SKU: 35838821542
maxi-cosi 360 pro family slide tech

maxi-cosi 360 pro family slide tech Maxi Cosi Pearl 360 Pro with SlideTech Car Seat NZ

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Description

maxi-cosi 360 pro family slide tech Maxi Cosi Pearl 360 Pro with SlideTech Car Seat NZMaxi Cosi Pearl 360 Pro is part of the 360 Pro Family range Featuring 360 rotation and SlideTech our revolutionary sliding car seat technology that makes every day easier. No backache, head bangs or struggles; simply lock, slide, spin and go! Pearl 360 Pro offers superior comfort for your toddler whether theyre awake or asleep. The seat has five recline positions so you can select the best angle for your child up to 4 years old. The car seat can be

Maxi-Cosi Pearl 360 Pro is part of the 360 Pro Family range

Featuring 360° rotation and SlideTech® –our revolutionary sliding car seat technology that makes every day easier.

No backache, head bangs or struggles; simply lock, slide, spin and go!

Pearl 360 Pro offers superior comfort for your toddler whether they’re awake or asleep. The seat has five recline positions so you can select the best angle for your child up to 4 years old.

The car seat can be used from birth, when combined with the infant inlay (sold separately). When used with the rotating FamilyFix 360 Pro slide out base (sold separately) featuring SlideTech® technology, Pearl 360 Pro is the only toddler car seat that both rotates and slides toward you.

The easy-in harness adds even more convenience, allowing you to fasten your toddler in the seat with minimum fuss. While Maxi-Cosi’s integrated G-CELL Side Impact Protection offers superior safety.

Safety

Built to the highest i-Size safety standards, Maxi-Cosi Pearl 360 Pro offers superior protection for your baby from newborn up to 4 years old. With 45% of impacts coming from the side, Pearl 360 Pro has integrated G-CELL Side Impact Protection; specifically engineered to spread the forces of an impact away from your child, to reduce injury especially around the head, neck and shoulders. Pearl 360 Pro is designed to provide maximum protection for your child, for years.

Ease of use

Maxi-Cosi Pearl 360 Pro is designed to make parents’ lives easier every day. When used with the FamilyFix 360 Pro slide out base (sold separately), you can effortlessly rotate and slide your toddler smoothly toward you.

No backache, head bangs or struggles; simply lock, slide, spin and go! Pearl 360 Pro can be rotated smoothly and easily in any of the five recline positions, using only one hand. The easy-in harness stays open, allowing you to fasten your baby in the seat with minimum fuss.

Pearl 360 Pro is made with premium materials that are easy to clean. ISOFIX connectors and support leg on the base provide the safest, easiest way to install the car seat, while helpful visual indicators show when the base and seat are properly installed, giving you the reassurance you want as a parent.

Maxi-Cosi Pearl 360 Pro also comes with the AGR seal of approval, making it a 'back-friendly' car seat. AGR is an independent organisation of health care professionals and experts specialised in back related issues/ergonomics.

They acknowledge that Pearl 360 Pro offers toddlers a comfortable, ergonomic solution during car travel, and thanks to SlideTech®, Pearl 360 Pro offers parents the easiest, most ergonomic child installation as well, because you don’t have to bend in the car to lift them in and out every day.

Age range

Maxi-Cosi Pearl 360 Pro can be used from 3 months up to 4 years old (approx. 105 cm). It can also be used directly from birth, in combination with a comfy newborn inlay (sold separately).

During the first few years as a family, you’ll make lots of journeys and special memories with your little one. Days out, play dates, visiting friends and family and weekends away, as well as the every day nursery drop-offs, pick-ups and trips to the shops.

Whatever their age, from infant to toddler, your little one will enjoy every ride whether they’re wide awake and enjoying the view outside or fast asleep during the journey. The Pearl 360 Pro has an extra-spacious seat, so your baby has plenty of room to grow over the years.

Comfort

Designed for parents as well as toddlers, the Maxi-Cosi Pearl 360 Pro offers maximum comfort, safety, flexibility and ease. With five super-comfortable recline positions to choose from, Pearl 360 Pro offers your toddler superior comfort on the move, whether they’re sitting up looking out of the window or lying back sleeping.

An adjustable headrest provides extra comfort and ClimaFlow panels and high-performance breathable fabrics, maximise air circulation to ensure your child is always at the right temperature. With soft, 100% recycled fabrics, Pearl 360 Pro offers superior comfort everywhere you go.

And thanks to SlideTech® technology on the FamilyFix 360 Pro base (sold separately), lifting your toddler in and out of the car, has never been more comfortable for parents.

Features:
  • The 360 Pro Family has been certified by AGR, an independent association of health care professionals, as back-friendly. Lifting up your toddler in and out of the car has never been this comfortable thanks to the revolutionary SlideTech® technology.
  • Pearl 360 Pro is designed to grow with your baby, with nine adjustable headrest positions and an adjustable harness.
  • Pearl 360 Pro is designed with breathable ClimaFlow panels to allow optimal air circulation and ensure your baby is always at the right temperature.
  • Pearl 360 Pro provides your toddler with an elevated seating position that gives them the best view out of the window.
  • Our newborn inlay (sold separately) keeps your little one comfortable while providing a proper fit and room to grow, from birth.
  • Meets the highest and latest i-Size safety standards (R129/03), offering maximum safety for your child.
  • Integrated ISOFIX connectors, on the FamilyFix 360 Pro base (sold separately), ensure your car seat base is safely locked into your car.
  • Anti-misuse rotation lock, on the FamilyFix 360 Pro base (sold separately), gives peace of mind knowing your baby always travels in the rear-facing position, from birth up to 15 months.
  • The FamilyFix 360 Pro base (sold separately) has visual indicators that guarantee you install Pearl 360 Pro correctly and safely, so you can travel with peace of mind.
  • Patented AirProtect® technology for extra protection of child’s head.
  • As part of the 360 Pro Family, the Pearl 360 Pro can be used from birth up to 4 years. It is compatible with the FamilyFix 360 Pro base. All products sold separately.
  • Made with soft, 100% recycled polyester fabric
  • EcoCare fabrics are produced without the use of hazardous chemicals, meaning that babies' skin is not exposed to any potential risks.
  • Featuring elegant embroidery design details and high quality fabrics, the Pearl 360 Pro is made from high-performance breathable fabrics with ultra-resistant knitting, durable duotone knitted fabric, and EcoCare 100% recycled fabrics.
  • Does your car seat cover need a bit of freshening up? Wipe it down with a damp cloth, or put it in the washing machine up to 30°C.
Specification
  • Product weight: 7.15 kg
  • Age range: 3 months - 4 years
  • Height range: 61 - 105 cm
  • Weight range: 0 - 17 kg
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 35838821542

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4.0 ★★★★★
Based on 14 reviews
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Product Reviews
J
Verified Purchase
Julie S.
Draper, US
★★★★★ 5
5 Stars – A Must-Read for Anyone Interested in Creativity!
Format: Paperback
Creativity: The Psychology of Discovery and Invention* by Mihaly Csikszentmihalyi is a brilliant exploration of the inner workings of creativity and the human mind. Whether you’re an artist, entrepreneur, or simply someone interested in understanding how creative breakthroughs happen, this book provides a fascinating blend of psychology, real-world examples, and deep insights. What sets this book apart is its comprehensive approach to creativity, going beyond the idea of it being a mysterious or innate trait. Csikszentmihalyi breaks down the creative process into digestible parts, showing how environment, discipline, curiosity, and flow all play a crucial role in fostering creative discovery. The interviews with a wide variety of highly creative people—including scientists, artists, and business leaders—add incredible depth and context to his theories. One of my favorite takeaways is how Csikszentmihalyi emphasizes the balance between freedom and structure in creative work, and how finding the "flow" state can lead to moments of true innovation. The book not only helped me better understand my own creative process but also offered practical advice for cultivating creativity in everyday life. This is an insightful, inspiring read for anyone who wants to dive deeper into the psychology behind creative genius. Highly recommend!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 10, 2024
M
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M. Edwards
Lowell, US
★★★★★ 4
Personal Creativity does not equal Domain Transformation
This was a good if not a great book. Its greatest strength lies in the thesis introduced early on and supported throughout that the kind of creativity that leaves a trace in the cultural matrix rests not in the personal creativity of the individual, but in what Csikszentmihalyi tags the "systems approach " to creativity. To have any effect, a creative idea must be couched in terms that are understandable to others, pass muster with the experts in the field (i.e. the gatekeepers to the domain), and be included within the cultural domain (the set of symbolic rules or procedures) to which it belongs. In this systems view, the definition of a creative person is someone whose thoughts or actions change a domain or establish a new domain (pp. 27-28). This is no easy task, especially since he or she needs to learn the existing domain or domains first, and almost always necessitates being in the right place at the right time (e.g. studying quantum physics at the beginning of the 20th century or women seeking academic opportunities when WWII broke out). Having established this in the first 30 pages, if you didn't read the remaining 350 you wouldn't miss much. But I still enjoyed reading the stories and thoughts of selected individuals whom the author deemed as "creative" according to the definition above (However, I disagreed with the selection of a few of these and would have chosen at least one more person of faith in addition to the Quaker who was briefly highlighted. Also on the issue of faith, I found the author's grouping on page 371 of studying the bible with addictive behaviors such as cruising the internet and betting on horse races to be rather laughable!). Some additional personal nuggets I gleaned from this book include the following: 1. Those who persevere and succeed must be creative not only in their manipulation of symbols but maybe even more in shaping a career and a future for themselves that will enable them to survive while continuing to explore the strange universe in which they live (p. 199). 2. When seeking to allow your mind to make new connections in a beautiful setting, just sitting and watching is fine, but taking a leisurely walk seems to be even better. The shaping of one's personal space is also important. The Greek philosophers settled on the peripatetic method, preferring to discuss ideas walking up and down in the courtyards of the academy. When we participate in this kind of "semiautomatic activity" that uses a certain amount of attention, we allow the rest of it to be free to make connections among ideas, often from different domains, well below the threshold of conscious intentionality. "Devoting full attention to a problem is not the best recipe for having creative thoughts. "(p. 138) 3. Both creativity and innovation on the one hand and conservation and traditionalism on the other are both equally important. "Neither uncritical acceptance nor wholesale dismissal of human creativity will lead us far. " (p. 322) The final section deals with how to enhance personal creativity. Some of these ideas were helpful (e.g. to seek to be surprised and to seek to surprise another person at least once every day, to seek to look at problems from multiple perspectives instead of assuming you see the issue clearly from one perspective, etc.) but others just seem to be taking up space on the page. I'm afraid the phraseology of how to use psychic energy more effectively on page 356 and a few other places lost my interest almost completely.
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Reviewed in the United States on November 15, 2010
P
Verified Purchase
pepe
Boise, US
★★★★★ 5
interesting analysis of what 'being creative' really means
This easy-to-read absorbing book is based on lengthy interviews with 91 creative individuals ranging from Nobel prize winners to artists to CEOs. Csikszentmihalyi starts by debunking the myth of 'the lone genius having a brilliant idea as if by magic' and defines three necessary ingredients for creativity ('with a capital "C"') - domain, field, and individual. Creativity must take place within a recognised domain (such as physics, painting and so forth); be recognised by experts in that domain (the field, although this may not happen in the individual's lifetime, eg, Van Gogh); and of course come from an individual, although he also adds the painstaking work that precedes and insight, the reality that all creativity builds on what has gone before, and the social elements of the creative process. The book also offers supporting evidence from the lives of the 91 interviewed, which also provides interesting insights into their lives. In many ways, this book is a biography of the creative individual. Also contains a chapter with quite practical guidance on how to live more creatively. Prescient advice for a book published in 1996 given the increasing profile creativity is getting in business and public life. HIghly recommended, one of the most interesting learning experiences i have had in a long while!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 5, 2013
C
Verified Purchase
Charles H. Hooker Jr.
Natrona Heights, US
★★★★★ 5
Very enlightening for those who truly appreciate creativity more than cleverness!
Format: Paperback
I love how the author almost redefines creativity .and sheds new light (for me, at least!)on what what real-for-true creativity is and how it benefits individuals and society. It's far more than simply brightening up a room with new wallpaper and curtains -- it describes how genuine creativity requires a thorough working knowledge of the fundamentals of any given field before one can truly create something new or better, and it reveals how those of us who aren't capable of creating something ourselves can yet be part of the process by demonstrating appreciation and support for those who create, whether as sponsors, patrons, or even just ardent fans!
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Reviewed in the United States on July 4, 2023
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Verified Purchase
Donald Walker
Lake Worth, US
★★★★★ 3
instructive but limited
The testimonies of creative people that give this book its flesh and blood provide fascinating examples of creative people at work. That said, if a journalist had written the book, it would be more readable, and I don't think any less of an intellectual contribution. Moreover, the definition of creativity is elitist and stunts the topic (as observed by other reviewers): "Creativity is any act, idea, or product that changes an existing domain, or that transforms an existing domain into a new one. And the definition of a creative person is: someone whose thoughts or actions change a domain, or establish a new domain. It is important to remember, however, that a domain cannot be changed without the explicit or implicit consent of a field responsible for it." Given the people interviewed, much more needs to be said about the function of social institutions in promoting creativity. Many of the accomplishments lauded in this book would never have happened without grant-making agencies (e.g., NSF, NIH, HHMI) or non-profit employers like research universities and hospitals. To offer just one obvious example of the difference made by one's institutional context, the author had advanced students to help him do his research for this book. The elitism of the definition is even clearer in the role that marketplace plays as a judge of creativity. None of us buys books from amazon.com because some official group validated amazon.com as a good idea. We didn't wait for computer programers to affirm and certify it. Amazon.com is not deemed successful because it impressed its peers. It is successful because millions of us purchase goods through it. Similarly, auto-executives did not make the minivan a successful idea, millions of shoppers did. (Obviously I don't think the marketplace fits into the author's definition of creativity. If 300 million American consumers comprise a domain with 300 million judges, then the word no longer has any useful meaning.) The definition also precludes that countless ephemeral acts of creativity that take place daily. I think instantly of two women I have worked with who were great at holidays. Their clever costumes or decorations brightened my day, adding a little element of surprise and delight. Their acts of creativity don't meet the definitions of this book. The way that creativity is defined in this book is simply a filtering mechanism by which the author selected the people he would interview. It is not a definition of creativity. It is only a description of a subsection of creativity, the kind where institutions provide paychecks to highly practiced individuals to work hard at what they love. I also found little new to take away and apply to my own social existence inside the organization where I work. Perhaps I can summarize my dissatisfaction by observing that the subtitle sets out an agenda for the psychology of creativity, but the definitional filter is intrinsically social. This disconnection sets the book up to fail. So, count this as a negative review, yes, but I did enjoy reading the testimonies of the people interviewed, and the author adds some value in the generalizations he draws. Still, much, much more could have been said.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 30, 2012

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