SKU: 37636262180
pothos mix

pothos mix Organic Pothos Soil - 4 Quart

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Description

pothos mix Organic Pothos Soil - 4 QuartSimply the Best Soil for Pothos Perfect Plants Organic Pothos Soil Mix Boosts Drainage, Retains Moisture, and Supports Strong Root Growth Crafted for optimal performance, our nutrient rich, coconut based Pothos Potting Soil provides the ideal balance of drainage, aeration, and moisture retention for thriving pothos plants. Great for beginners and houseplant pros alike. Whether youre wanting to create an indoor jungle retreat for your home, or you

Simply the Best Soil for Pothos

Perfect Plants’ Organic Pothos Soil Mix Boosts Drainage, Retains Moisture, and Supports Strong Root Growth

Crafted for optimal performance, our nutrient-rich, coconut-based Pothos Potting Soil provides the ideal balance of drainage, aeration, and moisture retention for thriving pothos plants. Great for beginners and houseplant pros alike.

Whether you’re wanting to create an indoor jungle retreat for your home, or you simply want to add some life to your office space, the pothos vine is an easy go-to plant for beginners. Most everyone agrees that pothos plants are extremely easy to grow and are refreshingly low maintenance. Our special blend Pothos Soil Mix enhances the growth of your pothos plants!

What Makes This the Best Potting Soil for Pothos?

Our organic pothos growing medium is a coconut based soil blend. This nutrient rich potting mix drains away excess water while locking in essential moisture for optimal root support. Only premium material are used in our pothos soil mix.

  • Composted Pine Bark:This is a wonderful soil conditioner. 
  • Perlite: Created under volcanic conditions, perlite is a porous and lightweight material. It promotes much needed aeration within the soil and helps reduce compaction.
  • Coconut Coir: This lightweight material is a byproduct of the coconut industry. It sheds excess water while retaining moisture.
  • Bark: Allows for good air circulation, adds nutrients, and allows for better water drainage.
  • Sand: Helps facilitate drainage, reduce compaction, and provide good aeration.
  • Garden Lime: This versatile mineral helps balance pH.

Our expertly formulated pothos potting soil comes in sturdy bags comprised of heavy-duty plastic to prevent unwanted tears and spills. Our bags are resealable for added convenience and come in both 4 or 8 quart packages. Our soil is perfect for use in small pots, hanging baskets, and indoor plant stands.

How to Grow the Biggest Pothos

Give your pothos the right growing conditions and it will reward you with vigorous vines, larger leaves, and lush indoor greenery. Whether you’re looking to boost growth, maximize leaf size, or simply keep your plant thriving, these quick-care tips make it easy for anyone to enjoy a beautiful, fast-growing pothos.

  • Watering: Water thoroughly, then let the soil dry out completely before watering again. Aim for about once per week depending on your home’s humidity. Avoid overwatering to prevent root rot.
  • Light Needs: Provide moderate to bright, indirect light for the fastest growth; pothos can adapt to low light, but growth will slow.
  • Temperature: Keep your pothos in warm indoor temps between 65–75°F, similar to its tropical origins.
  • Humidity: Typically thrive in higher humidity but tolerates typical household levels just fine.
  • Growth Boost Tip:  Keep your plant in a bright, warm location to encourage larger leaves and fuller vines; ideal for anyone looking to buy pothos for fast indoor growth.

Why Buy Soil from Perfect Plants?

As a family-run farm since 1980, Perfect Plants hand-mixes premium soil blends under expert care. Grown under Florida sun and packaged with purpose, our resealable bags deliver freshness and quality you can trust.

Perfect Plants is committed to all your garden needs. Be sure to check out our other fabulous potting soil mixes. All our soils are proudly made right here in the United States. No matter what you grow, we’ve got the tools and supplies you need.

Pothos are wonderful indoor plants that purify the air and add lush greenery to your interior spaces. Their heart shaped leaves are often variegated and are beautifully arrayed on long viny stems that can reach 8 feet or longer. Pothos plants come in yellow, green, and white color varieties. What’s more, they’re super easy to take care of!

Though pothos plants can be started in water, they really grow best in soil. When housed in rich quality soil you will see a more robust plant overall. Soil pH should be between 6.1 to 6.8. Fertilize bi-monthly with houseplant food. Repot the plant as needed. If the plant becomes droopy even after watering or if roots are growing out of its drainage holes, this is a sure sign that you need to repot your plant.

Happy planting!

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 37636262180

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L.m
New York, US
★★★★★ 5
Get it!! You won't regret it
I don't know what to say but if you are considering buying this,do so... I've been using it a little bit over a week and to be honest I have used all kinds of makeup and lotions and I was never impressed even with experience brands, This stuff I'm already noticing a difference in wrinkles and it's so soothing. Just buy it and try it for yourself, I'll definitely be buying more
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Reviewed in the United States on August 27, 2025
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MB
Pawtucket, US
★★★★★ 5
Hydrating
New fav. My teenager loves it
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Reviewed in the United States on January 10, 2026
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Ruth
Natrona Heights, US
★★★★★ 3
It’s okay
I use it for a month. I saw no difference. It does give you a glow for a few minutes and it does hydrate. No scent and it didn’t break me out.
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Reviewed in the United States on March 19, 2026
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Lana
Dallas, US
★★★★★ 5
Good
Good
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Reviewed in the United States on January 22, 2026
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dra
West Palm Beach, US
★★★★★ 5
Fractured pop art masterpiece
Walker (Lee Marvin) and Mal Reese (John Vernon) stage a robbery, stealing a bag of cash from some crooks conducting a delivery by helicopter in deserted Alcatraz. Reese double crosses Walker and leaves him for dead, taking off with the cash and Walker's wife. Walker survives, escapes from the island, and comes after Reese, and all the rest of his criminal organisation, with the mantra, "I want my $93,000." On this third or fourth viewing, I was struck less by what an exemplary action film this is (Marvin, the hardest man in the history of the movies, was at least as mean and relentless in The Killers), and more by how deeply artiness is infused into its structure and design. The recurrent flashing back and forward in time, especially at the start between the planning - not in the traditional meticulous heist film set up, just a series of fractured, barely linked brief meetings and conversations - and the robbery, but also Walker's thoughts returning to his betrayal, feed the predominant critical interpretation that Walker was fatally wounded on Alcatraz, and the whole film is his trying to process this and his fantasy of revenge. Boorman addresses this directly in the commentary, to the extent that he refuses to commit and says it's intended to be ambiguous. I'm now firmly in the dying-flashback camp, because of Walker's almost magical powers. (On reflection, it's like the question of whether Deckard is a replicant - you can enjoy debating it and looking for clues, but in the end the answer is yes.) He appears in new scenes and locations with no evidence of having travelled, and generally in a spiffy new outfit (more of this later) despite carrying nothing but his revolver, and, particularly in the central sequence, he evades being apprehended either by coincidence (the lift he's in opens and closes while the baddies waiting for the same lift are distracted by a commotion) or by the sheer application of cool (waiting immobile but scarcely invisible in an underground car park while his pursuer is gunned down by police). He also has an advisor/mentor, played by Keenan Wynn, who pops up in scenes like a cartoon character (he looks like a sort of dome shaped, bristle headed man in a suit who might appear in Ren and Stimpy) and gives Walker his next mission, while the two of them assiduously avoid eye contact as if one or both aren't really there. From Walker's re-emergence in the first of a series of natty suits, Point Blank is constructed as a series of set pieces. The first is the oddest, continuing the flashbacks and playing with chronology. Walker is seen striding intently down a corridor, and we hear the sound of his footsteps over a series of scenes of his meeting his wife, and the two of them sharing innocent good times with Reese. He confronts his wife, fires six shots into her bed before realising Reese isn't there. A scene later, she's dead after an apparent overdose. A scene after that, the body is gone, the apartment is bare, and Walker has boarded himself inside. Did Walker even see his wife? Had she died already? A messenger arrives from whom Walker extracts a name, and he's off chasing the next link. Walker meets care dealer Big John, whose yard has enormous signs in a jazzy '50s font. He asks for a test drive, buckles his seatbelt, and smashes the car between pillars (c.f. The Driver) until John spills the next name. The most self-consciously art-directed scene follows, in which Walker visits a nightclub which features both a bikini-clad go-go dancer and a trio playing something between jazz and James Brown. Tipped off by a flirtatious waitress that he's being followed, he ducks behind the stage, and fights two baddies while giant faces are projected on a huge screen behind him. In a moment that suggests Tarantino watched this while writing Inglourious Basterds, Walker pulls down a rack of celluloid canisters to trap one pursuer, and then returns things to some kind of action movie orthodoxy by subduing the other one with a haymaker to the groin. In the centrepiece, Walker meets his sister-in-law Chris (Angie Dickinson). Grief and his mission of revenge don't mean he misses the chance to share her bed, and emerge, manhood serenely unthreatened, in her borrowed yellow shortie robe. The colour scheme gets turned up to 11 at this stage, with Walker in a mustard shirt-sports jacket combo (his outfits get truly creative whenever he's bedded Angie - later, he sports a shirt somewhere between salmon and ruby grapefruit - which I guess is the wardrobe equivalent of Joseph Gordon Levitt's post-coital dance routine in (500) Days of Summer), Angie in a rockin' yellow shift dress and matching '60s mid-length coat (let down soon after by wearing something striped like a bee), and Reese in a light tan, crushed velour t-shirt that might be the least flattering male garment in cinema until Borat's mankini. Walker even finds a sightseeing telescope painted lemon yellow, which he casually dislocates from its moorings to scope out Reese's penthouse lair. Once Reese is dealt with, the movie shifts into an early example of crime-as-big-business. Reese's boss is Carter, whose sleek Mad Men-style office and threads are matched by his resemblance to that series' Ted. According to IMDb, Lloyd Bochner, who plays Carter, was doing voice-over work from age eleven, and between him, Vernon's baritone (you know how it sounds - like Dean Wormer: "Fat, drunk and stupid is no way to go through life, son."), and Marvin's basso profundo, there's a meeting of male voices unmatched until, say, Brideshead Revisited. Around this point the architecture of LA attracts more and more focus, both modernist glass towers and the concrete culvert of the LA River, where a sniper lurks who might have inspired the climactic shooter in Get Carter. The commentary is conducted as a dialogue between Boorman and Soderbergh, who, if you've seen this, early Nic Roeg (Performance and Don't Look Now), and were already acquainted with the colour yellow, seems less original than he otherwise might. He has the decency to open by talking about how many times he's stolen from Point Blank. He's not the only one though. Point Blank deconstructs and toys with the action film as knowingly as anything in the 45+ years since, up to and including Archer and the entire oeuvre of Shane Black. Just when it's in danger of becoming too clever to be satisfying as a genre piece, it gets your attention with a pistol whipping, a punch to the groin, or the rarely-shown actual end result of the villain-takes-a-long-fall thing. And of course there's Marvin, who, whether dressed like a dandy, wearing a robe, or looking baffled when the next corporate criminal explains that they just don't have $93,000 to hand over, can't be beat. Seriously, you're not obliged to love it, but you have to see it at least once.
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Reviewed in the United States on May 3, 2014

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