SKU: 42778233763
identify wildflower seeds

identify wildflower seeds Slow Meadow Mix

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Description

identify wildflower seeds Slow Meadow MixPerennial Wildflowers Chosen for Foliage, Seedheads, Movement and Long Season Interest Create a slower, more natural meadow with Irish grown perennial wildflowers. Slow Meadow Wildflower Mix is a perennial only wildflower blend for meadow style areas where the goal is long term biodiversity, natural texture and seasonal interest rather than quick annual colour. Unlike annual heavy mixes, this blend is not designed to create an instant floral display.

Perennial Wildflowers Chosen for Foliage, Seedheads, Movement and Long-Season Interest

Create a slower, more natural meadow with Irish-grown perennial wildflowers.

Slow Meadow Wildflower Mix is a perennial-only wildflower blend for meadow-style areas where the goal is long-term biodiversity, natural texture and seasonal interest rather than quick annual colour.

Unlike annual-heavy mixes, this blend is not designed to create an instant floral display. Instead, it brings together perennial wildflowers chosen for their foliage, flower forms, seedheads and movement - helping to create a softer, more natural meadow effect that develops over time.

This mix does not contain annual wildflowers or grass seed. It is best suited to prepared, low-fertility soil, meadow margins, orchard edges, wildlife strips and reduced-mowing areas where the wildflowers can establish gradually and be managed with an annual cut-and-lift.

What makes this mix different?

Choose Slow Meadow if you want a quieter, more naturalistic wildflower mix that builds slowly and brings interest beyond peak flowering.

Traditional Irish is a broader native wildflower mix with annual first-year colour and perennial follow-through.

Slow Meadow is different. It is perennial-only, slower to establish and chosen for meadow structure as much as flowers - with upright stems, fine foliage, airy flower heads and seedheads that bring movement and texture through the season.

What to expect

Year 1

This is mainly an establishment year. Some species may flower, but this mix should not be judged on first-year colour.

Year 2 onwards

The meadow becomes more interesting as the perennial species develop. Expect more foliage texture, upright stems, seedheads, softer movement and a more natural meadow character.

Long-term

With the right preparation and management, this mix should develop into a more settled, perennial wildflower area with flowers, structure and seedheads changing through the season.

How to manage

For best results, sow onto prepared, weed-free bare soil. Read our guide to preparing ground for wildflower seeds before you sow.

Allow the area to grow, flower and set seed. At the end of the season, cut and remove the growth. Removing cuttings helps prevent fertility building up and gives wildflowers a better chance against grasses and weeds.

Do not mow regularly through the growing season.

Species included

  • Ribwort Plantain
  • Selfheal
  • Red Campion
  • Knapweed
  • Yarrow
  • Wild Carrot
  • Meadow Buttercup
  • Field Scabious
  • Devil’s-bit Scabious
  • Oxeye Daisy
  • Sorrel
  • St John’s Wort
  • Wild Angelica
  • Rough Hawkbit
  • Kidney Vetch

Suitable for

  • Low-fertility meadow-style areas
  • Larger garden wildflower spaces
  • Orchard margins
  • Community biodiversity projects
  • Tidy Towns-style areas
  • Wildlife strips
  • Meadow edges
  • Reduced-mowing zones
  • Areas where the aim is long-term biodiversity rather than instant colour

Not suitable for

  • Quick colour in the first summer
  • Pots or window boxes
  • Formal ornamental beds
  • Regularly mown lawns
  • Fertile sites without preparation
  • Areas where cuttings cannot be removed
  • Places that need to look tidy all year

Why choose this mix?

Choose this mix if you want your wildflower area to look and behave more like a natural meadow over time.

Slow Meadow is for gardeners, community groups and biodiversity projects who understand that a perennial meadow develops gradually. It is less about instant colour and more about building long-term wildflower diversity, structure, movement and seasonal interest.

This small-batch mix has been created using seed from our Waterford-grown wildflower seed harvest, produced and packed by Connecting to Nature.

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Terry L.
Omaha, US
★★★★★ 5
Recommend
Tells the other side of the story you didn't get in U.S. History class. Good read.
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Reviewed in the United States on May 15, 2015
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George Vargas
Alexandria, US
★★★★★ 5
Five Stars
Outstanding book on the general history of European barbarism.
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Reviewed in the United States on December 26, 2017
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Howard
Waukegan, US
★★★★★ 5
By far, the best book of many I have read on this subject. Must read for anyone interested in this subject.
Format: Paperback
Best book I have yet read on the subject, and I have read many in research for the writing of my second novel. It relentlessly examines specific cases of lynching over time, but it is not a mere narrative of specific lynchings. It is an excellent analysis of the social, historical and cultural forces behind this horrendous practice. The book's discussion of the movie, Birth of a Nation, would by itself make this a valuable book, but the book's central theme is even more important. Its central theme, the public's desire for spectacle as fuel for lynchings, particularly after the abolition of legal public executions, is even more revealing. Also a good look at the social and cultural forces that over time led to the gradual demise of lynching as a phenomenon. A page turner for history readers. Warning -- man's inhumanity to man will make you simultaneously angry and sad.
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Reviewed in the United States on July 24, 2015
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AlanWarner
Los Angeles, US
★★★★★ 5
WHITE MOB JUSTICE
Format: Paperback
More black men were hanged in America in the twentieth century than were hanged during slavery, the author of this book Miss Amy Louise Wood does an excellent job of revealing who and what group of Americans did this whole scale hanging of black men. Many white people who participated and witnessed these hangings were your everyday run of the mill American citizens as stated on page 80-81 "As visual extensions of the lynching itself, photographs could at times assuage crowds that had missed the opportunity to witness and participate in the violence. In 1934, the posse that captured Claude Neal, accused of raping and killing a young white woman named Lola Cannidy, chose to lynch him in the woods outside Marianna, Florida, rather than bringing him to the Cannidy home, where a large crowd had gathered in anticipation of the lynching. When the waiting crowd had discovered that the mob had lynched Neal privately, they were reportedly outraged. The mob finally arrived with Neal's body in tow, and the crowd, which included Cannidy's family, took out their vengeance on the corpse, kicking and shooting it, tearing it apart, and even driving their cars over it. Neal's mutilated, nude body was then hanged on the courthouse lawn in the center of the town, and hundreds of photographs were taken. he next day, as people congregated in the square to see the body, the photographs were sold to those purportedly still incensed that the posse who lynched Neal had denied them the satisfaction and pleasure of witnessing Neal's lynching. The images acted as visual replications of the actual spectacle, offering them vicarious access to the missed thrill of the lynching. The gratification local viewers derived from the images of Neal's lynched body was directly attached to their outrage over Cannidy's rape and murder, their fears of black criminality, and their desires to assert their racial power and superiority in the face of these threats." Another interesting aspect of these mobs is the role religion played in their actions as stated on pages 67 "The performance of a lynching thus created a symbolic representation of white supremacy-a spectacle of demonic and wicked black men against a united and pure white community. That those images coincided with evangelicals' impassioned exhortations against sin gave lynching sacred force and justification. Indeed, the imprint of Protestant language and tropes on lynching rituals and defenses imbued the violence with divine sanction and made it appear familiar and recognizable to a people immersed in Christian beliefs and values. Mobs could thus conspicuously flout the law and perpetrate what otherwise would be considered aberrant and grotesque acts of sadism while considering themselves to be righteous and moral citizens." In the twentieth century the hanging of black men was a major festive event for many on looking white people as can be seen in the pictures on page 32 and also on pages 78 and 79, on page 79 you can see a young white man smiling, on pages 95 and 102 there are more pictures of gleeful white spectators, on page 192 there is crowd participation in this picture of a hanging and burning black man I thank this author for writing this very much needed book.
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Reviewed in the United States on July 6, 2015
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Carole T Emberton
Lexington, US
★★★★★ 5
A fresh take on lynching and its place in American culture.
Format: Paperback
A path-breaking study of lynching as spectacle and the meanings such events produced for the masses who attended them as well as for those who saw the photos and postcards afterwards. Wood's visual analysis of these images is impressive and cogent. Her writing is clear and accessible to a wide audience. This is cultural history at its finest!
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Reviewed in the United States on April 17, 2018

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