SKU: 31714418321
rectangular indoor planter box

rectangular indoor planter box Hamilton Tall Rectangular Planter

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Description

rectangular indoor planter box Hamilton Tall Rectangular PlanterHamilton 30" Tall, Narrow Rectangular Fiberglass Privacy Planter, Steel Reinforced. Large Span Planter Box. Outdoor Divider, Indoor Room Divider. Design That Grows With You. One Planter. Infinite Possibilities. The Hamilton isnt just a container; its a spatial tool. Standing at an ergonomic 30. 5" tall with a slim 12" profile, it is specifically engineered to bridge the gap between interior decor and exterior architecture. From defining "zones" in an

Hamilton - 30" Tall, Narrow Rectangular Fiberglass Privacy Planter, Steel-Reinforced. Large Span Planter Box. Outdoor Divider, Indoor Room Divider. 

Design That Grows With You.

One Planter. Infinite Possibilities.

The Hamilton isn’t just a container; it’s a spatial tool. Standing at an ergonomic 30.5" tall with a slim 12" profile, it is specifically engineered to bridge the gap between interior decor and exterior architecture. From defining "zones" in an open-concept office to creating a "living wall" on a windy roof deck, the Hamilton performs where standard planters fail.

The Hamilton Advantage

  • Dual-Environment Engineering: Seamlessly transitions from a sophisticated indoor room divider to a rugged outdoor privacy screen.

  • Steel-Reinforced Integrity: An internal steel frame prevents the "bowing" or bulging common in long rectangular planters, maintaining a perfectly crisp, straight silhouette forever.

  • Commercial-Grade Fiberglass: Shatterproof and surprisingly lightweight. It offers the high-end look of stone or concrete without the back-breaking weight or fragility.

  • All-Weather Resilience: UV-protected and frost-resistant. It won't crack in a Canadian winter or fade in a Texas summer.

  • Smart Drainage System: Features pre-drilled holes for outdoor health and included watertight plugs for safe indoor use on hardwoods or carpet.


Indoor Elegance: Zoning & Biophilic Design

In modern open-plan living and "biophilic" workspaces, the Hamilton acts as a soft partition. Use it to:

  • Divide the Room: Place three units end-to-end to separate a home office from a bedroom or a dining area from a lounge.

  • The "Living Console": At 30" tall, it sits at the perfect height to act as a console table behind a floating sofa.

  • Acoustic Comfort: When filled with lush foliage like Snake Plants or ZZ Plants, the Hamilton helps dampen sound and improve air quality in high-ceiling environments.

Outdoor Endurance: Privacy & "Patio Culture"

Built to withstand the elements, the Hamilton is the professional’s choice for "Patio Culture"—treating your outdoor space as an extension of your home.

  • Instant Privacy: The 30.5" height + 3 feet of ornamental grass creates a 5.5-foot visual barrier—perfect for balconies or cafe seating.

  • Wind-Ready Stability: The narrow 12" depth is designed for tight walkways, while the steel-reinforced base allows for ballast (stones/bricks) to keep it anchored on windy roof decks.

  • Zero-Maintenance Finish: The hand-finished matte powder coat mimics premium materials but requires only a simple wipe-down to stay pristine.


Technical Specifications

Feature Details
Material Heavy-Duty Fiberglass with Internal Steel-Reinforcement
Dimensions 30.5" Tall x 23.5” Long x 12” Deep
Weight Capacity ~37 Gallons (Large volume for healthy root growth)
Finish High-Grade UV-Resistant Matte Powder Coat
Colors Matte Black, Matte Gray, Matte White
Drainage Pre-drilled with Removable Watertight Plugs Included
Origin Artisan-crafted in India by NMN Designs


     

    At 30.5" Tall, 23.5" Wide, and 12" Deep, it's the perfect size to divide and define a variety of spaces, and ready for your creative flair.

    tall narrow planter is ideal for foliage plants to add contrast and texture, seasonal flowers, ferns, herbs, succulents, trailing plants, cascading plants, and vines for container gardens.

    10% OFF Entire Order ($100 Minimum) with Code TAKE10

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    Shipping Notes
    • Free Standard Shipping on $100+ Orders to the USA.
    • Except Preorder products are shipped in 48 hours.
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    Exchange/Return Notes
    • We offer a 30-day return/exchange service after receiving.
    • Final sale items are not eligible for returns or exchanges.
    • To process your return/exchange, please contact us at [email protected]
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    SKU: 31714418321

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    4.3 ★★★★★
    Based on 848 reviews
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    Verified Purchase
    David R. Papke
    Dallas, US
    ★★★★★ 5
    Recommended for All Lawyers
    Format: Paperback
    Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on May 7, 2014
    D
    Verified Purchase
    DoubtfulReader
    Lexington, US
    ★★★★★ 3
    Notes on Legal Style by a Law Professor and Experienced Lawyer.
    Format: Kindle
    BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on June 27, 2017
    M
    Verified Purchase
    Matt M.
    Phoenix, US
    ★★★★★ 5
    Great book and great professor
    Format: Paperback
    Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on January 19, 2021
    J
    Verified Purchase
    J. Christian
    Chelsea, US
    ★★★★★ 4
    Interesting book
    Format: Paperback
    I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on March 20, 2014
    C
    Verified Purchase
    Classics professor
    Carnegie, US
    ★★★★★ 5
    Highly recommended -- not just for lawyers!
    Format: Paperback
    I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on April 20, 2017

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