SKU: 4268837656
faux ficus audrey

faux ficus audrey 6-8ft Audrey Ficus – Dahing Plants

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Description

faux ficus audrey 6-8ft Audrey Ficus – Dahing PlantsDescription Meet the Audrey Ficusthe beauty that wants to make your plant parenthood journey a joy! With its soft, velvety, oval leaves decorated with delicate pale veining, it brings that perfect "I've got my plant game together" energy to any room. Native to India and Pakistan, this stunning indoor banyan tree has learned the art of making a statement while being wonderfully forgiving. Your Audrey Ficus will gracefully grow to 5 10 feet tall

Description

Meet the Audrey Ficus—the beauty that wants to make your plant parenthood journey a joy! With its soft, velvety, oval leaves decorated with delicate pale veining, it brings that perfect "I've got my plant game together" energy to any room.

Native to India and Pakistan, this stunning indoor banyan tree has learned the art of making a statement while being wonderfully forgiving. Your Audrey Ficus will gracefully grow to 5-10 feet tall indoors, creating that lush, tropical sanctuary you've been dreaming of. It's genuinely easier to care for than its more famous cousin, which means you can focus on enjoying its elegant presence instead of worrying about every little care detail.

We love how this beauty adapts to your life—it's patient when you're learning, forgiving when you're busy, and always ready to reward your care with steady, satisfying growth. With its air-purifying qualities and that gorgeous architectural form, it's like having a living sculpture that actually improves your home's atmosphere.



Care 

How do you care for an Audrey Ficus?

Audrey Ficus care centers on providing bright indirect light placement, careful watering when the top two inches of soil feel completely dry, regular gentle misting for proper humidity levels, and monthly balanced feeding during spring and summer growing seasons.

Your Audrey Ficus is wonderfully straightforward once you understand its rhythm. Place it near a south or west-facing window where it can soak up plenty of bright, filtered light throughout the day. Water it thoroughly when you can stick your finger into the soil and feel that the top 1-2 inches are completely dry, then let any excess water drain away completely—this plant really dislikes having wet feet. 

A light misting every few days helps it feel at home, especially during drier months. During its active growing period from spring through summer, treat your plant to a balanced fertilizer at half strength once monthly, and it will show its appreciation with healthy, vibrant growth.



Is Audrey Ficus a good indoor plant?

The Audrey Ficus makes an absolutely exceptional indoor plant choice for your home, offering stunning tropical beauty with significantly easier care requirements than most other large-leafed houseplants, making it perfect for plant parents seeking elegant visual impact.

It truly thrives in indoor environments and brings that sophisticated, lived-in elegance that makes any space feel more intentional and beautiful. Its natural air-purifying abilities are a wonderful bonus, but honestly, we think you'll fall in love with it primarily for how it transforms your home's atmosphere. 

Unlike some of the more temperamental plants in the ficus family, your Audrey Ficus is genuinely pleasant to live with and won't punish you for the occasional care misstep—it understands that life gets busy sometimes.



Can Audrey Ficus tolerate low light? 

Your Audrey Ficus can manage reasonably well in medium light conditions but absolutely won't flourish in truly low light situations, needing several hours of bright, indirect Audrey Ficus light daily for optimal health, growth and vibrant appearance.

While it's adaptable and patient, it does have its preferences. In lower light situations, you might notice slower growth and some natural leaf drop as your plant conserves its energy. We've found that giving your Audrey Ficus the bright, indirect light it craves really brings out the best in those beautiful velvety leaves and helps maintain its elegant, full form. When it's happy with its lighting, it will reward you with that lush, healthy appearance that makes it such a showstopper.



How often do you water an Audrey Ficus?

Water your Audrey Ficus thoroughly and completely when the top 1-2 inches of soil feel completely dry to the touch, which typically occurs every 1-2 weeks during the active growing season, and less frequently during winter months.

We always recommend checking the soil rather than following a strict calendar schedule—your plant will tell you when it's ready for a drink. During spring and summer when it's actively growing, it will be a bit thirstier and may need water every week or so. As winter approaches and its growth naturally slows, you can stretch that to every 2-3 weeks. Your Audrey Ficus is much more forgiving of slight underwatering than overwatering, so when you're uncertain, it's perfectly fine to wait another day or two.



How quickly does an Audrey Ficus grow indoors?

The Audrey Ficus grows at a pleasantly steady and manageable pace indoors, typically adding approximately 12-24 inches of new growth yearly with proper care and attention, reaching full indoor size over approximately 5-7 years under ideal conditions.

We love how it grows at just the right speed—fast enough that you can see progress and feel that wonderful satisfaction of successful plant parenthood, but not so quickly that it overwhelms your space overnight. This gradual growth means you can plan your room layout and watch your plant develop into an impressive floor-to-ceiling statement piece over time. There's something really special about nurturing a plant through that journey and seeing how it transforms alongside your home.



How much sun does Ficus Audrey need?

Your Audrey Ficus needs several hours of bright, indirect sunlight daily for optimal growth and overall health, with gentle morning or evening direct sun being perfectly acceptable and beneficial for maintaining healthy growth and vibrant leaf coloration.

Position your plant near a bright window where it can drink in plenty of filtered light throughout the day. It actually enjoys some gentle direct morning or evening sun, but we recommend protecting it from harsh midday rays that might stress those beautiful leaves. When your Audrey Ficus gets the right amount of light, you'll notice how much more vibrant and healthy it looks—it really makes all the difference in its overall wellbeing.


Should I mist my Audrey Ficus?

Misting your Audrey Ficus is definitely beneficial for its overall health and wellbeing, especially in dry indoor environments, helping to increase humidity levels around the plant and keeping those gorgeous velvety leaves clean, dust-free and beautifully happy.

Your Audrey Ficus genuinely appreciates the extra humidity, particularly during winter months when indoor heating can make the air quite dry. A gentle misting every few days or placing a humidifier nearby will help your plant feel more comfortable and prevent those crispy leaf edges that can happen in very dry conditions. Plus, it's a lovely opportunity to spend a quiet moment with your plant and check in on how it's doing—we think of it as part of the joy of plant parenthood.


What is the best fertilizer for an Audrey Ficus?

The best fertilizer for your Audrey Ficus is a balanced, water-soluble fertilizer option with standard NPK ratios like 10-10-10 or 20-20-20, diluted to half strength and applied monthly during spring and summer growing seasons only for optimal health.

Your plant isn't a heavy feeder, so a gentle approach works beautifully. During its active growing season from spring through summer, that monthly feeding gives your Audrey Ficus just the nutritional boost it needs to put out healthy new growth. Come fall and winter, let it rest completely without any fertilizer—this natural rhythm helps keep your plant healthy and prepares it for another season of beautiful growth when spring returns.



Pet-friendly?

The Audrey Ficus isn't pet-friendly and contains natural compounds that can be harmful to curious pets. While it's absolutely gorgeous to admire, it's definitely not safe for nibbling by your furry family members.


Is Audrey Ficus toxic to dogs?

The Audrey Ficus is definitely toxic to dogs and should be kept away from them at all times, with its natural latex sap containing harmful compounds that can cause vomiting, diarrhea, and oral irritation requiring immediate veterinary attention.


Is Audrey Ficus poisonous to cats?

The Audrey Ficus is toxic to cats and should be kept safely out of reach at all times, potentially causing drooling, vomiting, diarrhea, and mouth irritation from the natural compounds in its latex sap when ingested by curious felines.


Factoids

What is the difference between an Audrey Ficus and a Fiddle Leaf Fig?

The Audrey Ficus features soft, oval leaves and is easier to look after, while the Fiddle Leaf Fig has violin-shaped, glossy leaves and requires more maintenance. Your Audrey Ficus won’t have a tantrum if you miss a few care steps.


Is Ficus Audrey rare?

While you might not stumble across your Audrey Ficus at every big box store, it's definitely accessible through speciality plant retailers like us who understand its value. We love that it offers something special without being impossible to find.


What is the benefit of Audrey Ficus?

Beyond its obvious beauty, it's genuinely working to improve your indoor air quality with less fuss than many other statement plants. The combination of practical benefits and visual impact makes your Audrey Ficus such a wonderful addition to any home.


Where does Audrey Ficus get its name?

"Audrey" evokes that same classic beauty you associate with timeless style icons. Its botanical name tells the story of its origins in the Bengal region, where its wild relatives grow into sacred banyan trees so revered in Indian culture.


Buy an Audrey Ficus

Ready to transform your space with sophisticated elegance that won't stress you out? Our Audrey Ficus brings that perfect combination of stunning visual impact and manageable care that makes plant parenthood genuinely enjoyable. It's ideal for anyone who wants to create that lush, curated look without the constant worry about whether you're doing everything perfectly.

With our live video shopping calls, you can meet your future plant companion face-to-face and choose the exact Audrey Ficus that makes your heart happy. No guessing games or plant roulette—just you, connecting with your perfect green addition before it travels safely to your home. Because finding your ideal statement plant should feel as elegant and stress-free as caring for it will be!

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John Hall
Lake Worth, US
★★★★★ 5
The Robin Origin Tale We Needed
Format: Paperback
Hot off The Long Halloween Jeph Loeb and Tim Sale return for another murder mystery. This is a direct sequel and follows the aftermath of The Long Halloween. The art is stellar and the story is deep and dark. The trinity of Batman, Dent and Gordon is gone and the isolation is real. At the heart of it, life goes on. Sofia Falcone is back and ready to get revenge. Meanwhile, Dick Grayson's about to go through the darkest chapter of his life. There's a surprise villain who makes a chilling introduction and much more. If you wanted more after Batman: Year One and The Long Halloween, this is the book for you.
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Reviewed in the United States on May 22, 2025
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The Blue Thunder Bomb
Chelsea, US
★★★★★ 5
The Best BATMAN Tale since YEAR ONE.
When I first started reading Scott Snyder's run on DETECTIVE COMICS, I was unfamiliar with his work. It seemed like they had just grabbed a new name after arcs done by distinguished writers such as Grant Morrison (which I actually thought was terrible during his RIP arc), Greg Rucka (who did a brilliant job with bringing the character of Batwoman into the fold), and Paul Dini (whose work ranged from not great to just about perfect). Snyder just seemed like a Johnny-Come-Lately, and the previous arc on DETECTIVE had been particularly disappointing, but alas I had faith that another solid arc was due for the Darkknight Detective, so I kept collecting. Nothing could have made me happier, since Snyder and his partners in crime, artists Jock and Francesco Francavilla had crafted the most solid, unified and smartest Batman tale since Frank Miller and David Mazzucchelli's eponymous BATMAN: YEAR ONE. Not to get too bogged down in plot detail, but essentially, the "Black Mirror" arc begins with Dick Grayson as The Batman (since Bruce Wayne was too busy fighting his way through time... argh...) and he's closing in on a secret auction where 'collectibles' of Gotham's most notorious villains are being sold to an elite crowd of wealthy degenerates, such as Scarecrow's fear gas and the crowbar actually used to beat Jason Todd almost to death. The main villain of the piece is hardly Batman's most powerful enemy, but it does leave some psychic scars on Dick. Next Dick is forced to deal with a dead woman found in an office building. Hardly worth Batman's specific attention, but what is is that the woman's body was found inside a dead killer whale's mouth in an office building. Making matters more complicated is that the woman this murder is sending a message to is actually the daughter of Tony Zucco, the gangster responsible for the death of Dick's parents. While these stories are exciting, well-crafted and beautifully rendered by Jock, we enter a much more personal tale of Commissioner Gordon: the return of his son James Jr., who we haven't seen much of at all in his life. Apparently, James Jr. is a psychotic who is taking a new anti-psychotic medication and hopes to return back to society in some way. This becomes a very personal tale for the Gordon family, including Gordon's ex-wife Barbara and of course his daughter Barbara, formerly Batgirl and now the wheelchair-confined information gatherer Oracle. These interludes are illustrated by the brilliant Francavilla, whose every page looks like it's suitable for framing. Unfortunately for everyone involved, Jr. is not exactly what he seems to be and this leads to a small-scale but highly emotionally charged finale. Scott Snyder did several things in this book that very few before him were able to do successfully. First and foremost, he captured the essence of Dick Grayson bearing the responsibility of being Batman. It's not something he shirks from, but he does feel out of place living in Bruce's penthouse and basically taking the mantle of Batman is no small matter. He is more emotional than Bruce and has more issues with his own fears. Second is that he's one of the few writers to really get the essence of Batman being a detective. While Dick is not as brilliant as Bruce, he was trained by the best, and Batman is not just a machine of brute force dispensing justice with his fists and cool gadgets; he's also considered the world's greatest detective and it's always exciting to see an author with a good handle on that aspect of Batman. Third is Snyder's awareness of Gotham not just being a city, but as being an integral character in the adventures of Batman. There's a darkness to the city that the good people strive to rise above, which is why the partnership of Batman and Jim Gordon has been the lifeline of Gotham's survival. Also on wonderful display here is Snyder's understanding of the supporting cast. He gives all of them equal and necessary life in the story, and has a superb handle on their individual characters. In the few years since Snyder started in this business, first gaining prominence on AMERICAN VAMPIRE (which is another breath of fresh air to a dying genre) and then his work on DETECTIVE gaining him even greater accolades, he has become possibly the best writer currently at DC. Several people, including myself have heralded him as the next Alan Moore. He has an understanding of character, dialogue and structure that is unusual and continually striking. He's been the standout star of DC's "New 52", continuing his work on Batman with as well as bringing back one of DC's greatest horror titles, . He has also continued to establish himself as one of comic's premier horror writers by doing the best horror comic in years over at Image Comics called (you can find my review of that book via that link), as well as doing a mini-event that explores the beginnings of Gotham City in . THE BLACK MIRROR is a Batman classic that people will still be discussing in years to come, as well as his other work in the field. I couldn't suggest more highly picking up any of his books. It doesn't get much better.
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Reviewed in the United States on May 12, 2012
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JR. Forasteros
Port Orchard, US
★★★★★ 5
Dark, Brooding and 100% Batman
This review is super-spoilery. If you haven't read The Black Mirror yet, do yourself a favor and go grab a copy ASAP. You won't regret it. No matter who we are, we can't escape our past. Where we've come from and who we've been leave indelible marks on us. Nowhere is this more true than Gotham City, and in Batman: The Black Mirror, Scott Snyder gives us a glimpse into the Darkness that lies at the core of the city. If you're not a regular Batman reader, you may not know that everyone in the DC Comics universe thought Bruce Wayne was dead for a while. While he was gone, Dick Grayson - the original Robin - took up the mantle of the Batman. After Bruce Wayne's return, he kept Dick as the new Gotham City Batman.* Black Mirror is actually a story featuring Dick Grayson - not Bruce Wayne - as the Batman. Snyder's story is one of the best Batman stories I've ever read. It's a dark, brooding and good, old-fashioned detective story. And it actually works better with Dick instead of Bruce under the cowl. That's a writing feat nothing short of miraculous. Snyder's Gotham is a monstrous city that seeks to poison everyone in it. It turned both Bruce Wayne and Dick Grayson into masked vigilantes. Dick was the child of circus acrobats who were murdered in Gotham. He was taken in by Bruce Wayne, who lost his own parents to Gotham criminals and trained Dick to become Robin. Eventually Dick outgrew the Robin persona and became Nightwing, working in a city near Gotham. Joining Dick in the spotlight of Black Mirror is Commissioner James "Jim" Gordon, who's no less a victim of Gotham's darkness than Dick. He and his first wife Barbara have a son named James, Jr., who left with Barbara when she and Jim divorced. Jim also has a niece named Barbara who came to live with him after her parents died. Barbara dated Dick in high school, and she became the first Batgirl. In Alan Moore's epic The Killing Joke, the Joker shoots Barbara in the stomach, paralyzing her. In a wheelchair, she's now the Oracle. She serves as the information hub for Batman, Robin and their allies. The Black Mirror introduces us for the first time to the adult James, Jr., who has returned to Gotham searching for a second chance. We learn from his suspicious father that James, Jr. is a clinical psychopath: he doesn't feel typical human emotion (yes, just like Dexter). But he comes claiming to be on a new medication that stimulates the brain to produce the chemicals psychopaths lack. He reveals that he's volunteering at Dr. Leslie Thompkins' free clinic. Jim Gordon is suspicious, distrustful. But he can't stop himself from being hopeful, too. Is it possible that his son has found peace and even redemption? Snyder keeps us guessing about James, Jr.'s true nature through the whole book. We feel the tension Jim Gordon feels, torn as he is between Oracle's pessimism and Dick's optimism. Barbara is convinced that James, Jr. is a monster who can and will never change, while Dick is hopeful. And so with this tension established, Snyder asks us a most basic question: can we be anything other than what we have been? We meet Sonja Branch, the estranged daughter of the mobster who killed Dick's parents. A wealthy, successful executive, Dick wonders to Jim Gordon if she's as upstanding as she seems. Dick muses that "it's nice to know that maybe, once in a blue moon, the apple does fall far from the tree in Gotham." The expression on Jim Gordon's face as he echoes, "Once in a blue moon," reveals that he's still wondering about James, Jr. An old case has led Jim to reflect on his son to wonder yet again what made him the way he is. To wonder what he could've done differently. He concludes that Gotham is fundamentally sick. He wonders to Dick: Do you ever feel like... like the more good you do or try to do for people out there, for strangers, the more the ones close to you, the ones you love, get hurt? ...I don't mean in general. I mean here. In Gotham... I'm talking about the damn bedrock. There are times I feel a dark heart down there, Dick. A dark, malformed heart. Since Alan Moore's The Killing Joke, the Batman mythology has suggested that Gotham's villains arise as a response to the Batman's presence. The Joker of Frank Miller's The Dark Knight Returns is comatose, awaking only when news breaks that the Batman has returned to Gotham. And Heath Ledger's Joker in The Dark Knight laughs that Batman thinks Joker wants him dead - the Batman completes Ledger's Joker. But Snyder dares to step beyond this to suggest that it's Gotham, the city itself that creates both the heroes and the monsters. Gotham created the Batman just as it created the Joker. Gotham created Robin by murdering Dick's parents. And now that Dick is the Batman, we learn that Gotham has been creating a new nightmare just for him. Dick's opposite, his dark mirror, isn't the Joker. That surprise comes when we finally meet the newly-escaped Clown Prince of Crime after Batman tracks him down. The Joker knows instantly, chastising Batman: Do you even know what Gotham means, little bird? ...It means a safe place for goats! And do you know what preys on goats? Bats. The bat makes the goat sick. But every bat does this in its own way. And you, you're not my bat! So what sickness has arisen as a response to Dick's new Batman? By the time we reach Snyder's gut-wrenching, perfectly, agonizingly timed reveal, we realize it could have been no one else but James, Jr. James, Jr. is a pure, true psychopath. He's reversed his medications - instead of stimulating the brain to produce more of the drugs that give us emotions, James, Jr.'s drug suppresses them. His master plan - an eerie successor to the Joker's inaugural caper - is to drug a factory in Gotham that manufactures infant formula. James, Jr.'s goal is to create a generation of psychopaths, to remake Gotham's children in his own image. He calmly explains as much to Dick as he tortures his cousin, Barbara: Gotham is a city of nightmares... in the truest sense because what's a nightmare if it isn't a warning? A vision of yourself at your weakest... Batman - the real one - he shapes Gotham out of an obsession... but you new crop, you do it out of compassion. Out of empathy. Out of weakness... And out of all of them, Dick, you're the weakest. [Gotham] is a city of nightmares, and I'm yours. I'm the face you see in the glass. A man with no conscience. No empathy. Gotham made me to challenge you... I am Gotham's son. And the city made me so I could help usher in a new generation of children. Dick proves that his compassion is more a weapon than a weakness, thwarting James, Jr. (probably). But Black Mirror leaves us with an unsettled, uneasy sense that this fight is darker and longer than we thought. We start to wonder if the Batman's quest is actually winnable, in the end. But Dick Grayson never wonders. That's what separates him from the James, Jrs. of the world. That's what separates him even from Bruce. This is a different Batman. Full of optimism. Playful - he makes jokes and teases his teammates. Dick's Batman is at once totally different from Bruce's and at the same time wholly Batman. Most importantly, Dick is hopeful. And it's ultimately that hope that lifts us up over even a surprisingly ambiguous ending. Dick said it perfectly early in the book: I couldn't understand why Bruce... always chose to drive through the streets, moving on the ground... when he could've just soared above it all. But I get it now. Because even back then he understood that Gotham is a place you can never get above, a place you can never see clearly... I can't help it, though. I'm built differently. Because there's something about seeing Gotham from the sky that energizes me, gives me hope, if only for a moment before I come back down to earth. Dick hopes that Gotham can be better. It's a hope that transcends anything even Bruce has. And it's that hope that draws him and those around him - like Jim and Barbara to fight the good fight. Bottom Line: Whether you're a long-time fan of the Batman or only know The Dark Knight, Snyder's book is a must read. The characters are amazing. The plot is fantastic. The art is breathtaking. From start to finish, The Black Mirror is a sterling example of the literary power of comics you'll want to read over and over again. *Since DC Comics has rebooted their entire franchise, none of this is the case anymore. Bruce is back to being the Batman and Dick Grayson has returned to his role as Nightwing.
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Reviewed in the United States on December 13, 2011
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Rich Stoehr
Port Orchard, US
★★★★★ 4
Reflections of the Dark Knight
A new Batman, a new villain, an old city, and lots of familiar faces. 'The Black Mirror' is a potent formula, and for the most part very effective. But, I have to say at the outset, it's difficult to read a Batman story without Bruce Wayne. Scott Snyder brings all his considerable skill to bear in writing this multifaceted tale of a Gotham City finding its way, Dick Grayson trying so hard to fill the cowl of Bruce Wayne with new partners, and a long-forgotten piece of Commissioner Jim Gordon's past come back to haunt him. There's a lot to this story, and Snyder spins it with the same wit, the same grasp of history and literature, and the same subtleties of craft as he has evidenced with the excellent 'American Vampire.' For all its newness, it's clear that Snyder "gets" the Batman, gets the importance of Gotham City as a place and as a character in its own right, gets the history of those who've come before him, and pumps all of this into the overall arc of 'The Black Mirror.' And yet part of me can't let go - where's the Batman I know? Similarly, artists Jock and Francesco Francavilla get the look and feel of Batman. Despite pretty dramatically different styles - Jock's harsh and jagged and nearly monochromatic, Francavilla's more colorful and less edgy - they both show well here, and the material they illustrate is well-suited to their talents. Jock expresses the drama and the darkness of the Batman, Francavilla expresses the more human side of both heroes and villains alike. For a story this complex - a story of drugs and madmen and broken families and long-held grudges - both have their piece to contribute, and they do it well. And something still feels like it's missing. It's a little like reading 'The Hound of the Baskervilles,' in the parts where Holmes is absent from the story. Watson is a fine investigator, and pushes the story forward in his own way, and it's still a good story. But it feels less driven, less exciting, less complete, until Holmes' return, with all his fire and fervor, to wrap the case up with his signature panache. I kept waiting, in 'The Black Mirror,' for that moment. When Bruce Wayne returned and righted that world and brought it all back into sharp perspective. Though there were many satisfying moments to be experienced...that moment never came. 'The Black Mirror' is aptly named. It reflects aspects of Gotham City and its denizens, both those who fight for it and those who would bring it crashing down, in new and original ways. It makes us see things we haven't seen before. Scott Snyder and Jock and Francavilla represent well here, and have created a finely-crafted addition to the ongoing story of Batman. But a reflection of a thing is not the thing itself, and that difference was felt here. A slight warping of the glass, or a flaw in its surface gave it away. Though his reflection was seen in the black mirror, the Batman was not to be found here. And that was hard to get past.
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Reviewed in the United States on October 2, 2012
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Verified Purchase
Gregory Cox
Houston, US
★★★★★ 5
The Greatest Batman Story Ever Written by Scott Snyder
Format: Paperback, Format: Paperback
Known about this volume for a long time, but I kept putting it off and just managed to finally read it a few days ago. And the first thing that came to my mind after I finished the last page and closed the comic was "Wow, that was a really good story". And I really think that sums it up perfectly, but i'll expand to give a more thorough review. Scott Snyder is the current writer of the main Batman comic book series (Though his run is nearly at an end now), which is where the brunt of my experience with him comes from. I've read another comic by him set around the same time period that this one takes place in (Batman Gates of Gotham) and I honestly wasn't impressed with it. Definitely one of his weaker showings. This one makes up for that and then some however. The Batman featured in this, and the previous, story is Dick Grayson (Robin #1, Nightwing, and currently Agent 13 over in Grayson). Naturally, you'd expect Dick Grayson to be a different character than Bruce Wayne, and Snyder gets this. The entire story really deals with the idea that it is Dick wearing the cape and cowl and crafts an adventure that is made for him and how he would personally deal with it. He makes some mistakes here and there, but also has a lot of success specifically because of who he is. I think the stories told in this work are exciting and full of a good amount of action and character development. Snyder has a tendency in my opinion to only focus on one overarching story, which I don't personally prefer. He avoids that here. There is one massive story being told, with one main villain at its core who is responsible for pulling our heroe's strings, but between that and the start of the story are numerous other adventures as well, with different characters and villains, who have their own motivations. I appreciate this because it's just nice to see our hero fighting against so many different people throughout the story. This also isnt' solely Dick's story. I'd say that it's as much Jim Gordon's as it is Batman's this time around, with the major villain striking really close to home. This adds a sense of emotion and tragedy to the story which you don't often see. Further more, this story is creepy. That's actually something that I don't think can be said about the majority of Batman stories out there. It's dark, depressing, and genuinely creepy at points, capable of chilling you to the bone. It's a solid change of pace and I loved it. Despite the fact that we don't get our traditional Batman in this I would honestly rate this as one of the greatst Batman stories of all time and highly recommend it.
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Reviewed in the United States on March 14, 2016

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