SKU: 34390313593
is a schefflera plant indoor or outdoor

is a schefflera plant indoor or outdoor Schefflera Arboricola Indigo

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Description

is a schefflera plant indoor or outdoor Schefflera Arboricola IndigoDescription Oh, you'll love how the Arboricola makes everything feel right in your home! Those perfectly arranged umbrella shaped leaves create such a welcoming presence, and this Umbrella Plant brings that ideal balance of structure and softness to any space. This Schefflera Arboricola has been winning hearts for decades with its forgiving nature and those lovely umbrella leaves. Growing 3 7 feet tall (0. 9 2. 1 meters), your Arboricola will become a

Description

Oh, you'll love how the Arboricola makes everything feel right in your home! Those perfectly arranged umbrella-shaped leaves create such a welcoming presence, and this Umbrella Plant brings that ideal balance of structure and softness to any space.

This Schefflera Arboricola has been winning hearts for decades with its forgiving nature and those lovely umbrella leaves. Growing 3-7 feet tall (0.9-2.1 meters), your Arboricola will become a cherished companion that quietly purifies your air while adding that special touch of green life. Our customers adore how reliable these plants are - they're truly built for those long-term plant relationships we all treasure! 

 

Care 

How do I care for an Arboricola?

You'll love how easy Arboricola care is! Give your plant bright indirect light and water when the soil feels dry. It handles normal room temperatures like a champ and forgives you completely if you're still learning plant care routines.


Is Arboricola a good indoor plant? 

Your Arboricola is absolutely wonderful indoors, adapting easily to different home conditions while quietly cleaning your air all day. It’s forgiving with watering schedules and doesn't stress when life gets busy, giving you one less thing to worry about.


Does Arboricola like sun or shade? 

The Arboricola loves bright indirect light best, though it'll handle some shade without any complaints whatsoever. Direct harsh sunlight can scorch those umbrella leaves, so we always recommend that perfect filtered light for its happiest growth and health.


How often should I water an Arboricola? 

Water your Arboricola when the top few inches of soil feel dry, usually every week or two depending on your home's conditions. It's not fussy about exact timing - just check the soil and you'll know when it's ready!


Can I put my Umbrella Plant outside in the summer? 

Your Umbrella Plant loves summer outdoor time with fresh air and natural humidity to perk it right up. Just protect it from harsh afternoon sun and bring it inside before temperatures drop below 54°F (12°C) in the fall.


Where is the best place to put an Umbrella Plant in the house? 

We always tell our customers to place Umbrella Plants near east or north-facing windows for that perfect bright, indirect light. Keep it away from cold drafts and heating vents where temperature swings might stress it out unnecessarily.


Do Umbrella Plants like to be misted? 

Light misting is lovely for your Umbrella Plant - like giving it a gentle spa day that brightens its week! Heavy daily misting isn't necessary, though. Instead, think about using a humidity tray to create the best conditions.


How much light does an Arboricola need?

Your Arboricola needs about 4-5 hours of bright indirect light daily to maintain those lovely colors and healthy growth patterns. Less light means it might get a bit leggy and lose that full, lush look we all love so much.


What fertilizer is best for Arboricola?

Feed your Arboricola with a balanced liquid fertilizer at half strength monthly during spring and summer growing seasons when it's actively growing. Think gentle nourishment rather than big meals, and skip winter feeding when it's naturally resting.


Pet-friendly?

Caution - your Arboricola isn't safe for curious pets. They contain compounds that can make pets sick, so it's important to keep them somewhere your furry family members can't reach.


Are Arboricola toxic to dogs?

Arboricolas are toxic to dogs and can cause drooling, vomiting, and mouth irritation if nibbled on by curious pups. If your dog gets a taste, contact your vet right away - we always recommend being cautious with plant safety around pets.


Are Arboricola toxic to cats?

Arboricolas are toxic to cats, causing drooling and stomach upset that can make them quite uncomfortable and miserable. Keep it away from curious kitties who might think those umbrella leaves look tempting to explore with their mouths and paws.


Factoids

How tall do Schefflera Arboricolas get?

Indoor Schefflera Arboricolas typically reach 3-8 feet tall (0.9-2.1 meters), perfect for making a statement without overwhelming your living space completely. Outdoors in their natural habitat they can hit 25 feet - but don't worry about that happening indoors, even with proper care!


Is an Arboricola air-purifying?

Your Arboricola works quietly to remove toxins like benzene and formaldehyde from your air while looking lovely doing it. It’s a living air filter that just needs occasional watering and appreciation for all that hard work around your home.


Why is Schefflera Arboricola called an Umbrella Plant?

Those lovely leaves feature 7-9 leaflets radiating from each stem like perfect umbrella spokes in such a distinctive pattern! Once you see that arrangement, you'll understand exactly why this Umbrella Plant earned such a fitting and descriptive name.


Buy a Schefflera Arboricola

Looking for a plant that brings reliable beauty and forgiving care to your home? This Arboricola offers the perfect blend of striking presence and easygoing nature that makes plant parenthood truly enjoyable.

Our video shopping calls let you meet your future green companion before it comes home, so you can choose the perfect specimen that speaks to your heart.

Shipping Notes
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Exchange/Return Notes
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  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 34390313593

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4.9 ★★★★★
Based on 22 reviews
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J
Verified Purchase
Justin G
Birmingham, US
★★★★★ 5
The finest hour of William Friedkin
William Friedkin was undoubtedly one of the 1970s greatest and most influential directors. He only made 3 pictures during the decade, but all are landmark films. The first was The French Connection (1971), the film that won him his best director Oscar & the film won best picture. His next film, The Exorcist (1973) is probably his most famous/infamous & and it’s the only movie that’s still a truly terrifying experience, something to endure as much as to watch almost lol. Sorcerer (1977) was his 3rd and final film of the decade, and in spite of or perhaps even because of how it was a largely forgotten film for so long (after seeing it on cable nearly 30 years ago, it was a movie I simply could not track down until the release of this Blu-Ray) I really think in so many ways it ranks right along aside his first two 70s classics, and perhaps even surpasses those films in terms of pure audacity. The rope bridge scene is as intense as a set piece gets and is worth the price of admission all on its own, but the film as a whole is a clinic in lean, economical filmmaking. And the score by Tangerine Dream kicks serious a**. It might be because of his 70s trifecta Sorcerer is the only one that is still almost sort of like a “new film” too me, as I’ve only watched it maybe 3-4 times and have seen the other 2 dozens of times, but for my money Sorcerer is master filmmaker William Friedkin at the absolute peak of his powers. MD2020 gives “Sorcerer” 5 out of 5 ⭐️s and says it’s a flawless action film and Friedkins best work.
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Reviewed in the United States on January 25, 2024
C
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cookieman108
Lowell, US
★★★★★ 4
A stylish, intimate remake of a French Classic
William Friedkin (The French Connection) brings us exotic locations and gripping story in Sorcerer, a remake of Henri-Georges Clouzot's 1953 thriller Wages of Fear. The first hour of this movie seems to be comprised of random events involving four individuals that have absolutely nothing to do with each other. The only commonality is that they are all men of dubious character. Probably the most recognizable actor in this film is Roy Schieder, who plays a low level New York gangster participate in a robbery that goes bad, and forces him to flee the country due to the fact he managed to step on some pretty well connected toes. The second man, a French businessman, escapes from the threat of prosecution due to some shady business dealings. The third man, a Middle Eastern terrorist flees his captors after being caught participating in a bombing, and the fourth man is a shady assassin type apparently on the run from repercussion from his last hit. The key is all four men end up in a South American rat-infested stink hole of a town called Vera Cruz. After awhile, they find their sanctuary has become more of a prison and all begin a desperate search for a way out, but that involves money, a commodity that's in short supply, with the only work available in the area is provided by an oil company that runs a well and is building a pipeline for the bubbling crude. Dangerous work, and the pay is so low that it would take years to earn enough to leave. Salvation for the men comes in a catastrophic disaster, an explosion damaging the well and causing the oil to burn. The only way to close the well proper for repairs is to blow it up, and the only explosives available are 200 miles away. Turns out the explosives, sticks of nitro, haven't been tended very well, and, in turn, are highly unstable. The company decides to hire four men to drive two trucks to carry the dangerous materials through 200 miles of dangerous jungle, including prehistoric rope and wood bridges, treacherous mountain passes, deadly bandits and swampy roads laden with fallen trees. The suicide mission draws the four men, as the money would allow them to escape the oppressive town. The most intense scenes for me involved the men trying to traverse a rickety, rotting wooden rope suspension bridge over a raging river during a heavy rainstorm. There were times when the truck on the bridge was at such an angle, I thought it would flip right off. And all the actors performed most all their own stunts, adding to the realism of the movie. Do they make it? See the movie and find out. I especially liked the very end. A very nice touch that reminded me of an ending of a certain Alfred Hitchcock movie. Which one? I won't say, as it would give it away. The movie runs just under two hours, and I would highly recommend it to anyone. Friedkin and the actors do a wonderful job in developing tensions between the characters and the environment and the between the characters themselves. The pacing is a bit slow, but it's deliberate, cranking the suspense up, notch by grueling notch. There are sparse special features, including pretty thorough productions notes and a trailer. If you enjoy thrilling adventure, you will most likely like this movie. I would have happily given this movie five stars but it is only available in the full screen format. Something I didn't understand is the title for the movie. I wasn't able to figure out what it had to do with the movie.... Cookieman108
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Reviewed in the United States on December 15, 2003
T
Verified Purchase
Todd7
Draper, US
★★★★★ 5
Forgotten Classic
Sorcerer (1977) is, for the most part, a forgotten classic. First the forgotten: this film got kicked around by moviegoers when first released, probably because the title is misleading (nothing to do with fantasy), and they probably weren't in the mood for this film due to the sudden stratospheric success of another film that debuted at the same time (Star Wars). With Star Wars cementing the advent of the summer blockbuster, suddenly moviegoers wanted stuff more on the surface and eye candy for good measure. As a result, Sorcerer never got its footing, and was a major box office failure. If this film had debuted just a few years earlier, it would've done well, because it would've fit in with the other films of the time. The truth is that Sorcerer is an adaptation (not a remake) of The Wages of Fear from 1953. Now the classic: Sorcerer has since generated the respect it deserves, and is one of the best films of the 1970's. This film has it all: action, suspense, breathtaking and iconic scenes (the bridge scene being one), organic acting and a sort of 'raw' feel in terms of a lot of the settings; dwellings are dilapidated, and the machinery rusty. Even the actors are dirty, sweaty, and have visible wounds throughout the film. I particularly like the restraint on the dialogue, as Friedkin chooses to tell the story more in a visual sense. I also like the uniqueness of the characters being kept at a distance from the audience; this makes them sort of mysterious and seems to work in this film. This film was a very ambitious project, one that has been rewarded with the passage of time (thankfully). The care that went into many scenes and accompanying special effects are obvious, and first rate. Overall, Sorcerer is a must-see. This blu ray has excellent picture and sound quality, so it was worth the wait in that regard. One last thing: it's extremely rare for a blu ray disc to not include any special features; in the case of Sorcerer, it's unfortunately true. Perhaps this fact tells us just how much of a beating this film took over the years. I guess we should feel grateful that it has even made it onto blu ray.
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Reviewed in the United States on March 25, 2017
G
Verified Purchase
glenn
Lowell, US
★★★★★ 5
Sorcerer (1977) (BD)
This is a different version, which can happen after the initial film with different editing and ending. I don't remember the political emphasis at all, and the ending of the other version was with Roy Scheider getting through the rough parts with his eyes glowing as he drove the truck alone, a real Sorcerer, after performing the miracle. This version continues after the completion to another ending altogether. I think both are great films, but each with a separate focus. This was all done without CGI which seems impossible. The scenes are still amazing and the camera work and editing top-notch.
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Reviewed in the United States on March 10, 2026
D
Verified Purchase
Dylan
Omaha, US
★★★★★ 3
Good but not Wages of Fear
The much maligned Sorcerer is in fact a good well crafted thriller that if seen without refrence to the Original Wages of Fear would have faired far better at the hands of the critics. That's not to say the film is perfect. The opening scenes that fill the viewer in on the charecters back stories, are pointless and actually work against the tension that is built up later in the film. Knowing exactly why the characters are desperate makes their reasons for taking on the deadly task seem a bit lame and looses the exestential angst that creates such a hopeless atmosphere. Once in South America the oppresive nature of their stay in the village is also diminshed by knowing too much about them. Having said all that there is still an air of desperation and mounting frustration, it's just not as clausterphobic as it could have been. Once the journey begins the tension is turned on, the only problem is that by knowing the original so well there is not quite the frisson of that classic. This is an unfortunate by-product of re-making any well respected film. Friedkin however has a fair go and if this is the film you see first you will wonder why it was so slated on original release. The film moves at a well constructed pace that is aided by a cracking score from Tangerine Dream. The cast perform well and Roy Scheider is reasonably well cast but does not deliver the subtly nuanced performance he is capable of, for this you need to look towards (obviously) Jaws and to a lesser extent the minor role he playes in Naked Lunch. All in all a good film, though not great, and as the review starts by saying, not Wages Of Fear, but it deserves a better reputation than it so unfortunatly has and will be a good addition to anyones collection of interesting 70's films (the best decade for American Filmaking by a long long way).
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Reviewed in the United States on September 29, 2005

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