SKU: 46236324293
selective herbicide application

selective herbicide application Finalsan Organic Non-Selective Weed Killer (Pro Turf) – Green Earth Ag & Turf

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Description

selective herbicide application Finalsan Organic Non-Selective Weed Killer (Pro Turf) – Green Earth Ag & TurfOMRI Listed Finalsan is a patented fast acting weed, grass, algae, and moss killers that represent a new class of products for organic weed control that do not contain glyphosate or other toxic chemicals! Utilizing concentrated and potent and non staining fatty acids (soaps), Finalsan is a non selective herbicides and the best new top of the line technology for fast acting and through killing or suppression of many common annual, biennial, and

OMRI Listed

Finalsan® is a patented fast-acting weed, grass, algae, and moss killers that represent a new class of products for organic weed control that do not contain glyphosate or other toxic chemicals!  Utilizing concentrated and potent and non-staining fatty acids (soaps), Finalsan is a non-selective herbicides and the best new top-of-the-line technology for fast-acting and through killing or suppression of many common annual, biennial, and perennial weeds, algae and mosses. A great organic product for use when conventional herbicides are banned or not desired!

We are now excited to offer Finalsan in smaller, more home friendly sizes under the Captain Jack's Deadweed Brew label! Now you can treat your own lawn with professional-grade results!

Why is Finalsan the Best Natural Weed Killer?

Herbicidal soaps work by penetrating the waxy cuticle of plants, causing the plant to dehydrate and die. The active ingredients accumulate in plants and cause intracellular damage, leading to cell death. Activity is non-selective and will kill plants the soap comes into contact with, but will not translocate to underground portions of the plant or harm the bark of mature, woody plants.  Can be safely sprayed around the base of trees, shrubs, hops, grapes without worry.  

Use on weeds within vegetable and flower gardens, landscaped areas, lawns (for spot treatment only), in the vicinity of small fruits and fruit trees, around and on buildings, sidewalks, fences, bark mulch, driveways, patios and gravel.  Use on moss and algae, around and on buildings, roofs, decks, sidewalks, fences, bark mulch, driveways, patios and gravel. Finalsan can even be used in cool weather. Areas can be planted five days after treatment.

Finalsan reduces tree toxicity risks and leaves no harmful residue in the soil. It won’t stain bricks, concrete or asphalt and people and pets can re-enter areas once spray dries.

Finalsan Benefits

  • Great alternatives to conventional herbicides such as glyphosate!
  • Fast acting - visible results within hours!
  • Organic Materials Review Institute (OMRI) listed product.
  • Highly biodegradable, will not affect woody parts of plants - great for spraying at the base of trees or bushes; perfect for vineyards or for hops growers!
  • Dissipates quickly.
  • Does not stain brick, concrete or pavement.
  • No unpleasant odor as with other acid fatty acid products.
  • EPA registered & approved.
  • Quick reentry and no harmful residues.
  • Kill weeds without worrying about children, pets, animals or the environment!

Finalsan Application Instructions

Finalsan Concentrate: 

  • Small Easy to Kill Weeds: Add 1 Part Finalsan to 9 Parts Water (12.8 Ounces of Finalsan per Gallon of Water) for a 10% solution.
  • Larger Established Weeds: Add 1 Part Finalsan to 6 Parts Water (21 Ounces of concentrated product per gallon of water) for a 16.7% solution.
  • Algae and MossAdd 1 Part Finalsan to 19 Parts Water (6.4 Ounces of concentrated product per gallon of water) for a 5% solution.

Apply 2 Gallons of the diluted solutions per 1,000 square feet.

Application Notes for Finalsan:

  • Damage will be visible within an hour to 2 days after spraying.
  • Repeat treatment every 2 to 3 weeks to control new weeds growing from seed and re-growth from bi-annual and perennial weeds.
  • Avoid spraying desirable plants or any over-spray.
  • Products can be applied in cold weather (55°F or above) when other organic weed killers may not work.
  • Can be used around pets and wildlife.

Finalsan Active Ingredients

  • Ammoniated Soap of Fatty Acids ........ 22%

    Finalsan Available Sizes

    • 2.5 Gallon Concentrate, Finalsan (Covers 18,800 sq. ft.).
    • 250 Gallon Concentrate Tote, Finalsan (Covers 43 acres).

    For smaller concentrate or ready-to-use sizes, check out Captain Jack's Deadweed Brew!

     

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          Home Orders

          Homeowners can now order the same great products that the pros use through our online store by clicking below.  

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            Exchange/Return Notes
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            SKU: 46236324293

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            J
            JeFF Stumpo
            Belleville, US
            ★★★★★ 5
            A Feminist Divine Comedy?
            Format: Paperback
            Let me start with this: The Descent of Alette is difficult to read at first. Notley "puts quotation marks around" "groups of words" "in lines" "that can be off-putting." Note that I'm not quoting from the book there, just giving an example of what the book's text appears like. This forces us to read more slowly, taking in each line a few words at a time. What appears to be awkward is in fact a great solution to the speed-reading most of us do these days. That being said, it's troublesome for the first few poems, less so after that, virtually invisible by the end of the first section. When talking about this book, I immediately compare it to Dante's Divine Comedy, and I commonly see others do the same (see an earlier review here on Amazon.com). Exchange Hell for a subway, and you've basically got it: an underground realm ruled over by a Tyrant, poor souls being tortured, though in this case there is no indication that they have done anything to deserve it. Notley's language might not be quite as beautiful/harsh as Dante's, but her images stand with anything he created. After introducing two characters on a subway, a woman and her baby, both on fire, Notley writes: "another woman" "in uniform" "from above ground" "entered" "the train" "She was fireproof" "she wore gloves, & she" "took" "the baby" "took the baby" "away from the" "mother" "Extracted" "the burning baby" "From the fire" "they made together" "But the baby" "still burned" ("But not yours" "It didn't happen" "to you") "We don't know yet" "if it will" "stop burning," "said the uniformed" "woman" "The burning woman" "was crying" "she made a form" "in her mind" "an imaginary" "form" "to settle" "in her arms where" "the baby" "had been" "We saw her fiery arms" "cradle the air" "She cradled air" ("They take your children" "away" "if you"re on fire") "In the air that" "she cradled" "it seemed to us there" "floated" "a flower-like" "a red flower" "its petals" "curling flames" "She cradled" "seemed to cradle" "the burning flower of" "herself gone" "her life" ("She saw" "whatever she saw, but what we saw" "was that flower") After surviving the horrors of the subway, Alette goes even deeper underground, passing through a series of psychological challenges that at times seem straight out of Freud, at times out of Classical mythology, at times out of collective dreams. Throughout it all, we learn more and more about Alette, who is not just a "hero" who goes through the motions necessary to the plot, but who considers and stumbles and is confused and learns. The third section of the book is a rebirth, wherein Alette finds a source for a stronger power than the Tyrant's, and it is distinctly feminist in its nature. I need to note here for those who react to feminism in a knee-jerk way: Notley's feminism is not a militant feminism, though it requires brief "military" action on Alette's part. Men are helpful in the story, have purpose besides being the bad guy. If anything, what Notley attacks in the form of the Tyrant is the idea of a corrupt masculinity, a kind of Big Brother who would easily stand as an antagonist in any number of 20th/21st century literary works. Alette's feminism is the discovery of her place in the world, and that place is not slaving away mindlessly for the Tyrant, not acting as just a womb or pair of hands or pretty face. It's a nuanced message, despite the epic (and therefore presumably black-and-white) nature of the whole book. The fourth section is the showdown with the Tyrant, a great deal of philosophizing, and an ending that I actually find more satisfying than that of Paradiso. I won't spoil it here, but it just works extremely well in conjunction with the themes of Descent as a whole. If you want to be challenged, if you want to think deep thoughts, if you want surreality and magic, pick up The Descent of Alette. For even more interesting reading from the author and her partner, you could also turn to The Scarlet Cabinet, which contains but actually predates the on-its-own publication of Descent.
            WAS THIS REVIEW HELPFUL?YesReportShare
            Reviewed in the United States on October 11, 2010
            K
            Kent Shaw
            Houston, US
            ★★★★★ 5
            A Contemporary Epic
            Format: Paperback
            I have a complicated relationship with most of the books I've read by Alice Notley. I admire her facility with the lyric, her ability to get just beneath a concept or sentiment using a very talk-y style so that I always feel like I'm with whatever speaker she's using, inside that mind and her mind all at once. This is a good kind of complication. It's one I yearn for with poems. The unpleasant complications are when I feel as though I'm just being subjected to her unedited notebook entries. Too much, too much, too much. It comes up especially with her book Mysteries of Small Houses. I mention these difficulties only to sharpen the accomplishment of The Descent of Alette. Like other reviewers, I feel the tonal similarities to Dante's Inferno. Which becomes a subversive allusion considering Alette seeks after a male Tyrant in order to destroy him, while Dante sought after his Beatrice out of desire. But I read and reread Alette, because Notley continually subverts patriarchal conventions in the book. I actually find I crave the speaker's intellect, and the mythic logic that gives the book its arc. I want it more. Yes, there are quotations around each fragment in the poems. I actually appreciate them for slowing my reading down, and for sharpening my focus on the use of Notley's language. And it's not just a stylistic tic, or something to be endured. It could actually be described as further subversion of The Tyrant Alette pursues.
            WAS THIS REVIEW HELPFUL?YesReportShare
            Reviewed in the United States on August 25, 2011
            R
            Verified Purchase
            Raquel Wilbon
            Grantham, US
            ★★★★★ 2
            Imagery and diction
            Format: Paperback
            This book was very challenging to read because everything was written in quotations however, it was intriguing as a different way of writing poetry.
            WAS THIS REVIEW HELPFUL?YesReportShare
            Reviewed in the United States on August 11, 2020
            A
            Verified Purchase
            amber a
            Natrona Heights, US
            ★★★★★ 5
            I tend to leave most books in this genre disappointed. I miss the classics
            Format: Hardcover
            I bought this book after hearing Stacey Lee speak about narrative tension at a lecture for YA writers - the talk was specifically entitled, "How to keep them up all night." The lecture (alongside Anna Shinoda) bit off a rather large amount of material. Neither woman mentioned vampires. The methods they discussed were smart, creative, and delivered with just enough humor to leave me wondering whether I'd be able to put their debut novels down. I devoured GONE WITH THE WIND at least six times cover to cover between my sophomore and senior year. While I am more susceptible to the Historical Fiction page turner than the average girl, I tend to leave most books in this genre disappointed. I miss the classics. I opened this book determined to not judge it by its gorgeous pastel cover. I started slowly. I enjoyed the first four or five chapters - leaving each fully appreciative of Lee's craft. I particularly enjoyed her ability to pepper humor though tragedy. I often complain about writers who miss the mark here. Stacey Lee nailed that important believable balance for me. I liked her characters quickly. I left each chapter satisfied, but thoroughly able to get up and go on with my life. Like a jaded Thumper in Walt Disney's BAMBI, this book was more than nice, but I wasn't susceptible to any kind of teen-aged Twitterpation over it. After the sixth or seventh chapter - four or five days after I first picked it up, I quietly closed my copy, placed it on my nightstand, switched off my lamp, fluffed my pillow and turned over. I turned over again. I flipped on the light - OK, just one more chapter... I zombie sleepwalked to work the next day. That night I retired early, making some completely convincing excuse about being exhausted. I was certainly too tired to read. Flash forward to 6AM when I woke up with this novel on my face. I turned it's last page this afternoon, fully satisfied. I am truly sad it's over. This book transported me. It's one I'll want to have in my collection forever, alongside the beautiful books that mattered to me as a teen; JANE EYRE, TO KILL A MOCKINGBIRD, UNDER A PAINTED SKY. Classic in feel, subject matter, and voice - but modern in approach, I'd be as comfortable recommending it to my book club as I would handing it to any teen. Readers of all ages and walks of life will surely find something that resonates with their own stories too. As for me, I am sure I'll be back on the trail with these girls-- I mean boys, before long. Now I'm off to try my hand at Anna Shinoda's LEARNING NOT TO DROWN. Well, maybe tomorrow. I need a good night's sleep and it's clear these authors know how to keep those pages turning.
            WAS THIS REVIEW HELPFUL?YesReportShare
            Reviewed in the United States on August 24, 2015
            R
            Verified Purchase
            Ruth Franklin
            Draper, US
            ★★★★★ 4
            Good, Fun, Important Topics
            Format: Paperback
            Good, solid, read for ages 12+. Somewhat unrealistic and yet believable story of two strong young female characters traveling west disguised as boys. Couldn't stop reading it until I was finished with the book, and now my granddaughter is doing the same. This book has many relevant themes about race, gender, class, religion, and other stereotypes and is an excellent choice for a classroom or family read aloud. Get it.
            WAS THIS REVIEW HELPFUL?YesReportShare
            Reviewed in the United States on February 26, 2017

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