Pay in installments of $5.75 with
,
and
Shipping Estimate
USA
- USA
- CAN
- USA
- CAN
Ships within 48 hours · Estimated delivery Jul 18 - Jul 23
Promo Codes Available:
For Your Every Summer RSVP, with Code: SUMMER15
Description
fabric pots for indoor plants Grassroots Living Soil Fabric Pot 5 GallonKeep beneficial microbes active from seed to harvest Grassroots Living Soil Fabric Pots use a BPA free waterproof MoistureLock liner that covers the upper walls, leaving a 4" breathable aeration strip at the bottom. Water moves downward through the soil profile instead of escaping out the sides, keeping microbiology active throughout the root zone. Available in 10 sizes from 3 to 200 gallons, these pots work indoors and outdoors, fold flat for
Keep beneficial microbes active from seed to harvest
Grassroots Living Soil Fabric Pots use a BPA-free waterproof MoistureLock liner that covers the upper walls, leaving a 4" breathable aeration strip at the bottom. Water moves downward through the soil profile instead of escaping out the sides, keeping microbiology active throughout the root zone. Available in 10 sizes from 3 to 200 gallons, these pots work indoors and outdoors, fold flat for storage, and are machine washable between cycles.
Made in USA BPA-Free Liner UV-Resistant Fabric
Side by side
Standard fabric pots vs. Grassroots Living Soil Pots
Standard Fabric Pots
- Soil dries from all sides simultaneously, creating dry pockets where microbiology dies off
- Fast wet/dry cycle demands more frequent watering and raises indoor humidity
- Water escapes through the sidewalls, leaving salt deposits on the outside of the fabric
- Soil biology can't survive the repeated dry-outs at the pot edges
- Bottom seam sits in moisture and rots over time, shortening pot lifespan
- No differentiation between aeration zone and moisture zone
Grassroots Living Soil Pots
- MoistureLock liner keeps moisture even throughout the soil mass, supporting biology edge to edge
- Slower, natural top-down dry cycle means less watering, lower labor, and lower humidity indoors
- Water is directed downward into the soil, not out the sides, keeping your grow area cleaner
- Consistent moisture lets you reuse soil between cycles for true no-till growing
- Bottom seam sewn on the outside with marine-bonded thread to prevent rot from soil contact
- Dedicated 4" aeration strip at the bottom for air pruning and oxygen exchange
What makes it different
The same MoistureLock technology used in the Grassroots raised beds
MoistureLock Liner BPA-Free
A waterproof, chemically inert liner covers the upper pot walls while a 4" strip of breathable fabric at the bottom handles aeration. Water moves downward through the profile instead of escaping sideways, mimicking natural soil moisture patterns.
4" Aeration Strip for Air Pruning
The bottom section of breathable fabric promotes oxygen exchange and prevents root circling. You get the drainage and air-pruning benefits of fabric pots without the side-drying problem.
Natural Top-Down Drying
Soil dries from the surface downward, the same way it works in the ground. Fungi, bacteria, and beneficial organisms stay active throughout the root zone instead of dying off at the pot edges.
10 Sizes from 3 to 200 Gallons
3 and 5 gallon for small plants and tight spaces. 7 to 20 gallon for most indoor grows. 30 to 200 gallon for large plants, outdoor gardens, and commercial setups.
Marine-Bonded Construction
Bottom seam is sewn on the outside with marine-bonded thread to prevent rot. Top edges are triple-hemmed. The fabric is UV-resistant, machine washable, and folds flat for storage.
Lower Humidity Indoors
Less surface area for water to escape the container means less moisture released into your grow room. Especially helpful in tents and sealed environments where humidity control matters.
Specs
Size chart and dimensions
| Size | Diameter | Height |
|---|---|---|
| 3 gal | 10" | 8" |
| 5 gal | 12" | 9.5" |
| 7 gal | 14" | 10" |
| 10 gal | 16" | 12" |
| 15 gal | 18" | 14" |
| 20 gal | 20" | 15" |
| 30 gal | 24" | 16" |
| 65 gal | 32" | 18" |
| 100 gal | 38" | 20" |
| 200 gal | 50" | 24" |
Liner
MoistureLock, BPA-free, waterproof
Aeration
4" breathable strip at bottom
Construction
Triple-hemmed top, marine-bonded outside bottom seam
Origin
Made in USA, Sacramento CA
Fabric
USA-made geotextile, UV-resistant
Care
Machine washable, air dry, folds flat
How to use your Grassroots pot
1
Set the pot on a saucer or tray
Place the pot where it will stay. Even with MoistureLock, some water will drain from the bottom aeration strip during heavy watering. A standard plant saucer works for smaller sizes.
2
Fill with living soil
Add your soil mix, leaving 2 to 4 inches of headroom for mulch and top dressing. For transplants, dig a hole in the soil and fill the pocket with a seed-starting mix rather than planting directly into the main soil.
3
Water and mulch
Water until you see a small amount of runoff from the bottom strip. Add a layer of straw, cover crop, or mulch on the surface to reduce evaporation and feed the soil biology.
4
Reuse between cycles
After harvest, chop the stem at soil level and leave the roots to decompose. Top dress with compost and amendments, then replant. The soil gets better with each cycle.
In the box
What ships and how to pick a size
What you get
- Grassroots fabric pot with MoistureLock liner sewn in
- 4" breathable aeration strip at the bottom
- Triple-hemmed top edge
- Marine-bonded outside bottom seam
Sizing guide
- 3 to 5 gal: Clones, small plants, limited space, seed starts
- 7 to 15 gal: Most indoor grows, single-plant tents
- 20 to 30 gal: No-till runs, larger plants, outdoor grows
- 65 to 200 gal: Outdoor gardens, commercial grows, trees
Not sure which size? For living soil, bigger is generally better since more soil volume means a larger nutrient battery and more stable biology. Most indoor growers land on 10 to 20 gallon. Call us: 716-217-0353 / [email protected]
Questions
Frequently asked questions
Regular fabric pots are breathable on all sides, which causes soil to dry from the edges inward. That kills off the beneficial fungi and bacteria living in the outer portion of the soil. Grassroots pots have a waterproof MoistureLock liner covering the upper walls, so water is forced downward through the soil instead of escaping out the sides. A 4" strip of breathable fabric at the bottom still provides aeration and air pruning. The result is a natural top-down drying pattern that keeps biology alive throughout the pot.
You can use any growing medium, but the MoistureLock design is optimized for living soil and organic methods where consistent moisture supports soil biology. If you're running salt-based fertigation, you typically want faster dry-back between feedings, which standard fabric pots handle better. These pots are at their best with organic, no-till, and living soil approaches.
For living soil, more volume means a bigger nutrient battery and more stable biology. Most indoor growers use 10 to 20 gallon pots. A 10-gallon (16" diameter) fits well in a 2x2 tent. A 15 or 20 gallon works in a 3x3 or 4x4 tent with room for multiple plants. If you want to do true no-till and reuse the same soil for multiple cycles, 15 gallon or larger gives the biology enough mass to sustain itself between runs.
Yes, especially indoors. The MoistureLock liner prevents most side runoff, but the breathable bottom strip will still let some water through during heavy watering. A standard plant saucer works for the smaller sizes. For 30 gallon and up, look for a plastic utility tray or a flood table.
Yes. Blumat carrots and Blusoak drip lines work well in these pots. The MoistureLock liner makes automated irrigation more effective because water stays in the soil longer, so there's less wasted to evaporation. A gravity reservoir positioned about 2 feet above the pot is enough to run a Blumat system. We carry Blumat products if you want to pair them.
Grassroots estimates 3 to 5 years in outdoor settings and 5 to 8 years indoors. The fabric is UV-resistant and machine washable on a cool cycle. Air dry only, do not tumble dry. The marine-bonded thread on the bottom seam resists rot from prolonged soil contact, which is where most fabric pots fail first.
If you receive a defective or damaged unit, email us a photo at [email protected] and we'll make it right immediately: replacement or refund, your call. For change-of-mind returns, we accept returns within 30 days for items in new, resalable condition. If you're not sure whether this product is right for your setup, call us first at 716-217-0353. We'd rather answer your questions before you order.
Happy Hydro has been selling growing equipment since 2006. We've carried Grassroots for years because the systems work great and customers who buy them leave happy. Have questions before you order? Call 716-217-0353 or email [email protected]. We're easy to reach and happy to help!
Questions? We're easy to reach.
Happy Hydro has been serving growers since 2006. Call or email us before you order, after you order, or any time something comes up. When you're happy, we're happy.
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.5 ★★★★★
Based on 16 reviews
Sort
Product Reviews
★★★★★ 5
5 Stars – A Must-Read for Anyone Interested in Creativity!
Format: Paperback
Creativity: The Psychology of Discovery and Invention* by Mihaly Csikszentmihalyi is a brilliant exploration of the inner workings of creativity and the human mind. Whether you’re an artist, entrepreneur, or simply someone interested in understanding how creative breakthroughs happen, this book provides a fascinating blend of psychology, real-world examples, and deep insights.
What sets this book apart is its comprehensive approach to creativity, going beyond the idea of it being a mysterious or innate trait. Csikszentmihalyi breaks down the creative process into digestible parts, showing how environment, discipline, curiosity, and flow all play a crucial role in fostering creative discovery. The interviews with a wide variety of highly creative people—including scientists, artists, and business leaders—add incredible depth and context to his theories.
One of my favorite takeaways is how Csikszentmihalyi emphasizes the balance between freedom and structure in creative work, and how finding the "flow" state can lead to moments of true innovation. The book not only helped me better understand my own creative process but also offered practical advice for cultivating creativity in everyday life.
This is an insightful, inspiring read for anyone who wants to dive deeper into the psychology behind creative genius. Highly recommend!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 10, 2024
★★★★★ 4
Personal Creativity does not equal Domain Transformation
This was a good if not a great book. Its greatest strength lies in the thesis introduced early on and supported throughout that the kind of creativity that leaves a trace in the cultural matrix rests not in the personal creativity of the individual, but in what Csikszentmihalyi tags the "systems approach " to creativity. To have any effect, a creative idea must be couched in terms that are understandable to others, pass muster with the experts in the field (i.e. the gatekeepers to the domain), and be included within the cultural domain (the set of symbolic rules or procedures) to which it belongs. In this systems view, the definition of a creative person is someone whose thoughts or actions change a domain or establish a new domain (pp. 27-28). This is no easy task, especially since he or she needs to learn the existing domain or domains first, and almost always necessitates being in the right place at the right time (e.g. studying quantum physics at the beginning of the 20th century or women seeking academic opportunities when WWII broke out).
Having established this in the first 30 pages, if you didn't read the remaining 350 you wouldn't miss much. But I still enjoyed reading the stories and thoughts of selected individuals whom the author deemed as "creative" according to the definition above (However, I disagreed with the selection of a few of these and would have chosen at least one more person of faith in addition to the Quaker who was briefly highlighted. Also on the issue of faith, I found the author's grouping on page 371 of studying the bible with addictive behaviors such as cruising the internet and betting on horse races to be rather laughable!).
Some additional personal nuggets I gleaned from this book include the following:
1. Those who persevere and succeed must be creative not only in their manipulation of symbols but maybe even more in shaping a career and a future for themselves that will enable them to survive while continuing to explore the strange universe in which they live (p. 199).
2. When seeking to allow your mind to make new connections in a beautiful setting, just sitting and watching is fine, but taking a leisurely walk seems to be even better. The shaping of one's personal space is also important. The Greek philosophers settled on the peripatetic method, preferring to discuss ideas walking up and down in the courtyards of the academy. When we participate in this kind of "semiautomatic activity" that uses a certain amount of attention, we allow the rest of it to be free to make connections among ideas, often from different domains, well below the threshold of conscious intentionality. "Devoting full attention to a problem is not the best recipe for having creative thoughts. "(p. 138)
3. Both creativity and innovation on the one hand and conservation and traditionalism on the other are both equally important. "Neither uncritical acceptance nor wholesale dismissal of human creativity will lead us far. " (p. 322)
The final section deals with how to enhance personal creativity. Some of these ideas were helpful (e.g. to seek to be surprised and to seek to surprise another person at least once every day, to seek to look at problems from multiple perspectives instead of assuming you see the issue clearly from one perspective, etc.) but others just seem to be taking up space on the page. I'm afraid the phraseology of how to use psychic energy more effectively on page 356 and a few other places lost my interest almost completely.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 15, 2010
★★★★★ 5
interesting analysis of what 'being creative' really means
This easy-to-read absorbing book is based on lengthy interviews with 91 creative individuals ranging from Nobel prize winners to artists to CEOs. Csikszentmihalyi starts by debunking the myth of 'the lone genius having a brilliant idea as if by magic' and defines three necessary ingredients for creativity ('with a capital "C"') - domain, field, and individual. Creativity must take place within a recognised domain (such as physics, painting and so forth); be recognised by experts in that domain (the field, although this may not happen in the individual's lifetime, eg, Van Gogh); and of course come from an individual, although he also adds the painstaking work that precedes and insight, the reality that all creativity builds on what has gone before, and the social elements of the creative process.
The book also offers supporting evidence from the lives of the 91 interviewed, which also provides interesting insights into their lives. In many ways, this book is a biography of the creative individual.
Also contains a chapter with quite practical guidance on how to live more creatively. Prescient advice for a book published in 1996 given the increasing profile creativity is getting in business and public life.
HIghly recommended, one of the most interesting learning experiences i have had in a long while!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 5, 2013
★★★★★ 5
Very enlightening for those who truly appreciate creativity more than cleverness!
Format: Paperback
I love how the author almost redefines creativity .and sheds new light (for me, at least!)on what what real-for-true creativity is and how it benefits individuals and society. It's far more than simply brightening up a room with new wallpaper and curtains -- it describes how genuine creativity requires a thorough working knowledge of the fundamentals of any given field before one can truly create something new or better, and it reveals how those of us who aren't capable of creating something ourselves can yet be part of the process by demonstrating appreciation and support for those who create, whether as sponsors, patrons, or even just ardent fans!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 4, 2023
★★★★★ 3
instructive but limited
The testimonies of creative people that give this book its flesh and blood provide fascinating examples of creative people at work. That said, if a journalist had written the book, it would be more readable, and I don't think any less of an intellectual contribution. Moreover, the definition of creativity is elitist and stunts the topic (as observed by other reviewers): "Creativity is any act, idea, or product that changes an existing domain, or that transforms an existing domain into a new one. And the definition of a creative person is: someone whose thoughts or actions change a domain, or establish a new domain. It is important to remember, however, that a domain cannot be changed without the explicit or implicit consent of a field responsible for it." Given the people interviewed, much more needs to be said about the function of social institutions in promoting creativity. Many of the accomplishments lauded in this book would never have happened without grant-making agencies (e.g., NSF, NIH, HHMI) or non-profit employers like research universities and hospitals. To offer just one obvious example of the difference made by one's institutional context, the author had advanced students to help him do his research for this book. The elitism of the definition is even clearer in the role that marketplace plays as a judge of creativity. None of us buys books from amazon.com because some official group validated amazon.com as a good idea. We didn't wait for computer programers to affirm and certify it. Amazon.com is not deemed successful because it impressed its peers. It is successful because millions of us purchase goods through it. Similarly, auto-executives did not make the minivan a successful idea, millions of shoppers did. (Obviously I don't think the marketplace fits into the author's definition of creativity. If 300 million American consumers comprise a domain with 300 million judges, then the word no longer has any useful meaning.) The definition also precludes that countless ephemeral acts of creativity that take place daily. I think instantly of two women I have worked with who were great at holidays. Their clever costumes or decorations brightened my day, adding a little element of surprise and delight. Their acts of creativity don't meet the definitions of this book. The way that creativity is defined in this book is simply a filtering mechanism by which the author selected the people he would interview. It is not a definition of creativity. It is only a description of a subsection of creativity, the kind where institutions provide paychecks to highly practiced individuals to work hard at what they love. I also found little new to take away and apply to my own social existence inside the organization where I work. Perhaps I can summarize my dissatisfaction by observing that the subtitle sets out an agenda for the psychology of creativity, but the definitional filter is intrinsically social. This disconnection sets the book up to fail. So, count this as a negative review, yes, but I did enjoy reading the testimonies of the people interviewed, and the author adds some value in the generalizations he draws. Still, much, much more could have been said.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 30, 2012