SKU: 38832678819
philodendron asperatum

philodendron asperatum Philodendron hederaceum var. oxycardium – Foliage Factory

Sale price$25.15 Regular price$27.94
Save 10%

Pay in installments of $6.99 with ShopPay, AfterPay and Klarna

Shipping Estimate
USA
  • USA
  • CAN

Ships within 48 hours · Estimated delivery Jul 27 - Aug 1

Promo Codes Available:

For Your Every Summer RSVP, with Code: SUMMER15

Description

philodendron asperatum Philodendron hederaceum var. oxycardium – Foliage FactoryPhilodendron hederaceum var. oxycardium Philodendron hederaceum var. oxycardium is a green heartleaf Philodendron with slim flexible vines and glossy cordate leaves that taper to a pointed tip. The stems can trail from a hanging pot, extend along a surface or climb when aerial roots find support. The leaves are usually medium to dark green, cordate at the base and pointed at the tip. Young plants make smaller leaves on loose stems, while older vines

Philodendron hederaceum var. oxycardium

Philodendron hederaceum var. oxycardium is a green heartleaf Philodendron with slim flexible vines and glossy cordate leaves that taper to a pointed tip. The stems can trail from a hanging pot, extend along a surface or climb when aerial roots find support.

The leaves are usually medium to dark green, cordate at the base and pointed at the tip. Young plants make smaller leaves on loose stems, while older vines can produce broader leaves when warmth, root health and upward growth stay steady.

Glossy pointed leaves on flexible green vines

  • Glossy green leaves with a cordate base and pointed tip.
  • Flexible stems can trail, cascade or climb when given a pole, plank or trellis.
  • Long vines can be shortened above a node to encourage side shoots.
  • Visible nodes make stem cuttings and pruning cuts easy to place.
  • Several cuttings in one pot can produce denser growth from the base.

From juvenile heart leaves to broader climbing foliage

Philodendron hederaceum is an epiphytic climber in Araceae, the aroid family, with a broad native range from Mexico through Tropical America. Philodendron hederaceum var. oxycardium is native from Mexico to Honduras and grows as a climber in the wet tropical biome.

Philodendron hederaceum var. oxycardium has glossy green leaves, pointed tips and flexible vining stems. The epithet oxycardium refers to the pointed heart shape of the leaf blade.

Steady care for green heartleaf Philodendron

  • Light: Place in bright indirect light for tighter internodes; it tolerates softer light but may grow longer, thinner vines.
  • Substrate: A loose aroid mix gives the fleshy roots oxygen and reduces the risk of wet-root yellowing.
  • Watering: Water when the upper mix has dried, then let excess water leave the pot completely.
  • Temperature: Keep above 18 °C for steady growth and avoid cold glass or draughts.
  • Humidity: Moderate indoor humidity is usually suitable, but very dry air can make new tips smaller or slower to open.
  • Repotting: Repot when roots have filled the pot, using a container with drainage and only a modest size increase.
  • Fertilizing: Feed lightly during active growth with a balanced houseplant fertiliser; steady green vines do not need heavy feeding.
  • Propagation: Stem cuttings root from nodes, especially when each cutting has at least one healthy leaf and one visible node.
  • Semi-hydroponics: The plant can adapt to inert or mineral substrates if roots are transitioned carefully and kept oxygenated.
  • Placement: Place it where the vines have room to trail or climb, away from cold air movement and harsh direct sun.
  • Climbing setup: A pole, plank or trellis lets the stems climb and can encourage broader leaves on established vines.
  • Maintenance: Cut long stems above a node to encourage new side shoots; rooted cuttings can be planted back into the pot for denser growth.
  • Growth rate: Growth is usually moderate to fast in warmth, bright indirect light and a loose, evenly managed root zone.

Bare stems, yellow leaves and node pests

  • Leggy growth: Usually linked to low light or long unsupported stems; prune and move to brighter indirect light.
  • Yellow leaves near the base: Check for overwatering, blocked drainage or old compacted substrate.
  • Small leaves on older vines: Add support or prune back to a stronger node if trailing stems have become too long.
  • Brown tips: Look at watering consistency, salt buildup and dry air before changing several conditions at once.
  • Pest clusters at nodes: Inspect under leaves and along stems, especially where vines overlap in a dense hanging pot.

Safety

This heartleaf Philodendron contains insoluble calcium oxalate crystals. Keep it away from pets that chew plants and avoid touching your eyes after pruning or handling cut stems.

Published variety and pointed leaf name

Philodendron hederaceum var. oxycardium was published as Philodendron hederaceum var. oxycardium (Schott) Croat in World Checklist and Bibliography of Araceae in 2002. The variety is based on the earlier name Philodendron oxycardium Schott. Philodendron comes from Greek roots for fondness and tree, hederaceum refers to ivy-like growth, and oxycardium combines pointed with heart.

Philodendron hederaceum var. oxycardium brings glossy green heart-shaped leaves to a flexible vine that can stay trailing or climb into broader, more mature growth.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 38832678819

Discover Niche Categories That Outsell philodendron asperatum

Top-Converting Item to Boost Your Average Order

4.1 ★★★★★
Based on 30 reviews
Sort
Highest Rating
Newest First
Oldest First
Product Reviews
L
Verified Purchase
Lori T. Sly
Belleville, US
★★★★★ 4
Helpful, but not as good as "Story" by same author, and it disses certain genres
Format: Hardcover
This book contains a lot of helpful information on how to write dialogue. It's dense with dialogue analysis and insights, tough to take in by just reading it through once. But it is helpful. McKee covers the three dialogue tiers (said, unsaid, unsayable) as well as how dialogue ties into story turning points and scene conflict type. I still have lots of practice ahead of me to figure out how best to do this in my story. I will definitely use his advice as a guide. He understands dialogue at a much deeper level than I do. However, many of McKee's dialogue examples did not speak to me. While I liked reading the dialogue examples for Breaking Bad, 30 Rock, The Sopranos, Frasier, A Raisin in the Sun, and The Great Gatsby, and agreed they were good, I disliked the dialogue from Shakespeare, Elmore Leonard, Sideways, Fraulein Else, and Lost in Translation. McKee says fine dialogue turns the reader/audience into a mind reader; I guess I'm not interested in movies which expect me to be as much of a mind reader as those latter examples did. I totally missed the subtext of the dialogue in those until he explained it to me as an aside. And that's after I already saw most of those movies! If I have to guess what every character means with every line, that's too much work and too little entertainment for me. Maybe mystery lovers liked the dialogue in "Lost in Translation"; I'm not a mystery lover. McKee quoted one novelist as saying that the crux of good writing is to, "Make em laugh, make em cry, make em wait." Lost In Translation and its dialogue did none of that for me. The subtext was so confusing and subtle that I lost interest in the movie. I can't even remember what it was about anymore, only that it won some award and I had no clue why. McKee says that with rare exceptions, a scene should never be outwardly and entirely about what it seems to be about. Dialogue should imply, not explain, its subtext. An ever-present subtext is the guiding principle of realism. Nonrealism, on the other hand, employs on-the-nose dialogue in all its genres and subgenres: myth and fairytale, science fiction and time travel, animation, the musical, the supernatural, Theatre of the Absurd, action/adventure, farce, horror, allegory, magical realism, postmodernism, dieselpunk retrofuturism, and the like. It's a bit unclear how, if at all, anyone writing in any of these "nonreal" genres should take his dialogue advice. It seems to me that even sci fi scenes need some good dialogue with subtext to be engaging. With McKee, all the accolades go to what is implied and unsaid over what is said. I agree that subtext matters, but for me, he's out of proportion with how much it matters to most people and how hard audiences are willing to work to discover the intended subtext. Also, memorable spoken character lines can elevate movie themes and characterization like nothing else. In the end, I think this book is geared more toward writers who want other advanced writers as their audience rather than the average reader or movie watcher. And McKee admits it is definitely not geared toward sci fi, fairytales/myths, action/adventure, horror or allegory. It's almost as if he's saying those genres can't have excellent dialogue. I disagree. But it was still a helpful book to read, and one I will be thinking about and trying to more fully understand for a long time. McKee understands how character's subconscious drives can deepen what they say or avoid saying, and how dialogue interacts with many other aspects of a story to make it all work together.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 12, 2019
R
Verified Purchase
Ray Pryor
Grantham, US
★★★★★ 5
Amazing.
Format: Kindle
Just like a good movie, the first 10 pages = mind blown. Wow, such really, really good material here. If you're new, this will help you a ton. If you're experienced, this book will help you realize WHY great dialogue is so great, enabling you to create the magic again and again. I love how McKee covers several medias ( screen, theater, novel ) but still stays true and clear on the concept. A virtual masterclass on the subject. One of the best screenwriting books out there, and Yes, it's well worth all the hype.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 18, 2017
K
Verified Purchase
Kindle Customer
Boise, US
★★★★★ 5
So to speak
Format: Kindle
Previews did not show the Table of Contents, but it is worth searching the web for. The coverage includes practical techniques as well as case studies. Notes cover titles on topics over several decades. This book has four parts about what dialogue is, how it can mended, and how it can be created and designed. Trialogue, the third thing through which a pair of characters channel conflict in conversation, is an interesting concept because it overlaps social networks or media and comms devices; it is also looked at historically. Dialogue is reportedly the quickest way to fix a narrative text since it appeals to intuition. Those levels of depth are what the book is about. They can be found in first person voice. The approach could easily fill a site on the order of tropes for favorite titles, but for deconstruction and revision, which are also relevant to works in progress. It talks about finding characters in the dark, though not necessarily from the milieu, unless it were compressed and made to transfer meaning like in poetry, but reflexive so that it is symmetrical to the characters or human nature. If there is a boundary to be found, then this method is going to hit the lines to find out what happens then. The impact on the rest of the narrative elements is discussed. This extends back through the early philosophers, through tragedy, the merging of European roots into English, and the study of personalities to contemporary customs. Voice is plot.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 12, 2017
C
Verified Purchase
cf otto
Lexington, US
★★★★★ 5
ONE OF THE TWO BEST BOOKS ON SCREENWRITING
Format: Hardcover
Probably the best book on screenwriting ever (besides Egri), though there is also much here for the novelist and playwright. I am a professional TV writer, of long-standing (35 years), and I can tell you I used this book to figure out how to fix the problems of a complex pilot I'm writing; the author truly " guided me home." And lest you think I'm a McKee sycophant, I am not. I found little in STORY for me. The only thing I disagree with in DIALOGUE is that the author sells his own work short: it isn't just for those who are "lost" in their writing, like me, and the student, it's for anyone who writes fiction for a living, in any form, no matter how much experience they have. It's that good.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 14, 2016
S
Verified Purchase
Seeley James
Battle Creek, US
★★★★★ 5
McKee’s best
Format: Kindle
More relevant than STORY, more useful on a daily basis. This is the book I recommend to all beginning writers. I’ve now read it three times and will read it at least three more. I learn, relearn, and remember bits and pieces each time. It is one of three books that has made me the greatest writer of all time.* *my opinion, anyway.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 5, 2023

recommand products