SKU: 34425333413
how to remove uppababy vista bassinet

how to remove uppababy vista bassinet UPPAbaby Vista v3 Stroller – Kids Bedroom Gallery

Sale price$22.74 Regular price$25.27
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Description

how to remove uppababy vista bassinet UPPAbaby Vista v3 Stroller – Kids Bedroom GalleryThe VISTA is designed to grow with families offering multiple configuration options all while strolling like a single. The new VISTA V3 offers design improvements solidifying its positioning as a performance stroller system while functional upgrades make the lives of parents even easier. The Ultimate Grow Up: Our Vista stroller is intuitively designed to grow with your family! It starts as a single stroller but can easily transform to accommodate up

The VISTA is designed to grow with families offering multiple configuration options all while strolling like a single. The new VISTA V3 offers design improvements solidifying its positioning as a performance stroller system while functional upgrades make the lives of parents even easier.

The Ultimate Grow Up: Our Vista stroller is intuitively designed to “grow” with your family! It starts as a single stroller but can easily transform to accommodate up to three children with added accessories and adapters — becoming the ultimate in portability and convenience! 

Included Toddler Seat: The full size, reversible Toddler Seat allows your growing child to ride forwards, backwards, completely upright, reclined, and anywhere in between. 

Bassinet Compatible: If you end up also getting the bassinet (now sold separately) is suitable from birth up to 20lbs. The Bassinet includes a perforated mattress pad and vented base which provides added breathability, creating a truly comfortable and safe resting space for your baby 

One-Handed Recline: The multi-position recline on the Toddler Seat allows your child to lie comfortably for naps or sit upright to take in the sights, offering the flexibility your busy toddler needs. 

Extendable, UPF 50+ Canopy: The zip-out canopy on the Toddler Seat extends for additional sun protection, plush the mesh panels make it easy to peek in while adding airflow. 

Extra-Large, Easy-Access Basket: The extra-large opening means it’s easier to reach your diaper bag, toys, and whatever else you pick up along the way, up to 30 lbs! 

Stroll In Style: Choose from a variety of luxurious fabrics and premium full-grain leather details like our adjustable, telescoping handlebar which extends for parents of varying heights. Our leather accents are all REACH certified for safer strolling.  

Patented Two-Stage System: The All-Wheel Suspension and independent shocks ensure your child has a smooth and comfortable ride whether traveling down winding paths or over bumpy pavement.  

Stands When Folded: The Vista one-step fold is easy and intuitive. The stroller stands on its own when folded and can be folded with or without the Toddler Seat attached. 

Performance Travel System: Our UPPAbaby Mesa & Aria Infant Car Seats attach directly to the Vista stroller without adapters to create a complete Performance Travel System. 

Specifications

  • Bassinet suitable from birth up to 20 lbs or until infant can push up on hands and knees, whichever comes first
  • Toddler Seat suitable from 3 months to 50 lbs
  • Frame: 20 lbs
  • Unfolded: 36″ L x 25.7″ W x 39.5″ H
  • Folded with seat attached: 17.3″ L x 25.7″ W x 33.3″ H
  • Folded without seat attached: 13″ L x 25.7″ W x 32″ H
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 34425333413

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Trendy Chic
Phoenix, US
★★★★★ 5
Not what I was expecting, but I liked it.
Format: Paperback
My first book by Emma Slate. Wonderful writing style, I wanna read some more MC books.
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Reviewed in the United States on September 8, 2024
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Matthew
Carnegie, US
★★★★★ 1
Poor read
Format: Paperback
Not worth the hype. Was poorly written and had to put it down and not finish it.
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Reviewed in the United States on May 20, 2025
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T
Louisville, US
★★★★★ 4
Great story
Format: Paperback
I’m not an avid reader, but this was finished in a few days. Such a good book!
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Reviewed in the United States on June 14, 2025
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AMD
Massapequa, US
★★★★★ 3
Won’t be buying book two.
Format: Paperback
Entertaining enough but poorly written. Lots of typos. Won’t be buying book two.
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Reviewed in the United States on July 8, 2025
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Dr.C.J.Singh.Wallia
Los Angeles, US
★★★★★ 5
An Excellent Primer on Novel-Writing
Format: Paperback
WIRED FOR STORY By Lisa Cron Reviewed by C J Singh (Berkeley, California) Excellent Primer on Novel-Writing In Berkeley, California, we happily have access to four independent bookstores that display literary novels and creative-writing craft books. Browsing, I picked up two books by Lisa Cron on using "Brain Science" for writing fiction. The jacket quote by Caroline Leavitt rivetted my attention: "I'd never consider writing a novel without Lisa's input, and neither should you." As a longtime fan of Leavitt's novels "Is This Tomorrow," " Pictures of You, " "Girls in Trouble," I looked up Stanford Continuing Education where Leavitt regularly teaches online courses. As a Stanford Alumnus (Psychology PhD), I've taken several on-campus and online workshops on fiction-writing. While still at the bookstore, I promptly signed up for Leavitt's soon-to-begin course that uses two coaching books: Cron's Wired For Story and John Truby's The Anatomy of Story. I'm familiar with Truby's book and its nine excellent exercises. See my detailed review on amazon: https://www.amazon.com/review/R29NU7U6LAHGBV/ Here's my review of Lisa Cron's "Wired For Story" "WIRED FOR STORY' presents a unique, distinguishing feature among fiction-writing primers: throughout its text, the author includes excerpts from the published works of leading contemporary brain-scientists that validate the principles of narrative craft. Cron explains the principles of narrative craft in twelve well-organized chapters that focus on theme, the protagonist's issue, characters' bios, points of view, rising conflicts, subplots, suspense, reveals, and the arc from setup to payoff. At the beginning of each chapter, she presents sentences in italics that illuminate the cognitive-science underpinnings of narrative craft. Examples follow. "Cognitive Secret: When the brain focuses its full attention on something, it filters out all unnecessary information. Story Secret: To hold the brain's attention, everything in a story must be there on a need-to-know basis" (page 23). . "Cognitive Secret: Everything we do is goal directed and our biggest goal is figuring out everyone else's agenda, the better to figure out our own. Story Secret: A protagonist without a clear goal has nothing to figure out and nowhere to go" (p 65) . "Cognitive Secret: It takes long-term, conscious effort to hone a skill before the brain assigns it to the cognitive unconscious. "Story Secret: There's no writing; there's only rewriting" (p 219). Also remarkable are sentences in bold that challenge advice offered in some writing-craft workshops and books. Examples follow. "Myth: Write What You Know. "Reality: Write What You Know EMOTIONALLY" (p 62). . "Myth: Sensory Details Bring a Story to Life." "Reality: Unless They Convey Necessary Information, Sensory Details Clog a Story's Arteries" (p 118). . "Myth: `Show, Don't Tell' Is Literal - Don't Tell Me John Is Sad, Show Him Crying. "Reality: `Show, Don't Tell Is Figurative - Don't Tell Me John Is Sad, Show Me WHY He's Sad" (p 152). Has the author introduced a Myth of her own? I am afraid so. On page 57, "No matter whose point of view you're writing in, you may be in only one head per scene." In my opinion, the Reality is: No matter whose point of view you're writing in, you may be in only one head per PARAGRAPH. This is the new reality -- virtually every fiction-readers' perception has been reshaped by watching films and TV dramas that imply the camera engaged in frequent head-hopping in a scene. At the end of each chapter, Cron presents a concise series of checkpoints to remind the readers while they develop their work-in-progress. Throughout, she includes many examples from literary works and films. Literary works like Gabriel Marquez's "Love in the Time of Cholera," Margaret Mitchell's "Gone with the Wind," and Caroline Leavitt's "Girls in Trouble." Films like "It's a Wonderful Life," "Vertigo," and "American Graffiti." An inspiring citation for writers: " `Recent breakthroughs in neuroscience reveal that our brain is hardwired to respond to story.... It turns that a powerful story can have a hand in rewiring the reader's brain -- helping empathy, for instance - `which is why writers are, and always have been among the most powerful people in the world'. " (On p 239 of Endnotes is the specific citation of three scientists' 2009 article "On Being Moved by Art: How Reading Fiction Transforms the Self" in the Creativity Research Journal vol. 21, no.1 ) WIRED FOR STORY fully earns its title with its numerous citations of recent contributions of neuroscience that validate narrative craft. Examples of cited works included are: V. S. Ramachandran's "The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human"; Michael Gazzaniga's "Human: The Science Behind What Makes Your Brain Unique; and Steven Pinker's "How the Mind Works." These stellar books illuminate the nexus between art and science; their shining light reflects on Lisa Cron's book as a five-star primer for novel-writing.
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Reviewed in the United States on March 7, 2020

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