourage a looser growth habit, establish in a shadier location. 

Once established, this plant should need little watering. 

Cinnamon Girl® Distylium prefers well-draining loamy soil. However, it can handle poor variable soil that is either moist or dry.   

Cinnamon Girl Distylium Size

Cinnamon Girl® Distylium grows quickly. Mature plants reach 2 to 3 feet tall, and 3 to 4 feet wide, with a rounded spread. Space 3 to 4 feet apart for mass planting and a continuous hedge. Alternatively, place 6 feet apart if separation between plants is desired.

Cinnamon Girl® Distylium can be shaped and trimmed to your desired form. Yet, it requires little maintenance or pruning overall. To encourage denser growth, light pruning can be performed in June. 

Distylium Companion Plants

  • Crimson Fire Loropetalum
  • Daruma Loropetalum
  • Nanho Butterfly Bush
  • Gardenia Bushes

Consider Adding Cinnamon Girl to Your Garden!

This low-growing, dense shrub is ideal for southern regions known for its heat and humidity. If you are needing a reliable, attractive, low-maintenance shrub then Cinnamon Girl® Distylium is the plant for you. Order yours today!

Happy planting!

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SKU: 14170340616

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4.9 ★★★★★
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Verified Purchase
David R. Papke
Natrona Heights, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Louisville, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
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Verified Purchase
Matt M.
Lake Worth, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Charlottesville, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Lexington, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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