SKU: 18566438587
flower flame lily

flower flame lily Gloriosa rothschildiana (Super Fire Lily)

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Description

flower flame lily Gloriosa rothschildiana (Super Fire Lily)Gloriosa Lily: AKA Climbing flame lily, Fire lily, or Glory lily. The Gloriosa lily has many names, but no matter what you what you call it, it truly is a glory to behold. This summer bloomer in hot southern climates captures one's attention with its fiery red and yellow color. This bloom and vine add texture to your garden that offers a nice contrast to other summer growing plants. Often, we achieve this juxtaposition with form and color, and this

Gloriosa Lily: AKA Climbing flame lily, Fire lily, or Glory lily.

The Gloriosa lily has many names, but no matter what you what you call it, it truly is a glory to behold. This summer bloomer in hot southern climates captures one's attention with its fiery red and yellow color. This bloom and vine add texture to your garden that offers a nice contrast to other summer-growing plants. Often, we achieve this juxtaposition with form and color, and this bloom explodes with red, yellow, and even glossy dark green colors on unique vines. The fact that there are multiple blooms in varying stages for weeks makes every day an adventure.

Origin and Names: The Gloriosa lily isn't a lily at all. It isn't even from the lily family. It belongs to the Colchicaceae family. You may have heard this called: gloriosa lily, glory lily, fire lily, flame lily, climbing lily, creeping lily, cat’s claw or tiger’s claw. The Gloriosa lily comes in several colors, but the variety that we are carry is the Gloriosa rothschildiana. The name was given because the second baron Rothschild is credited with bringing this beauty to Europe from Africa.

Is it a tuber or a rhizome? Some call it rhizomatous tubers while others call it tuberous rhizomes. We will call it beautiful!

Care and Planting: Plant the tubers on their sides in well-drained soil about 2-4 inches deep. If you plant them on the deeper end, then the vines will be shorter. These tubers like to be moist but not wet. Because this is a vine, be sure to provide a trellis or fence. It will grow to 6 - 8 feet tall. Plant the tubers several inches away from the trellis so they have room to mature and multiply. Plant each tuber about 4-8 inches apart. Water the newly planted tubers daily until you see growth. Then you can reduce the watering to every couple of days. They like to receive the equivalent of about 1 inch a week.

Sunlight: Place the tubers where they will receive at least 6-8 hours of summer sun. Because they are a topical plant, they need the sun. If you are planting them in zone 8, they will work great in full sun to a little shade; however, due to the extreme temperatures in zones 9 and 10, they work best if given a break from direct sunlight late in the afternoon.

IN POTS: This beauty does great being placed in pots. Pots would allow someone in a colder zone to grow this summer-blooming beauty that could then be moved into a protected area during the winter. If you plant them in pots, you will need to water more frequently, but make sure that the pot has excellent drainage. The pots can be used indoors though not ideal for this sun-loving vine; however, you will need to make allowances for wintering your plant. Encourage its dormancy by watering it less often after it is done blooming in the late fall. Then in early spring simply start watering it and give it plenty of sunlight. By planting in pots, you are also able to "contain" the plant and place it where you want it each season. You may want to try a trellis on a porch one season, a fenceline another, or even place one near your mailbox for a splash of color. The tubers multiply so be sure to check your pots at the end of the season to see if you need to replant some into other pots.

Blooming: In the heat of July through fall, this bloom opens wide to show all her colorful glory. The blooms extend over a period of about four (4) weeks. The bloom hangs "upside down" and then begins the process of opening its six 2-3 inch long red and yellow tepals until they are completely reflexed (bending backwards until pointing upwards). Below the tepals are green stamen which add an even more unique look and color to this bloom. Some of the tepals are deep red and yellow while others on the same vine look almost pink. The colors often deepen the older the bloom becomes. That is why no two blooms are exactly the same. To encourage blooms and growth, you can add a light fertilizer to the plant monthly. The most common reason for not having successful blooms on the Gloriosa lily is from lack of sun. Too much fertilizer can encourage the plant to grow more foliage instead of blooms.

Vines: The Gloriosa lily is the only tuber/bulb that we carry that becomes a vine. We planted it in pots and in the ground against the fence. They aren't covering the fence, but they have added some beautiful greenery and pops of color to an otherwise ordinary line of sight. After the vine reaches several feet tall, it then begins to move horizontally as it produces the blooms which gives you multiple blooms up and down the fence line.

Cut Flowers: This tuber is super easy to grow and provides you with beautiful cut flowers. We cut a "grouping" (1 stem with 4 blooms) several days ago, and they look AMAZING in a vase! Can you imagine them with a whole vase full of other flowers and these peeking out here and there? Or even a vase full of nothing but these?

After Blooming/ Winter: As with most perennial bulbs, do NOT cut down the foliage as long as it is green. The foliage is sending nutrients to the bulb for future blooms. When the foliage dies back and is completely yellow, you can cut it off for the winter. In zone 8 and parts of 9, you may want to consider mulching over the tubers for the winter especially if they are away from your house as they won't curvive a hard freeze.

Other Interesting Facts:

All parts of this plant are toxic if ingested in large quantities, but especially the tubers. Small amounts though have been used in traditional medicine.

The flowers are deer and rabbit resistant.

However, it attracts pollinators like butterflies. This is all likely due to the vibrant colors of the bloom.

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SKU: 18566438587

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4.2 ★★★★★
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KEITH
Dallas, US
★★★★★ 5
Displeasure And Distance
The movie 'Point Blank' is like staring at a visual of Alcatraz prison from the opposite shore. Meaning accumulates over landmarks when we are suspicious about the details. On such a sound the channel of moving water has a stationary dock. A metal walkway connector bridge glows in unnatural radiances; the sun seems set on it, at dusk. These sea shore implements, at Alcatraz or at another bay denote civility and schedules of operation. When money and it's acquisition exist in our brains as enticements the places become spectrums with loose enthusiasms and burnished red-glows. Walker(Lee Marvin) the anti-hero of the movie 'Point Blank' is a tall, laconic, dark-suited figure. Walker's parted white hair gets swept up in the wind, unstraightened, but his bushy eyebrows are solid supports of displeasure and distance. 'Point Blank' directed by John Boorman is a 1967 classic crime film and is the story of a solo struggle-Walker's-to reconnect and recover the money that was stolen from him by his ex-partner Mal Reese(John Vernon). Walker importunes abandoned places, like an Alcatraz prison cell with questions: "How did it happen?" He is ruminating over incidents that are seen in flashback entries, but these brief remonstrance are also plot points on a scheme of surreal adventuring. Lynne(Sharon Acker), Walker's wife, has reproachments about herself, her 'past', but the enviable story is told. Lynne's monotonous sentiments recall a walk on the pier in the rain, with herself and Walker in mild drunkeness. Lynne's voice is synthesized to a soft, dreamy intercession; another vision from Walker's life, also an evocative impression of a stoic wanderer's accentuated provocateur encounters. In his film direction Boorman takes the novel "The Hunter" written by Donald Westlake and gives weight to a story about the cavorting of a slick, popular, caper anti-hero named Parker (From "The Hunter" , also other serial books written by Hunter under pseudonyms like Richard Stark). This story is recreated by Boorman for Parker of the novel and his hyperbolic lurid situations. 'Point Blank' invests visuals with sensual revelations of mystery. The breaths of relaxed reflection give toxicity to moods and the imagination has righteous experience of titillation. The viewer is invited to understand the whisperings of breezes brushing against one another at random convexes-these are soft exposing indescrepancies. At a reunion, another recounting of Walker being hailed over by Mal Reese is one twist. At another rally, in a room in San Francisco, that is similar, Walker warns his target bluntly: "If you don't, I'll kill you." There is an abrupt appearance, also in a semi-populated venue, of assistance made towards Walker. This inviting frenemy says: "If you're looking for Carter, I may be able to help you." This is Yost played by Keenan Wyn. The themes of thrifty fantasy contrive to bounce off Walker. In sunlit rooms and concrete runs ambush attacks set by Walker realize glib confrontations. One such scene involves Brewster(Carroll O'Connor) in an amorous exchange with Walker that suggests that the veritable energies of excitement between Walker and Brewster were procured and transcribed for 'Point Blank' from other products of fictitious dealings. 'Point Blank' co-stars Angie Dickinson as Chris and Lloyd Bochner as Frederick Carter.
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Reviewed in the United States on July 17, 2025
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Parker
Port Orchard, US
★★★★★ 3
Dated, but....
Compared to the novel on which it is based, this movie is a complete letdown, so fans of the Parker series of novels who are drawn to this book may want to think twice about watching the film if they are looking for a faithful adaptation of the first Parker novel. That being said, it was not the intention of the director John Boorman to adapt Richard Stark's excellent novel, "the Hunter" to film, but rather to create an entirely new piece of fiction from the skeleton of the original story, so one most try to judge the movie on its own merits, which is difficult to do. As in other reviews, I must commend the directing. The style of the film is way ahead of it's time, with stark visuals, stylized fight scenes, and prolonged moments of silence. I love the long Walk lee Marvin takes thru the a multi-colored corridor where his footsteps drown out all other sound. Marvin's performance is also very strong, and he shows himself to have been an actor who took chances with his image and, in this case, used his clout to make a movie which otherwise would not have been so memorable. In the end, one must ask the question "Why?" Why not faithfully adapt "The Hunter" into film? It certainly would not have stifled the film's creativity, and nothing in the movie's script was any better than what was in the book. There is also the annoying occurrence of changing the protagonists' name from Parker to something else; in this case, Walker. This trend continued in another six film adaptations of the Parker novels, the last of which was 1999's Payback, starring Mel Gibson as Porter.
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Reviewed in the United States on July 1, 2011
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Clare Quilty
Carnegie, US
★★★★★ 5
A stark, brutish "Petulia" with a pistol in its pocket
It's about time this movie got released on DVD. It's odd that a film could spawn a remake ("Payback"), a glib nod ("Grosse Pointe Blank") and countless homages ("The Limey," among others) and still be as underseen as "Point Blank." The lack of a disc certainly didn't help its low profile, but of course this is a challenging, idiosyncratic movie, even three decades later. The plot is simple -- a crook is betrayed by his wife and partner and spends the rest of the movie trying to get what he's owed -- but the editing and narrative structure is unusual. What in the world did audiences possibly make of this back when it was first released? It's a remarkable film, as startling and innovative as Richard Lester's "Petulia," although admittedly it's thematically much less complex. This edition is excellent, too. Great sound, great picture and a fantastic commentary by director John Boorman and big-time "Point" fan Steven Soderbergh, who laughingly admits to Boorman that he's ripped this movie off more than a few times. Their chat is more technical than gossipy and deals heavily with the editing, the production (the script was only 70 pages long), the studio's concerns about the picture, the actors, violence, surrealism (is it all a dream?) and Boorman's elaborate use of color (the tones of clothing and sets intensify over the course of the film). I've gotten a lot of good DVD's this year but in terms of content, presentation and extas, this is one of the best.
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Reviewed in the United States on August 1, 2005
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Joe Movie
Omaha, US
★★★★★ 4
One of Marvins better offerings
Like the Killers before marvin was almost destined to play the part of Walker in this fast moving gut wrenching but always realistic thriller brilliantly collaborated by Marvin and Boorman who had no peer in this type of film.For those unenlightened souls who downplay Marvins career this was the one that to my mind surpassed most of his prior efforts with the exception of the Killers which was above par in all respects.Marvin was ahead of the pack in the 60s playing this type of hard nosed no nonsense gangster type, no other actor came close and type casted him to some extent in this type of role which unlike may actors became a positive in his career. Just to show his brilliance as an actor he gave us later comedy roles which produced more acting accolades than that material for which he was better known namely what we see in Point Blank.He carries the whole movie as did all the great actors of that era and many since which in itself is the hallmark of greatness. Marvin was a man who so perfectly personified the parts he was playing that often other actors looked wooden in comparison.He was one of the rare individuals who could take a small co starring role and end up being the star of the movie, no mean feat when you were up against the best in the business at that time and there were plenty in the 60 and 70s.To my mind Point Blank will always be a MARVIN film and this is not to downplay other good workmanlike performances in the film but it will always rank highly in Marvins body of work which is a cut above his contemporaries in the roles for which he was known and appreciated.As for the film it played out in fairly predictable fashion until the final scenes under the golden gate brige which gave a nice twist and left the viewer unsure whether Walker did in fact take his money or simply leave the scene of the set up empty handed. The obvious answer is that he waited till the coast was clear and took his money. It is hard to accept that he did otherwise.In retrospect a movie that stands up 40 odd years later and is just as watchable as it was in 67. No mean feat.
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Reviewed in the United States on May 20, 2010
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Patrick Selitrenny
West Palm Beach, US
★★★★★ 5
A forerunner to Dirty Harry and Lee Marvin shining...
If you liked "The Getaway" or "Dirty Harry", then meet their forerunner. "Point Blank" is explosive, fast-paced, and still the acting is there. Good acting that is. Lee Marvin is at his best. Angie Dickinson. in her strong performance, is as beautiful as ever. Keenan Wynn and Carroll O'Connor play their parts to the hilt and it truly shows. John Vernon (who was The Mayor in "Dirty Harry") plays a slimy type with diligence and very believable. Add the killing pace of the entire picture, and you have a hot item, as sharp and cutting as "Film Noir" can be. Yes, because this is still a "Film Noir", despite the fact that it was filmed in Color and in the mid-sixties. John Boorman ("Hell in the Pacific", "Deliverance" and "The Emerald Forest"), skillfully "color coded" the entire movie, bringing it from absolute colors at the beginning, to more red-tinted ones towards the end. The only difference from a true "Film Noir" is its fast-paced storyline, that would lead us to movies as I have mentioned above. Marvin's minimalistic acting, but forceful presence, is enough to fill every frame of the movie with tension, action and complete mayhem. Compare him in "The Dirty Dozen" and "The Big Red One" and you will see what I mean. A big plus was the release on DVD. An excellent transfer with a sharp picture resolution, a clearcut sound, make it a very enticing experience to watch it at home. This is not just a Highly Recommended title. It is simply a Must!
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Reviewed in the United States on April 20, 2007

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