SKU: 1550918624
stone succulent pot

stone succulent pot Campania International Celine Planter

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Description

stone succulent pot Campania International Celine PlanterCeline Planter by Campania International Add the Celine Planter for an old world look with a modern style. Planters are a wonderful starting point for gardeners, enhancing your landscape with their vibrant colors, diverse sizes, and unique shapes. For beginners, they create a nurturing space that fosters growth and understanding. Advanced gardeners can use them to elevate their designs and express their creativity. Let planters become focal points in

Celine Planter by Campania International

Add the Celine Planter for an old-world look with a modern style. Planters are a wonderful starting point for gardeners, enhancing your landscape with their vibrant colors, diverse sizes, and unique shapes. For beginners, they create a nurturing space that fosters growth and understanding. Advanced gardeners can use them to elevate their designs and express their creativity. Let planters become focal points in your garden, highlighting the beauty of your home. Colorful arrangements can transform an outdated space into a captivating retreat. Embrace the joy of planting in containers as a fulfilling way to celebrate a life lived outdoors.

The Celine Planter is shown in the Alpine Stone finish. Campania International's cast stone products feature exclusive natural pigment stains, expertly hand-applied through a precise process, resulting in distinctive finishes that mimic naturally aged materials. Each piece absorbs patinas uniquely, enhancing its character, and the technique ensures every piece stands out while allowing for natural aging outdoors. Actual colors may vary from those shown in photographs.

Campania International confidently manufactures premium cast stone products in the USA, utilizing locally sourced natural materials. The expertly crafted cast stone pieces are made with a proprietary, high-density mix of water, sand, stone aggregate, and cement.The cast stone is not just strong and durable; it is designed to enhance the beauty of any outdoor space as it weathers gracefully over time.

All Campania International planters have drainage holes. In winter, if you're leaving a planter outside with plants, elevate it to keep the drainage hole clear and prevent freezing to the ground. If not in use, store it indoors in a garage or shed. The high-density cast stone mixture provides durability but requires maintenance to withstand winter freeze-thaw cycles. These cycles can damage items that hold water, snow, or ice, especially if placed directly on the ground. If you can’t elevate the planter, turn it upside down to avoid snow and ice accumulation. Cover it with burlap or an absorbent material, then wrap it in dark plastic to prevent moisture build-up.

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SKU: 1550918624

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4.1 ★★★★★
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David R. Papke
Fort Morgan, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
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DoubtfulReader
Grantham, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
Draper, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
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J. Christian
Louisville, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Lowell, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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