Pay in installments of $7.38 with
,
and
Shipping Estimate
USA
- USA
- CAN
- USA
- CAN
Ships within 48 hours · Estimated delivery Oct 25 - Oct 30
Promo Codes Available:
For Your Every Summer RSVP, with Code: SUMMER15
Description
maxi-cosi zelia car seat base installation Maxi-Cosi Maxi-Cosi Zelia Pro 5-in-1 Modular Travel SystemDesigned for discerning parents who value versatility, comfort, and enduring quality, the Zelia Pro empowers you to embrace each day with confidence. From your babys first ride to toddlerhood adventures still to come, this thoughtfully engineered system transitions seamlessly across 5 distinct modes: a parent facing car seat caddy, a reversible baby carriage, and a reversible toddler stroller. Large wheels offer smoother strolling and easier
Designed for discerning parents who value versatility, comfort, and enduring quality, the Zelia™ Pro empowers you to embrace each day with confidence. From your baby’s first ride to toddlerhood adventures still to come, this thoughtfully engineered system transitions seamlessly across 5 distinct modes: a parent-facing car seat caddy, a reversible baby carriage, and a reversible toddler stroller. Large wheels offer smoother strolling and easier maneuverability, while the extra-large storage basket keeps all your essentials close. Zelia Pro accommodates children up to 50 lbs. and 39".
Included is the Mico™ Pro Infant Car Seat, a lightweight yet secure companion designed to cradle your newborn in plush comfort. Featuring removable, ultra-soft infant inserts and premium PureCosi™ fabrics, it ensures your little one is enveloped in cozy serenity. The Mico Pro accommodates infants from 4–30 lbs. and up to 32".
Both the stroller and infant car seat have vegan-leather accents for added style and comfort and are designed with EcoCare fabric, our premium, future-friendly, 100%-recycled fabric made from plastic bottles. The yarn produced is soft, comfortable, and breathable.
Actual fit may vary. Not all children will comfortably fit in the seat for the full weight and height ranges listed.
- Features 5 modes of use: parent-facing car seat caddy, reversible baby carriage, and reversible toddler stroller
- Extra-large storage basket fits larger items with easy access, up to 15 lbs.
- Extendable MaxShade canopy on stroller for sun protection with UPF 50 and a mesh window
- Ergonomic, 4-position stroller handle can be adjusted to your preferred height for a customized, comfortable push and features a removable parent cup holder
- Large wheels offer smooth strolling, agile turning, all wheel suspension, and easy maneuverability
- Stroller accommodates children up to 50 lbs. and 39"
- Bumper bar swings to the side to easily get baby in and out of the stroller seat
- Includes the Mico™ Pro Infant car seat for babies from 4–30 lbs. and up to 32"
- Infant car seat designed with ClimaFlow™ technology, providing added ventilation to help keep baby cooler
- Stylish vegan-leather accents on both stroller and car seat
- Easy-to-fold stroller for convenient storage and transport
- Stroller features removable, machine-washable infant insert and harness covers
- Both the stroller and infant car seat are designed with EcoCare fabric, our premium, future-friendly, 100%-recycled fabric made from plastic bottles. The yarn produced is soft, comfortable, and breathable
- Infant car seat features PureCosi™ fabric made without added fire-retardant treatment
- Contoured, ergonomic car seat handle curves around your hip for a more comfortable carry
- Infant car seat inserts can be easily removed without rethreading the harness
- All car seat fabrics are machine-washable and dryer-safe
- Car seat has extra plush padding on the infant head and lumbar inserts to ensure a comfortable, secure ride
- Large, visible belt guides make installing the car seat without the base (taxi-mode) intuitive and seamless
- 1-handed release from car seat base and stroller
- Includes a convenient stay-in-car infant car seat base with 3 adjustable positions, and 1-click LATCH system for easy, secure installation
- Stroller meets Disney park size requirements
- Car seat is airplane ready—perfect for travel
- Car seat is engineered and tested to meet or exceed federal safety standards
- Car seat meets federal Side Impact standard
Specifications
- Dimensions: 47.64"H x 24.61"W x 39.76"D
- Product weight: 26.37 lbs
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.6 ★★★★★
Based on 26 reviews
Sort
Product Reviews
★★★★★ 5
Very well written and easy to read.
Format: Paperback
Few people are as qualified as Philip Meyer to write a book on storytelling for lawyers. With a background as a trial lawyer, he has plenty of practical, real-life experience in the courtroom. His approach is not that of an academic giving purely theoretical advice, but that of a seasoned lawyer who knows the ins and outs of the legal profession. His experience as a professor (of both law and writing) has honed his ability to effectively communicate his ideas to a broad audience. Not only is this book helpful for the practicing lawyer, it is also useful and not too complex for the legal neophyte or casual reader.
This book breaks storytelling (narrative) down to its core components and analyzes them one by one. In the process of analyzing each part of a story, Philip Meyer skillfully explores each component with a non-legal example (e.g. movies, books, etc.) before applying it to a legal example (e.g. courtroom proceedings, appellate briefs, closing arguments, etc.) By first analyzing each part of a story (i.e. plot, setting, etc.) from a well-known story that resonates with the reader, he sets a strong foundation before transitioning to a legal story, thus making it easy for the reader to identify and better understand each part of the legal story.
I highly recommend this book to anyone remotely interested in storytelling and persuasion as they relate to the legal profession.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 22, 2016
★★★★★ 4
Must Read for Novice Litigators
Format: Paperback
This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation.
I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation.
For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following:
ABA webinar available with an internet search for "Storytelling for Lawyers"
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 25, 2018
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017