SKU: 29154736438
shady lady indoor plant

shady lady indoor plant Shady Lady, Bucida Buceras, Black Olive

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Description

shady lady indoor plant Shady Lady, Bucida Buceras, Black OliveLooking to add a bit of life and beauty to your outdoor or indoor space? Shady Lady, Black Olive is the perfect tree for creating an oasis in your backyard, patios or indoors. Outdoors this tree provides shade, privacy, habitat for wildlife, carbon sequestration and much more all without requiring a lot of maintenance. Plus they look stunning when planted together or mixed with other plants! Shady Lady is container friendly, decorate with the shady

Looking to add a bit of life and beauty to your outdoor or indoor space?

Shady Lady, Black Olive is the perfect tree for creating an oasis in your backyard, patios or indoors. Outdoors this tree provides shade, privacy, habitat for wildlife, carbon sequestration and much more — all without requiring a lot of maintenance. Plus they look stunning when planted together or mixed with other plants! Shady Lady is container friendly, decorate with the shady Lady in mind.

The Shady Lady Black Olive tree, also known as Bucida buceras, is a beautiful evergreen tree with glossy dark green leaves. Native to the Caribbean region, this tree is popular for its dense foliage and elegant appearance generally created by layers of foliage.

Disclosure

Please note Shady Lady tree is susceptible to some yellowing and browning of the leaves during transit, especially for those buyers located in west coast regions, is important for buyers to be aware of potential challenges when purchasing this plant. 

While the tree may experience some yellowing or browning of leaves due to hot weather and longer transit times, it is reassuring to know that the Shady Lady is a hardy plant that can recover within 90 days and continue to send out new shoots. This resilience is definitely a positive trait for potential buyers to consider.

Buyers from the following states California, Oregon, Washington, Idaho, Colorado, Nevada, Nebraska, we cannot guarantee the plant will arrive in perfect conditions, you most allow the plant to recover for a period of 90 days before you can file a claim for a replacement. If you have any questions feel free to contact us before buying this item.


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Description

With their lush foliage adding texture and contrast to any yard or garden, these trees can instantly turn a dull-looking space into something special. Not only will they enhance your lawn’s overall appearance; but also increase its functionality by providing shade on hot days, blocking windy gusts during winter months, and even acting as natural fences to protect you from prying eyes.

Here are a few key features of the Shady Lady Black Olive tree:

Appearance: The Shady Lady Black Olive tree has a compact and symmetrical growth habit, with a rounded crown that can reach a height of 30 to 50 feet (9 to 15 meters). Its oval-shaped leaves are shiny and leathery, providing an attractive dark green backdrop to any landscape.

Tolerant of Shade: Despite its name, the Shady Lady Black Olive tree is surprisingly tolerant of shady conditions, making it a suitable choice for areas with partial shade. However, it thrives best in full sun, where it will develop its densest foliage.

Low Maintenance: This tree requires minimal maintenance once established. It is relatively drought-tolerant and can adapt to a variety of soil types, including sandy or loamy soils. Pruning is generally not required unless you want to maintain a particular size or shape.

Landscape Use: The Shady Lady Black Olive tree is often used as a focal point in gardens, parks, and large landscapes due to its striking appearance. It can also be planted as a shade tree near patios, pools, or outdoor seating areas.

Wildlife Attraction: The tree produces small, inconspicuous flowers that attract pollinators such as bees and butterflies. Additionally, its dense foliage provides nesting sites and shelter for birds and other wildlife.

Visit our website now to learn more about Shady Lady & Bucida Buceras Trees and order today!

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SKU: 29154736438

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David R. Papke
Lake Worth, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
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DoubtfulReader
Omaha, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
Port Orchard, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
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J. Christian
Cuba, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Grantham, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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