SKU: 22170278048
dracaena leggy

dracaena leggy Dracaena 'Magenta'

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Description

dracaena leggy Dracaena 'Magenta'Dracaena reflexa var. angustifolia 'Magenta' Dracaena reflexa var. angustifolia 'Magenta' is a red edged dragon tree cultivar with slim green leaves and vivid magenta margins. The colour sits along the leaf edge, so the plant keeps a narrow outline while adding a strong red purple accent. Its growth comes from slender woody canes that carry tufts of pointed leaves at their tips. As the stems lengthen, the plant develops a light tree like silhouette

Dracaena reflexa var. angustifolia 'Magenta'

Dracaena reflexa var. angustifolia 'Magenta' is a red-edged dragon tree cultivar with slim green leaves and vivid magenta margins. The colour sits along the leaf edge, so the plant keeps a narrow outline while adding a strong red-purple accent.

Its growth comes from slender woody canes that carry tufts of pointed leaves at their tips. As the stems lengthen, the plant develops a light tree-like silhouette with space between the foliage heads. Cutting back a tall cane can restart growth lower on the stem and help maintain a fuller indoor shape.

  • Leaf colour: Deep green blades edged with reddish-magenta margins.
  • Growth habit: Slim woody canes with narrow leaf tufts at the tips.
  • Indoor size control: Can be pruned to manage height and encourage branching.
  • Container outline: Red-edged foliage on narrow canes keeps the plant slim in a pot.

Red-Margined Leaves on Woody Canes

This cultivar belongs to Dracaena reflexa var. angustifolia, the western Indian Ocean dragon-tree variety formerly known as Dracaena marginata. The variety’s natural form is a shrub or tree, and 'Magenta' keeps that cane-forming structure indoors on a smaller scale.

The narrow leaves show their strongest colour along the margins. Bright filtered light keeps new leaves firmer, while overly harsh sun can scorch the leaf surface. The stems and leaves tolerate short dry spells, but constant wetness around the roots can lead to soft stems and root decline.

Care for a Red-Edged Dragon Tree

  • Light: Use bright indirect light near a window; introduce any direct sun slowly and avoid hot midday exposure.
  • Watering: Water thoroughly after the upper part of the mix has dried, then keep the saucer empty.
  • Potting: Choose a pot with drainage and avoid large jumps in pot size after repotting.
  • Temperature: Keep the plant above cool draughts, with steady indoor warmth around 18–27 °C.
  • Substrate: A mineral-aerated mix helps protect the roots from long wet periods.
  • Pruning: Shorten tall canes in spring or summer for easier regrowth and shape recovery.
  • Humidity: Average home humidity is acceptable, but a very dry room can make leaf tips crisp.
  • Feeding: Apply a diluted balanced fertiliser during active growth, then pause or reduce feeding in winter.

Colour and Root-Zone Troubleshooting

  • Dull new leaves: Move gradually into brighter filtered light if the plant has been kept far from a window.
  • Brown tips: Check for dry air, mineral buildup, hard water or fertiliser excess before changing the whole care routine.
  • Soft stems: Remove the plant from wet substrate and inspect the roots if a cane loses firmness.
  • Dry, bleached patches: Shift away from direct sun that hits the same leaves for several hours.
  • Small pests: Look for spider mites, scale or mealybugs on leaf bases and along older stems.

Safety for Pets

Dracaena reflexa var. angustifolia 'Magenta' is toxic to cats and dogs if ingested. Keep the plant out of reach and remove fallen leaves, especially in homes with pets that chew foliage.

Botanical Background

Dracaena comes from Greek drakaina, meaning female dragon. The species epithet reflexa means bent back sharply, and angustifolia means narrow-leaved. Dracaena marginata is an older synonym of Dracaena reflexa var. angustifolia.

Dracaena reflexa var. angustifolia 'Magenta' has slim canes, defined height and red-edged foliage in a narrow potted form.

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SKU: 22170278048

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Ray Pryor
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★★★★★ 5
Amazing.
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Just like a good movie, the first 10 pages = mind blown. Wow, such really, really good material here. If you're new, this will help you a ton. If you're experienced, this book will help you realize WHY great dialogue is so great, enabling you to create the magic again and again. I love how McKee covers several medias ( screen, theater, novel ) but still stays true and clear on the concept. A virtual masterclass on the subject. One of the best screenwriting books out there, and Yes, it's well worth all the hype.
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So to speak
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Previews did not show the Table of Contents, but it is worth searching the web for. The coverage includes practical techniques as well as case studies. Notes cover titles on topics over several decades. This book has four parts about what dialogue is, how it can mended, and how it can be created and designed. Trialogue, the third thing through which a pair of characters channel conflict in conversation, is an interesting concept because it overlaps social networks or media and comms devices; it is also looked at historically. Dialogue is reportedly the quickest way to fix a narrative text since it appeals to intuition. Those levels of depth are what the book is about. They can be found in first person voice. The approach could easily fill a site on the order of tropes for favorite titles, but for deconstruction and revision, which are also relevant to works in progress. It talks about finding characters in the dark, though not necessarily from the milieu, unless it were compressed and made to transfer meaning like in poetry, but reflexive so that it is symmetrical to the characters or human nature. If there is a boundary to be found, then this method is going to hit the lines to find out what happens then. The impact on the rest of the narrative elements is discussed. This extends back through the early philosophers, through tragedy, the merging of European roots into English, and the study of personalities to contemporary customs. Voice is plot.
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Reviewed in the United States on June 12, 2017
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ONE OF THE TWO BEST BOOKS ON SCREENWRITING
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Probably the best book on screenwriting ever (besides Egri), though there is also much here for the novelist and playwright. I am a professional TV writer, of long-standing (35 years), and I can tell you I used this book to figure out how to fix the problems of a complex pilot I'm writing; the author truly " guided me home." And lest you think I'm a McKee sycophant, I am not. I found little in STORY for me. The only thing I disagree with in DIALOGUE is that the author sells his own work short: it isn't just for those who are "lost" in their writing, like me, and the student, it's for anyone who writes fiction for a living, in any form, no matter how much experience they have. It's that good.
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McKee’s best
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More relevant than STORY, more useful on a daily basis. This is the book I recommend to all beginning writers. I’ve now read it three times and will read it at least three more. I learn, relearn, and remember bits and pieces each time. It is one of three books that has made me the greatest writer of all time.* *my opinion, anyway.
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This character and omnibus are excellent! The sturdy hardcover contains the entire original series plus additional one-shot graphic novels and guest appearances in other series. Colors look nice and well printed. The main character is a mutant singer trying to make her way in the world which adds an extra dimension to her story. The artwork is fun to look at and around 2/3 of the way through the book Dazzler gets an updated 1980s costume. How many other super heroes can take on Galactus in roller skates? Highly recommended!
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Reviewed in the United States on August 21, 2025

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