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sansevieria snake plant types

sansevieria snake plant types Variegated Snake Plant

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sansevieria snake plant types Variegated Snake PlantIntroducing the Sansevieria laurentii, known as the variegated snake plant, is one of the most popular snake plant varieties. Native to Tropical West Africa, the Sansevieria laurentii has several other common names, such as snake plant laurentii, variegated mother in law's tongue plant, Sansevieria trifasciata laurentii, or striped snake plant. The Sansevieria laurentii differs from the other main type of snake plant, Sansevieria zeylanica because of

Introducing the Sansevieria laurentii, known as the variegated snake plant, is one of the most popular snake plant varieties. Native to Tropical West Africa, the Sansevieria laurentii has several other common names, such as snake plant laurentii, variegated mother-in-law's tongue plant, Sansevieria trifasciata laurentii, or striped snake plant.


The Sansevieria laurentii differs from the other main type of snake plant, Sansevieria zeylanica because of its green leaves with yellow striped edges and larger size.

The plant has tall, rigid sword-like leaves that grow upright and can reach up to 8 feet tall.

Its leaves provide a striking contrast between their dark green color and the dazzling gold variegation around the edges. 

The flowers of this variegated snake plant are creamy white, pale green, and bloom from late winter through early spring, making it a true showstopper in any garden. This perennial Sansevieria laurentii succulent is perfect for those looking for a low-maintenance addition to their garden or indoor space.  

Sansevieria is part of our clean air plant collection, which filters airborne toxins. The Laurentii snake plant is a popular plant that can be grown in both rock gardens and landscaping, as well as in decorative pots indoors. It's a versatile plant that adds beauty to outdoor spaces and brings a touch of greenery to indoor environments. 

However, because this snake plant laurentii grows slowly, large plants can be expensive

When and How to Water Your Variegated Snake Plant 

The Variegated Snake Plant is a drought-tolerant succulent that should be watered every 2–3 weeks during spring and summer and only once every 4–5 weeks during fall and winter, allowing the soil to dry completely between waterings.

From March to August, during the growing season, water your Sansevieria laurentii every 2 to 3 weeks, giving just enough water to moisten the root zone. This is when the plant is actively photosynthesizing and may absorb water more quickly, especially in warm, bright indoor conditions. Always ensure excess water drains out fully and never let the pot sit in water.

From September to February, during the dormant season, reduce watering to once every 4 to 5 weeks, or only when the soil is bone dry. The plant’s growth slows down significantly during cooler months, and its water needs decrease accordingly. Overwatering in winter can easily lead to soft, rotting roots or fungal issues.

Thanks to CAM photosynthesis, this snake plant opens its stomata at night, conserving water efficiently throughout the day. This adaptation, along with its thick, moisture-retentive leaves, means it’s better to underwater than overwater. Wrinkling or slight leaf shriveling are early signs it’s time to water, while mushy or yellowing leaves indicate excess moisture and possible root rot.

Light Requirements - Where to Place Your Variegated Snake Plant

If growing indoors, place your Sansevieria succulents directly in front of a west- or south-facing window, where it gets 4-6 hours of bright, indirect light.

If Sansevieria laurentii don't receive enough bright light, their dark green leaves with yellow variegated edges may grow leggy, become paler, and shorten.

So, make your succulent happy and give your variegated snake plant plenty of brighter light.

When growing outdoors, this Sansevieria laurentii prefers full sun to partial shade for at least 4-6 hours but can also tolerate low light conditions, making it a great choice for rooms with limited natural light. Direct sunlight should be avoided because it can burn your variegated snake plant leaves.

Remember, it's important to gradually acclimate it to the outdoor environment to prevent sunburn. Start by placing it in a shaded area and gradually move it to a spot with more sunlight over a few weeks. This will help the plant adjust to the increased light levels.

Optimal Soil & Fertilizer Needs 

The Sansevieria laurentii snake plant thrives in well-drained soil and should be fertilized once a year in spring. Moisture can be a real killer, leading to root and stem rot in no time. But fear not, my fellow green thumbs! Planet Desert has got your back with our specialized succulents potting mix that includes organic mycorrhizae – perfect for promoting healthy roots and happy Sansevieria laurentii. 

When it comes to fertilizing your variegated snake plant, it only needs a small amount of fertilizer applied once a year in the spring. Succulents prefer a fertilizer with lower doses of NPK, with a maximum ratio of 5-10-5 that is higher in phosphorus than nitrogen. 

Hardiness Zones & More 

In the United States, this is mostly an indoor plant, but if you live in southern Florida or Hawaii, then you can cultivate it outdoors in USDA zones 9-11. 

This plant thrives in dry, semi-tropical conditions, but it goes dormant when temperatures dip, slowing its growth significantly.

If exposed to prolonged cold or frost, especially below 50°F, the leaves may suffer scarring, mushiness, or collapse.

Even in zones where outdoor cultivation is possible, it’s best to grow them in containers so they can be easily relocated when temperatures become unfavorable.

How to Grow Variegated Snake Plant Best Indoors

To grow your Variegated Snake Plant successfully indoors, maintain a warm, stable environment with temperatures between 65°F and 75°F, which closely mimics its native tropical climate. This plant does not tolerate frost or cold drafts, so it should always be kept away from open windows in winter or air conditioning vents. High humidity can also be problematic, as it increases the risk of rot, so aim for dry, well-ventilated indoor conditions. Its upright, sword-shaped leaves not only make it a great vertical accent in tight spaces but also help purify indoor air, making it both a functional and decorative choice for homes and offices.

Wildlife - Variegated Snake Plant Attracts the Following Friendly Pollinators

The variegated snake plant produces small, fragrant flowers that attract a variety of friendly pollinators such as bees, butterflies, and hummingbirds. These pollinators are essential for the plant's reproduction and play a crucial role in maintaining biodiversity in the ecosystem.

Butterflies
Bees
Hummingbirds
Lady Bugs
Multi Pollinators
Other Birds

According to ASPCA, the variegated snake plant is mildly toxic to humans and pets if ingested. The entire plant contains saponins, which can cause gastrointestinal issues like nausea, vomiting, and diarrhea. However, it is safe to touch and handle, making it a popular choice for indoor decoration in homes with pets or children.

How to Propagate Your Sanseveria laurentii

The Sansevieria laurentii can be propagated through division or leaf cuttings. To propagate through division, carefully separate the plant into smaller sections with roots attached and replant them in fresh soil. For leaf cuttings, simply cut a healthy leaf into smaller sections and plant them in soil to root.

Key Takeaways

  1. The variegated snake plant stores water in its thick, upright leaves, making it extremely drought-tolerant and perfect for forgetful waterers or low-maintenance homes.
  2. Its striking vertical foliage is edged with golden-yellow margins, giving it a bold, architectural look that stands out in any modern interior.
  3. This plant improves indoor air quality by filtering toxins like formaldehyde and benzene, making it both beautiful and functional for home or office spaces.
  4. Thanks to CAM (Crassulacean Acid Metabolism) photosynthesis, it absorbs carbon dioxide at night, making it one of the few houseplants ideal for bedroom air purification.
  5. It’s nearly indestructible in the right pot, tolerating low light, dry air, and minimal care, yet leaf damage can occur if temperatures drop below 50°F.

Final Thoughts

Overall, the Sansevieria Laurentii (snake plant laurentii) is a beautiful and resilient plant suitable for indoor spaces due to its ability to tolerate various conditions. Its upright leaves and variegated pattern add elegance to any room. It is low-maintenance, thrives in well-draining soil, and prefers bright, indirect light. Watering should be minimal to prevent overwatering. It can withstand neglect and drought periods. Sansevieria Laurentii's air-purifying qualities make it an excellent choice for improving indoor air quality.  

With the easy-to-care-for variegated snake plant - Sansevieria laurentii, you'll start to spend less time maintaining your garden and more time taking in its beauty! 

You may also like the other popular snake plant varieties, including the moonshine snake plant, the mother-in-laws snake plant, the Cylindrical snake plant, and the Zeylanica snake plant.

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Mr. Watkins
Draper, US
★★★★★ 5
Classic Terry Gilliam- Watch It!
One of the best Terry Gilliam movies out there. Made in the 1980's, the cast is superb, and it holds up well 40 years on. WAtch it- it's a trip!
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Reviewed in the United States on April 27, 2026
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***moviemaker***
Alexandria, US
★★★★★ 5
BLU RAY is the 132 minute Original U.S. Theatrical Cut FINALLY!!!!
] On this Blu-ray for the first time ever we get the ORIGINAL 132 minute version of the film as was shown in U.S. theaters. (Note: This is NOT the "Love Conquers All" Sheinberg/TV Edit.) All the DVD releases before this have been the European Version/Director's Cut of the film. Even the original Universal DVD release that said Theatrical Cut on the box actually had the European Version/Director's Cut. Unfortunately, Universal didn't really spend any time cleaning up the negative for Hi-Definition (there is very noticeable instances of dirt and debris on the negative) but it still beats the image quality found on the Universal SD DVD, and they do include an amazing DTS-HD Master 5.1. We'll just have to wait for the Criterion Blu-ray of Brazil for image perfection but serious fans of Brazil will want to get this Blu-ray edition just to have this version of the film as it was originally seen in theaters in 1985. I actually find this 132-minute version is in many ways a superior cut of the film. Here are the differences in detail: *In the 132-minute version you cut from Sam in bed with Jill, police sack goes over head, then CUT TO Pull off police sack to reveal Sam in Torture Chamber/Interrogation chair. This one cut is simply brilliant and very powerful. In the Criterion Version you have the added scene of Mr. Helpman as Father Christmas (completely out of charcater from the rest of the film) and the whole interrogation scene of Sam hanging from the rack inside the police/mail pouch which becomes narratively redundant and dilutes the impact of the final scene. *To end it with cooling tower/interrogation room fade to clouds was a great Gilliam wink of subversion and irreverence to the cliche Hollywood Ending. As opposed to the European cut of just credits over cooling tower/interrogation room. *The Samurai Scene is divided into 3 separate scenes in the 132-minute version versus 1 LONG scene in the European cut. And you know what? Like most things, it works better in 3's. *The 132-minute version cuts straight to the Dinner Scene with Ida (his mother) ordering numero deux, trois, etc. while the European version has the entrance to the restaurant of going through the metal detector which really doesn't add anything and is again a bit redundant when the bomb does eventually go off in the restaurant. With the scene, you're signaling to the audience we are looking for a bomb, so we expect a bomb. Without the added scene, the bombing is unexpected and it actually shocks you so you're both horrified and laughing. The unexpectedness also works as it builds upon the bomb motif from the first explosion at the beginning of Brazil during the Ducts advert. *And finally I just love that the 132-minute version opens on those clouds (outtakes from The Never-Ending Story) then goes to the Central Services advert about Ducts: "Are your ducts old-fashioned, out-of-date... " Now the Criterion version also has the clouds opening (The Original European Cut didn't) but it's funny because the Studio asked Gilliam to start off with the clouds for the US Cut and he actually prefers it as quoted in his Director's commentary. Hilarious. Little changes that add up to a tighter and overall, better film.
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Reviewed in the United States on July 12, 2011
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W.P.
Houston, US
★★★★★ 5
Great cast; well directed
Great movie; lives up to its reviews
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Reviewed in the United States on March 25, 2026
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Basket Case
Waukegan, US
★★★★★ 5
An ageless classic !
I hadn't re-watched this movie since the first time I saw it, when it came out in 1985. Back then, it had stricken the public with its fatalistic and pessimistic view of an overwhelming bureacracy, a suggested characteristic of fully-centralised power in a controlled society in the future. Today, we can still admire some of its validity and premonitory qualities (and the sarcastic humour !). The dream-like scenes and symbols used in the film are also ageless. Ever-growing computer systems govern today the relationships we hold with banks, government departments, utilities, phone companies, etc. Who hasn't experienced the frustration of dealing with their 'machines' and/or incompetent & robotic bureaucrats when problems or errors arise in their service? 'Brazil' will seem so familiar! The omni-presence of screens in our lives, everywhere and incessantly offering us products or services, or used to control our movements and behaviour, is also a well-guessed futuristic scenario by Gilliam & co. And what to say about the 'terrorism' and the 'permanent state of fear' portrayed back then? Sounds familiar today? I recommend this movie to anyone interested in the threats of an unbridled, arrogant and all-powerful bureaucracy in human society. The film can be a bit 'heavy' at times, though. Not everyone's cup of tea. Watch it first, before sharing with friends or family.
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Reviewed in the United States on February 19, 2012
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johnf
San Leandro, US
★★★★★ 5
The music is lovely, Catherine Deneuve is beautiful and the story will tear you apart.
The word "Masterpiece" is thrown about often in the worlds of film and music but in this case this is the real thing. The Umbrellas of Cherbourg is one of those rare instances where everything came together in a film in a serendipitous way that would never be duplicated. Not only that, but made by two up and coming young men who had only done two films before with a cast of mostly unknowns. Then, to top it all off, it would not just be a musical, but a film sung completely through like opera, something completely unique and untried. Try selling a concept like that to one of today's studios. Fortunately the early sixties was a much looser time with many movie studios and open minds willing to try new things. The director was Jacques Demy, whose first film, Lola (1961) included music but was shot in the more usual black and white. His co-creator was Michel Legrand, already known as a jazz pianist who had had hit albums and even toured America. The music would be light,, but not operetta; it would be updated to include strong influences of chanson, pop and jazz with a little Baroque counterpoint thrown in (Legrand had been classically trained). This time the film would be shot in super-saturated color with sets painted vibrant, almost expressionist colors. And it all would center around a young and virtually unknown Catherine Deneuve and Nino Castelnuovo as Genevieve and Guy, the very personification of young love in a rainy Spring. The resulting film is completely transporting. The story is very old, the treatment very new and the end result is something to be experienced. The singing somehow seems completely natural, more natural in a way, than films with spoken dialogue that break into songs from time to time. Here in a world of continuous music, love has turned everything into a dizzily colored poem that peaks when Guy is to be sent away to fight in the war in Algeria. Fate takes a big hand in the consequences creating unforseen results. The supporting cast are as good as the principals, with Anne Vernon (Madame Emery) the veteran of many films and Marc Michel (Roland Cassard) coming in having played the same character in Lola, a signature quirk of the director. The music produced two early sixties hits, I Will Wait For You and Watch What Happens. Mr. Legrand's familiarity with the worlds of pop and jazz kept everything fresh-sounding and up to date. You also note subtle touches like the opening jazzy music set in 1957 is very brassy and big band sounding while in the 1963 final scene it's the cool jazz of that time. The colors are so captivatingly brilliant that when establishing shots of the actual Cherbourg are shown it seems like another world. If you like romances, this is one of the classics. If you are open to musicals you will have no trouble with the fact that the entire film is sung. This is a most memorable and worthy film.
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Reviewed in the United States on January 31, 2016

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