SKU: 16426616954
britax romer advansafix i-size

britax romer advansafix i-size Britax Romer Kidfix isize PRO High Backed Booster – DMB Car Seats

$21.43 $23.81
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Description

britax romer advansafix i-size Britax Romer Kidfix isize PRO High Backed Booster – DMB Car SeatsBeyond Safey, Into Comfort Picture a safe space for your child, a cozy and secure haven where they can calm down and feel at home. The KIDFIX PRO from our test winning KIDFIX line is designed to be just that. The highback booster car seat is made in Germany and impresses with its one of a kind feature combination, incorporating the SICT, XP Pad and SecureGuard for MAXIMUM SAFETY. These safety features provide beyond the highest protection for your

Beyond Safey, Into Comfort

 

Picture a safe space for your child, a cozy and secure haven where they can calm down and feel at home. The KIDFIX PRO from our test winning KIDFIX line is designed to be just that. The highback booster car seat is made in Germany and impresses with its one-of-a-kind feature combination, incorporating the SICT, XP-Pad and SecureGuard for MAXIMUM SAFETY. These safety features provide beyond the highest protection for your little one a comfortable safe space. What's more, the slim design of the KIDFIX PRO ensures a seamless fit into every car, while offering plenty of space for your child to grow up to 150cm.

 

COMFORT AS THEY GROW

Imagine your little one experiencing the ultimate ergonomics in the KIDFIX PRO. From its soft padding to its slim, yet spacious design, every detail is crafted to ensure your little one travels in comfort. The easy adjustable headrest grows alongside your child to provide support and a perfect fit. And for those warmer days, the carefully placed air ventilation holes provide a touch of coolness while the STYLE version adds a gentle mesh fabrics, creating a blissful time. 

Seat your child in pure comfort and ergonomics with KIDFIX PRO. As they grow, its softly padded, adjustable design ensures every ride is filled with joy and laughter.

 

EASY HANDLING - MAXIMUM FLEXIBILITY

Weighing just 6.7kg, the KIDFIX PRO is as light as a feather in the world of car seats. Imagine the ease of effortlessly moving the seat between cars without the usual hassle. Installation is as simple as it is secure, thanks to the integrated ISOFIX system. A quick, reassuring click, and you’re ready to hit the road with confidence.

 

PROTECT THEIR NECK AND CHEST

No matter how carefully you drive, you need to safeguard your child from other road users. Protect your little one's precious neck in a frontal impact with the shock-absorbing foam XP-PAD. In an accident, it reduces an abrupt forward head movement by up to 30%*, preventing you child's chin from hitting their chest. What's moe, the XP-PAD adds a comfortable padded edge so the seatbelt won't cut into your child's delicate skin.

* Britax Römer internal tests and simulations

 

ADVANCED SIDE IMPACT PROTECTION – SICT

Protect your little one even during a side collision. The Side Impact Cushion Technology (SICT) reduces the force of an impact by up to 40%*, and directs the forces away from your treasure. Simply adapt the SICT to the side of the car seat, and your child is safe. Thanks to the SICT strap, the safety device is securely connected to the seat and cannot get lost. 

* Britax Römer internal tests and simulations

 

PROTECTION IN ALL THE RIGHT PLACES

Your natural instinct is to shield your child from any harm. Protect your little one in the event of a frontal collision with the SecureGuard. Adding an extra fourth contact point to secure the lap belt safely across your child's pelvis - rather than their delicate tummy - reduces abdominal forces by up to 35%*, and since it doesn't restrict their movement, your growing kiddie will still be comfortable throughout your journey.

NB Crotch pad can be removed as the child grows.

 

COMFORTABLE, PROTECTIVE HEADREST

Ensure optimum protection in a side collision: the V-shaped headrest is specially designed to limit the movement of your child's head, protecting their neck if the worst happens, whilst giving them space as they grow. It's quick and easy to adjust the headrest and harness simultaneously, so your child's completely comfortable, whatever their height.

 

WARM DAYS, COOL RIDES

Imagine those hot days when every breeze feels like a gift. With the KIDFIX PRO, featuring air ventilation through ventilation holes, your child feels soothing air circulation even on the hottest days. The STYLE version features breathable mesh fabrics for even more air circulation to make your child feel cool, calm and cared for.

 

THREE SEATS IN A ROW

No need to compromise on safety or number of passengers in your car. The slim design (only 44 cm) of the i-Size approved KIDFIX PRO means there’s room for three car seats in a row. Whether it’s your growing family or your child’s dearest friends, the KIDFIX PRO turns every trip an adventure for your entire crew.

 

QUICK-REMOVE WASHABLE COVER

Things can get messy in the car – drinks can spill and children can get travel sick. That’s why we’ve designed a machine washable seat cover that's easy to remove, so you can clean up quickly and get back to enjoying your adventures together.

 

HEAD TO HIP PROTECTION

Provide your child with the best protection as they grow up. The seat shell of the highback booster gives head to hip support for your little one, while the belt guides ensure correct positioning of the seat belt. The padded headrest brings safety and comfort for your child’s head and neck, so you can rest assured they're protected on every journey.

 

SCIENCE OF COMFORT

Moments spent together on the road are precious. That's why our engineers delved deep into studying the human body model, ensuring the car seat embraces the youngest and the eldest with equal comfort. The result is not just ergonomic perfection but a haven of tranquility on every journey, promising restful rides for the entire family.

 

ALWAYS INSTALLED SECURELY

Just two clicks are all it takes to install the KIDFIX PRO thanks to its ISOFIX connectors, with the indicators showing the correct and safe installation. Even if the seat is holding no child, it remains firmly in place. No ISOFIX in the car? Installation is also possible without ISOFIX using the 3-point seat belt. 

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 16426616954

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Amanda Becker
Birmingham, US
★★★★★ 5
Best wrap mask!
Color: Lifting (Jericho Rose)
Just the best wrap mask!! A lot of peptides that make my skin soft and moisturizing. Very effective in only 20min use!
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Reviewed in the United States on May 20, 2026
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Amanda Boyd
Chelsea, US
★★★★★ 5
Great face mask
Color: Lifting (Jericho Rose)
Love this mask. I have really sensitive skin and this mask doesn't irritate my skin at all. It absorbs nicely and leaves my skin feeling moisturized and glowing. Great value for the price!
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Reviewed in the United States on April 21, 2026
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Tammy Marshall
Battle Creek, US
★★★★★ 3
Full Moisturization of the face is lacking
Color: Lifting (Jericho Rose)
I would give it a 5 based on the appearance after the mask is removed your skin is glassy but the moisture level is lacking. It leaves behind an oily residue and my face didn’t feel hydrated. The search continues.
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Reviewed in the United States on March 25, 2026
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John P. Jones III
Alexandria, US
★★★★★ 5
“The fragments of a life”…
A formidable movie, in the stricter sense of the word. In a looser sense, it has helped shape the way that I’ve seen the world, ‘lo these past six decades. I saw this movie when it first came out, in 1963, at one of my favorite art theaters in Pittsburgh. Like most of us at the time, we’d only viewed rather straightforward movies of “good and evil,” Westerners, and the like. Predictable endings. The director of “8 ½,” Federico Fellini, offered something radically different, a foreshadowing of the stream-of-consciousness technique in literature, how the fragments of one’s life get all jumbled up in the brain. And he provided some takeaways that have long been with me. I was 16 at the time and took a date who was 15. In re-watching it now, if I thought it somewhat baffling at 16, I wonder what my date thought about the portrayal of the women in the movie, who are “fragments” in the life of the movie director, Guido Anselmi, excellently played by Marcello Mastroianni. There is his wife, Luisa, wonderfully played by Anouk Aimée, who was the motive force behind the re-watching of it now. There is the “virginal” Claudia Cardinale, usually in white (I had not realized that she was originally Tunisian). Sandra Milo plays Guido’s flighty bimbo of a mistress. And so many others: The airline stewardess; the caring mom who wraps the infant Guido in a blanket; the first stripper; the insightful and nagging friend of his wife… “Upstairs when you are 40.” That was one of the big takeaways. Anselmi is having this male fantasy about his “harem,” all those fragmented women who are there to serve him and do so in complete harmony when he realizes that the “stripper” is now 40 and must go upstairs, the metaphor for being placed on the “discard pile” for being too old. He gets out his bull whip even, to drive her up the stairs. Even at 16, when 40 is more than twice your life away, it did seem a bit harsh, particularly when the same rule does not apply to the guy with the bull whip. It was also my first viewing of the prototype of those pompous pedantic critics of movies or literature who toss around expressions like “impoverished poetic imagination,” “overabundant symbols,” and, of course, “self-indulgent.” I was in parochial high school at the time, so the scenes in which the priests were chasing down the young student Guido in order to shame and humiliate him because he found sexual imagery to be of interest, imagine that, strongly resonated. It was also the era that the Catholic Church published “The Index of Forbidden Books,” (which now seems to have been taken over by the woke crowd of today), and thus the scene in which Anselmi has to pay homage to the Cardinal also resonated. Anouk Aimée is absolutely mesmerizing. She has been a “fragment” of my own life, ever since I viewed “A Man and a Woman” in the ’60’s. Again, she played opposite the equally formidable Jean-Louis Trintignant, of “Z,” “Three Colors, Red,” and so much else, fame. Far more relevantly, the two of them recently played in “The Best Years of Our Lives,” again directed by Claude Lelouch. Aimée is now a young 90. In her role as Anselmi’s wife, Luisa, she wore those glasses that connotated a greater thoughtfulness than him. I searched that ever-so-youthful face watching for the subtle expressions of later movies. It struck to the core. Luisa is utterly fed up with Guido’s philandering and constant lies. And Guido is suffering from “director’s block” in trying to finish his movie, with what sort of message? Luisa fires off THE classic line that I have long remembered: “But what can you say to strangers when you can’t tell the truth to the one closest to you…”. The only problem is that I’ve felt that line was said in Ingmar Bergman’s “Scenes from a Marriage.” And maybe that line was ALSO said in Bergman’s movie, which means one more movie I need to watch to find out. As I said earlier, things can tend to get jumbled up in the brain, even more so as one ages. Fellini would understand, maybe Aimée would also. 5-stars, plus for Fellini’s classic, formidable film.
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Reviewed in the United States on March 14, 2023
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Stephen McLeod
Chelsea, US
★★★★★ 5
One of the greatest in SPECTACULAR DVD package
This new Criterion Collection edition of *8 1/2* is one of the best DVD "special edition" sets I've come across. The Movie: Fellini's breakthrough film is a movie about itself. It is archetypal in the Fellini canon because it both settles old scores and announces a new cinema. The film's hero is an Italian filmaker (Mastroianni as "Guido" a quasi-alter ego for the director) who has just had his first major hit (=La Dolce Vita). He is not resting on his laurels, however. He is confronted with the necessity of the next movie. This necessity is both personal to the director and apparently contractual: the producer is forever hovering... To Guido, it is an inner necessity, an unrest, a creative suffocation, objectified in the opening sequence of the movie where Guido is seen/not seen by the camera, trapped inside a tiny car that is itself trapped in a traffic jam that stretches endlessly beyond available light as the car fills with toxic gas. We see the as yet unidentified hero in silhouette from behind. We see his hands and feet from outside the car, through the window as he desparately tries to escape. Then, he mysteriously escapes through the car's roof like a new bird escaping its shell and is carried off into the clouds, etc. The trouble is, this is a wish fulfillment dream. In "real" life, Guido is about to make a movie, and he has no idea what it's going to be about, or what to do with all the actors and extras, and the giant launching pad for some kind of space-ship that is the only thing even close to a concrete idea for the projected picture. The film is not, however, a perfect autobiographical fit. For one thing, Fellini gets to finish his movie and Guido, evidently, does not. But, that said, the movie is a virtual mirror of itself, which was a very hard thing to pull off in 1962, before the concept of "virtual" was annexed by the codifiers of computer jargon, and *8 1/2* is nothing if not a virtuoso performance. Fellini's breakthrough is the film we watch. But in the film, the hero finds the resolution to his anguish, not in finding the project - that is, in making what would have been the film-about-itself within the film-about-itself within the film-about-itself that we are, finally, watching - but in letting go of the project, in surrendering to the impossibility of finding it or making it. Precisely *on the other side of his own fantasy-suicide*, at the moment when he apparently gives in to despair, he discovers the circle of life and becomes able to join into the procession of lives into which his own life is finally intertwined. So, this is an essential film. And it is a film so rich in texture that a person could watch the movie a hundred times and find new things to wonder at, and discover new connections between the One and the Many - Fellini's personal/existential problem. The DVD: First disc contains a sparkling transfer of the movie that restores a luster to the angular lights and shadows in Fellini's final black & white movie. Audio commentary by a couple of scholars and Fellini's former close accomplice Gideon Bachman. Second disc contains Fellini's famous "Director's Notebook" of 1968(-9), an hour-long movie that was originally made for television, as well as another documentary about composer Nino Rota, and various interviews, including one with the ever-fiesty Lina Wertmueller who was Fellini's Asst. Director on *8 1/2*. The package also comes with a really interesting little booklet with lots of information and a thoughtful mini-essay. Overall a great package that I'll not regret buying.
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Reviewed in the United States on January 5, 2002

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