SKU: 30936493128
hauck 4 rapid

hauck 4 rapid Hauck Rapid 4 Stroller With Front Safety Bar Caviar Black Age-Newborn & Above

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Description

hauck 4 rapid Hauck Rapid 4 Stroller With Front Safety Bar Caviar Black Age-Newborn & AboveThe ideal pushchair for an urban family life. The Rapid 4 is the ideal companion for your mobile day to day life. The front wheels swivel at 360 degree and promise a bump free journey on streets, easily mastering sudden changes of direction. Also, they can be blocked providing a comfortable drive on country and forest paths. The Rapid 4 is simply made for urban life with child. Thanks to its lightness and manoeuvrability, the Rapid 4 can be easily

The ideal pushchair for an urban family life. The Rapid 4 is the ideal companion for your mobile day-to-day life. The front wheels swivel at 360 degree and promise a bump-free journey on streets, easily mastering sudden changes of direction. Also, they can be blocked providing a comfortable drive on country and forest paths. The Rapid 4 is simply made for urban life with child.

Thanks to its lightness and manoeuvrability, the Rapid 4 can be easily pushed around town, easily mastering narrow corridors and tight curves. The extra-large basket can be used up to 3 kg and offers space for toys and purchases. Also, the handlebar can be adjusted up to 30 cm in height, allowing adults of different heights to drive the pushchair in a back-friendly way.

Compared to other city pushchairs, the Rapid 4 can be used much longer, offering your child a comfortable and safe ride up to 4 years. The soft seat comes with a backrest that can be inclined without steps up to a lying position. The padded footrest can also be easily adjusted to a horizontal position, ideal for your child's naps.

Thanks to the one-hand folding mechanism, you will profit from maximum mobility on the bus, on train, or on trips away from home. The Rapid 4 folds up within seconds, while the soft release loop doubles up as carry handle. This way, you can easily carry the compact pushchair and have one free hand for your little explorer at the same time.

Product Dimensions: 45.0 x 23.0 x 75.0 cm
Weight: 9.5KG
Recommended Age: Suitable for 0 month upto 25 kg

• The light and mobile city pushchair
• Swivelling front wheels: the rapid 4 pushchair is the ideal companion for your mobile day-to-day life. The front wheels swivel at 360° and promise a bump-free journey on streets, easily mastering sudden changes of direction. Also, they can be locked providing a comfortable drive on country and forest paths together with the suspension.
• made for city life with child: thanks to its lightness and maneuverability, the rapid 4 can be easily pushed around town with one hand. Narrow corridors, tight curves and other obstacles of the city life have no chance against the smart design of this pushchair.
• Large basket for extra space: neatly stored. The rapid 4 city pushchair comes with an easily accessible storage basket that can take up to 3 kg. The extra-large basket with stable edges offers space for toys, baby things, and purchases.
• Reliable companion up to 4 years
• Stable and long-lasting companion: in comparison to other city pushchairs, the rapid 4 can be used much longer. Together with the seat and basket, the rapid 4 takes up to 25 kg (22 kg child + 3 kg shopping basket), offering your child comfortable and safe trips up to 4 years.
• Comfortable and spacious seat: comfy from head to toe. The soft seat offers space and freedom of movement for bigger children, too. The padded 5-point harness helps keep your child safe without disturbing.
• Continuously adjustable backrest with lie-flat position: the backrest can be individually inclined from an upright seating position to a lie-flat one, offering your child comfort in all situations. The padded footrest can be easily adjusted into a horizontal position, too.
• Maximum mobility in your daily life
• One-handed folding mechanism: folds away within seconds: the rapid 4 is a light pushchair that folds away one-handedly by using the “press & pull” system on the release loop. Thanks to its compact folding size, the rapid 4 fits in almost any car boot and takes up almost no space in small entrance halls.
• Easy to transport thanks to integrated carry handle: once folded up, the rapid 4 can be easily transported by the release loop that doubles up as carry handle. By doing so, your other hand remains free for your little explorer or your purchases. Also, the compact folding is ideal for travelling on bus or train.
• Height-adjustable handlebar: the push handle can be adjusted up to 30 cm in height, allowing parents, grandparents, or even younger siblings to comfortably steer the rapid 4 city pushchair around town.
• What's in the box: stroller; instruction manual brand information hauck makes babies happy – from the very beginning.

Brand Information:
Hauck group nowadays is one of the market leaders in the area of strollers and baby accessories. Our aim is to create new ideas for products which satisfy parents and inspire children. Our experience and the quality of our products has made the Brand popular all over the world. We offer a widest range of baby products that includes Strollers, Prams, Carry Cots, Travel Beds, High Chairs, Rockers, Players, Walkers, Toys, and Accessories. Apart from it, Hauck has the licensee of producing the widest range of Fisher-Price and Disney characters products in the world.
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SKU: 30936493128

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4.2 ★★★★★
Based on 7 reviews
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Product Reviews
K
Verified Purchase
Ken Goldstein
Natrona Heights, US
★★★★★ 5
As Much About Life As Writing
Format: Paperback
Anne Lamott is not a cheerleader, more like the Burgess Meredith with the water bottle and bucket in Rocky's corner between rounds -- I'm also guessing she wouldn't wilt if she had to slash your eye open if like Rocky it got sealed shut. She knows you are going to get hit hard, and she reminds you that you know it too. She tells you not to get distracted by that which doesn't matter to the process of writing. Much of this she learned from her father, who was also a career writer. He taught her it was the doing that mattered, not the surrounding mechanical functions that seem like they matter. What struck me repeatedly in Lamott's mini-lessons was her deep understanding of process -- that output of a work is not so much the full work itself, but an assembly of building blocks, one at a time, each a commitment, and only in totality something more. She does not advocate bonehead process or ridiculous formulaic mandate - this is not a how-to manual -- she just wants us to care about what we are doing and accomplish it in a series of heartfelt steps. There are no shortcuts, it's a little more each day, a continuum that adds up to a satisfying and cohesive whole. This is not breakthrough thinking, but it's a lesson we need to learn over and over, and it's not just about writing. Creative process is the heart of innovation. Think of all the elements that make the iPad great. If all the elements weren't great, it would not be great. Same with a restaurant menu and wine list. Same with an office skyscraper or memorial monument. Same with a short story, same with a novel. Summary impression rests in the details, all the many tiny parts or moments -- and all those details require hard thought and careful design. Lamott is smart about this, she tells you that getting it right is not going to happen out of the gate and unnerving strides at perfection can be your worst enemy. She has an excellent descriptor for the real quality of the first drafts to which we aspire. I'll let you discover that on your own so the word does not get scraped here. Her point is, just get the words out, work on making them better later, a layer at a time. She also allows us not to obsess unnecessarily with locking the full road map before we explore, because again that can impede our work. How far do we need to see ahead? "About two or three feet ahead of you" is plenty she tell us, quoting E.L. Doctorow: "..writing a novel is like driving a car at night. You can only see as far as your headlights, but you can make the whole trip that way." She says this is "right up there with the best advice about writing, or life, I have ever heard." I tend to agree. There is tremendous empathy in Lamott's world view, she offers a sense of shared experience that is reinforcing and comforting. Lamott talks about the imaginary radio station playing in your head -- another colorful descriptor I will let you discover -- that tells us over and over again why we can't do something, why the work we are doing is neither good nor worth doing. Learning to turn off that radio is our key to moving forward, we all hear it from time to time, but when it becomes perpetual, that is when our ability to create interesting work stops completely. Lamott is just so honest and clear about all the factors that stop us from moving forward because she not only has experienced them, she continues to experience them. She does not position herself as a guru or weekend seminar success evangelist, but simply as someone who can reflect on problems of creativity because she deals with problems of creativity endlessly in her own life. She is even more honest in telling us that no one can make these problems go away once and for all, certainly not with any form of temporal success. All we can do is know that these obstructions will always be there, so we must embrace confronting them. Sometimes it really is good to know that none of us are experiencing roadblocks on our own, the fact that someone like Lamott tells you she is experiencing what you are experiencing is precisely the empathy that builds strength and resistance because the experiences are shared, bad and good. Her humility is reinforcing and refreshing and uncompromisingly inspiring. "Bird by Bird" is not a long book, it can be read if you wish initially in a single sitting, but it is the kind of book you will find yourself coming back to for this chapter or that, this phrase or that. Lamott writes with good humor, even when she tackles very difficult and personal matters of her own life and those around her. The more I think about her framework, the more I am convinced it is much more broadly applicable then perhaps she even considered. I see the guidance as useful in company life, in financial life, in family life, in political life, and in government life. All of these require effective process to get them right, there are no shortcuts, and the rewards can be the smallest where the challenges are the greatest. That does not mean the rewards aren't meaningful, but it is the context of those rewards and the expectations that one sets for success that truly inform us when we are steering toward a final draft. Review excerpted from my blog: [...]
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 3, 2011
F
Verified Purchase
Farnoosh Brock
Massapequa, US
★★★★★ 5
Attention: Writers! This book is for all of us, new or old pros at the craft.
Format: Paperback
Some - because it's too many to list ALL - of reasons I loved Bird by Bird as a writer, an entrepreneur and a human being with stories to share and thoughts to voice - just like you. I wish I had read the Kindle version so I could highlight every chapter and re-read them later, but I got the physical book to add it to the small shelf of books I still keep in my office, and next to the copy of my most favorite book on the topic: On Writing by Stephen King. Bird by Bird is now the 2nd best and useful book I have read on writing. If I weren't inspired to write before, I felt my body fill up with reasons that now draw me to writing. If I had voices of doubt, the ones that slip into your head at 4am and whisper, "Who are you to write? What do you have to say that others want to read?", which I did, I am now courageous enough to ignore them. They don't go away but I can say, screw you, I'm writing anyway. I now can't not write and this feeling is one that I just can't put a price on. For that alone, I'm overjoyed. But there's more. For starters, it's the way she tells you to write about your childhood. It's the simplicity of this advice, and the way she just calls you to do it. I loved her just for that. Write about your childhood even if it was terrible, even if it was dark and lonely, for it shaped you into who you are and who you are is a unique voice for the world to hear. Okay I added all of that but she says it more beautifully and the gist of it says that thou must write about thy childhood especially when you do not know where to start. Make it a good story, turn the bad characters into a description that if they were to read your book, they would not recognize themselves except for their actions - that's apparently how you save yourself from libel - and then just write. I cried at various points in this book and the whole spiel about childhood was one of them, but the others were when she described why we write, and what brings us to the blank page, and how it's not about being published - and it really isn't, I've been published twice and my book has ranked among best-selling categories and sold thousands of copies and it was fun yes but writing is about so much more. If you weren't enough before you published, she quotes someone, then you won't be enough after, and that will stay with me. We all write for our own reasons, and if you feel drawn to writing, if you feel a call to writing and you have been resisting it, stop. Ignoring this urge is like neglecting hunger or thirst just because you are too stubborn to accept the laws of nature. Go with the flow, drop your excuses and write what you feel called upon to write. I also love the writing style of Bird by Bird. She does not break down writing into distinct categories and address each. She simply tells us stories and personal experience and her amazing nuggets of wisdom come through, just oozing out of the page. It is the stories that help you remember the bigger points she was making, and a very similar style as King's On Writing, which helps you learn not just about writing but about the writer's life and highs and lows and how writing integrates into their life, and the big picture. Bird by Bird is sweet, refreshing, funny, and even if Lamott over-dramatizes the life of an author - or perhaps, mine is under-dramatic, who knows - I love her for it. I love that she was oh so vulnerable, and how she dished out tough love and great advice and in the end, simply encouraged us to write. Just write those stories down and do it for reasons that go well beyond publication, fortune, fame, or other dreams that you may have for your writing, because writing is its own sweet delicious fulfilling reward. Add this book to your list of must-read books, my writer friends, and let's put our stories out in the world if not for anyone but ourselves.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 28, 2015
C
Verified Purchase
Caryss Wood-Behan
Grantham, US
★★★★★ 4
Lamott's "Bird by Bird" is a real tweet
Format: Paperback
In "Bird by Bird," Anne Lamott relates the growing pains felt by all fledgling writers, including herself at one time, and the importance of staying on course until the job of writing is done. The book is sown with plenty of humorous anecdotes, zany analogies and colorful metaphors - in short, the emblematic, original style of writing for which Anne Lamott is best known. "Bird by Bird" does not deviate from this signature style by drifting into territories of discussion about proper grammar, form and other pedestrian aspects of writing. She feathers her nest in a creative, engaging format, filling it with stories of her earlier days as a writer and interspersing them with tips and lessons learned along the way. There is no elitism in "Bird by Bird." Lamott demonstrates her humanness in the incidents she shares. When a friend calls to say that her book has been published readers will empathize with Lamott's natural feelings of jealousy and inferiority. When she ends up writing about those unpleasant emotions, the lesson becomes apparent that any topic - especially one that is universally felt, experienced and, therefore, understood - has the potential to be fashioned into the written form. Later on, the author reveals the anxiety and knuckle-cracking anticipation she experiences while awaiting feedback on a manuscript submission. It is impossible not to feel jitters of sympathy as we wait for the outcome to be revealed. For the most part, "Bird by Bird" covers the emotional and creative expanse experienced by the writer from the moment he first coaxes his work onto paper until such time that he deems it finished. Lamott reminds writers that aspiring to have their works published should not trump the sheer joy of writing for writing's sake. The book could prove a valuable addition for a writer who has already begun to see some positive affirmation and movement where his writing is concerned. For a beginner, however, this book might miss the mark due to its absence of writing fundamentals. Lamott does address this subject, however, in a general sense when she alludes to writers' groups and writers' workshops. The few flutters of grandstanding that occasionally manifest as Lamott tells her story seem more than justified; she deserves recognition, to be sure. Despite a thorny start, Lamott has arrived - observing, reflecting and, finally, writing it all down from her position in the catbird seat.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 13, 2009
D
Verified Purchase
Diana Paraskevas
Whiting, US
★★★★★ 5
One of the Most Emotionally Honest Books on Creativity
Format: Paperback
Bird by Bird: Some Instructions on Writing and Life endures not because it offers rigid writing instruction, but because it understands the emotional reality of trying to make art while remaining a functioning human being. Lamott approaches writing with humor, candor, and an unusual willingness to acknowledge the insecurity, vanity, paralysis, and vulnerability that often accompany creative work. What stands out most is the humanity of the book. The advice is practical, but the deeper value comes from the permission it gives writers to work imperfectly—to begin messily, doubt themselves, lose momentum, and continue anyway. Lamott treats creativity less as a performance of talent and more as a sustained relationship with attention, persistence, and emotional honesty. The prose itself mirrors the philosophy she advocates: conversational, alive, emotionally direct, and unconcerned with appearing overly polished. At times the tone can feel loose or anecdotal, but that looseness is also part of what makes the book feel companionable rather than instructional in a rigid sense. Beneath the warmth and humor is a serious understanding of observation. Again and again, Lamott returns to the importance of specificity, noticing, and telling the truth about experience without trying to force meaning prematurely. It’s ultimately less a manual on writing technique than a guide to surviving the psychological conditions required to keep writing at all.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 12, 2026
L
Verified Purchase
Lisa
Fort Morgan, US
★★★★★ 5
Honest, humorous and full of passion, Bird by Bird is a how-to guide to approaching writing as a life path.
Format: Paperback
Bird by Bird is Anne Lamott’s love song to the writing process and Anne Lamott’s detailed 12-step program for surviving the craft of writing. Using a loving and humorous voice, she shares intimate details of her experience as a writer, reader and teacher. She relies heavily on humorous stories from her childhood and early writing career to illustrate the pitfalls and joys of writing, while doling out a treasure chest of practical advice to the aspiring and experienced writer. Bird by Bird is a pep talk and a how-to guide to approaching writing as a life path. I’ve read this book many times over the years, and what I always remember most is her description of her relationship with her father, who was also a writer. More than anything Bird by Bird is a memoir, and the reason it has touched so many hearts and inspired so many careers, is because Anne Lamott wears her heart and her life story on her sleeve as she shares intimate and hard won life lessons on and off the page. She writes, “One of the things that happens when you give yourself permission to start writing is that you start thinking like a writer. You start seeing everything as material.” I love this line because it reminds me to give myself permission to be, to remember, to observe and to create. Like Anne Lamott, I grew up in the shadow of loving, charming and powerful writer. I learned the craft and life of a writer from my Mom, and it wasn’t until later in life that I realized that everyone didn’t grow up that way. Reading through with a highlighter this time, I was struck by all the voices Anne Lamott brings to the page. Lammott’s voice is primarily humorous, frank and self deprecating. When she wants to evoke something profound, grave or aspirational, she tends to lean on the voices of her favorite writers throughout the cannon, which she either paraphrases or quotes directly. I really admire this technique, it’s such a great way to vary her advice, give her message more credence while keeping the book in her voice. I want to remember this. There’s a nice example of this early on when she’s talking about what inspires someone to write, she writes, “Interviewers ask famous writers why they write, and it was (if I remember correctly) the poet John Ashbery who answered, “Because I want to.” Flannery O’Connnor answered, “Because I’m good at it,” and when the occasional interviewer asks me, I quote them both.” By bringing Ashbery and O’Connor into the conversation, Lammot elevates her personal experience to a universal truth. Another one of my favorite aspects of this guide / memoir is the realistic depiction of not only the writing but the publishing experience. She debunks every single romantic notion of writing – while carefully creating her own shrine to the experience. One of my favorite moments is when she breaks down any hope of a feeling of satisfaction for a writer. She perfectly sums up the endless aching and seeking inherent to the writing life. She writes: How do you know when you’re done? This is question my students always ask. I don’t quite know how to answer it. You just do. I think my students believe that when a published writer finishes something, she crosses the last t, pushes back from the desk, yawn, stretches, and smiles. I do not know anyone who has ever done this, not even once,” This excerpt makes me laugh out loud every time I read it. I think because in my experience as a publicist / publisher I do know some authors who have done this, and those are the ones I fear most. Honest, humorous and full of passion, this book separates the die-hards from the casual writers, it’s like a litmus test and hazing, and if you make it to the end you emerge a convert.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 9, 2016

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