SKU: 49722993814
sansevieria cylinder

sansevieria cylinder Sansevieria cylindrica 'Braided' | Cylindrical Snake Plant

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Description

sansevieria cylinder Sansevieria cylindrica 'Braided' | Cylindrical Snake PlantIntroducing the Sansevieria cylindrica 'Braided,' a unique and sculptural succulent that adds a touch of modern elegance to any living space. The Sansevieria cylindrica features rigid, cylindrical stems expertly interwoven to produce the appearance of braided rope. The 'Braided' Sansevieria cylindrica is a cultivar carefully selected for its striking form and adaptability. Each leaf, resembling a green cylinder, is intricately braided to create a

Introducing the Sansevieria cylindrica 'Braided,' a unique and sculptural succulent that adds a touch of modern elegance to any living space. The Sansevieria cylindrica features rigid, cylindrical stems expertly interwoven to produce the appearance of braided rope.

The 'Braided' Sansevieria cylindrica is a cultivar carefully selected for its striking form and adaptability. Each leaf, resembling a green cylinder, is intricately braided to create a visually appealing and contemporary aesthetic. This makes it a standout choice for those who appreciate minimalist design with a touch of sophistication.

Originating from arid regions of West Africa, Sansevieria cylindrica has earned its reputation as a resilient and low-maintenance plant. The 'Braided' variant takes these qualities to a new level, making it an excellent choice for seasoned plant enthusiasts and those just beginning their journey into indoor gardening.

Caring for the Sansevieria cylindrica 'Braided' is a breeze. This succulent thrives in bright, indirect light but can tolerate lower light conditions, making it suitable for a variety of indoor spaces. Allow the soil to dry out between waterings to prevent overwatering, and place it in well-draining soil to promote healthy growth.

Styling the 'Braided' Sansevieria is a joy, thanks to its versatile and eye-catching appearance. It stands out as a solo centrepiece, whether placed on a tabletop or as a floor plant. The braided pattern adds a touch of contemporary sophistication, making it an excellent addition to modern interiors. Consider placing it in a minimalist pot or container to enhance its clean and sleek aesthetic.

In summary, the Sansevieria cylindrica 'Braided' is a plant that effortlessly combines modern design with natural beauty. Elevate your indoor space with this sculptural succulent, and enjoy the ease of care and distinctive charm it brings to your home or office. The 'Braided' Sansevieria is a testament to how a simple yet well-crafted plant can transform your space into a haven of contemporary elegance.

How to care for Sansevieria cylindrica 'Braided

The snake plant is easy to care for, and suitable for beginners.

Where should I put Sansevieria cylindrica 'Braided?

Snake Plants like high or direct light, not full sun and prefer to be pot bound. 

How should I water African Spear?

You can water when the top couple of inches of soil feel dry - soak through and pour off any excess water in the saucer. Be careful to don't overwater especially in Winter. 

Should I feed Sansevieria cylindrica 'Braided?

You can feed it once a month during the spring and summer months - we do a vegan, organic plant food you might like to try!

When it came to developing our original Happy Houseplants’ Organic Tropical Plant Food, we decided not to tinker with it too much, so you'll find no chemical supplements in this 100% cruelty-free vegan product.

Is it suitable if I have pets?

No, it’s mildly toxic to pets if eaten.

What size is Sansevieria cylindrica 'Braided?

W6cm H15cm, w8.5cm x h30cm 

This plant is supplied in a plastic pot 

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SKU: 49722993814

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Trendy Chic
Fort Morgan, US
★★★★★ 5
Not what I was expecting, but I liked it.
Format: Paperback
My first book by Emma Slate. Wonderful writing style, I wanna read some more MC books.
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Reviewed in the United States on September 8, 2024
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Matthew
Fort Morgan, US
★★★★★ 1
Poor read
Format: Paperback
Not worth the hype. Was poorly written and had to put it down and not finish it.
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Reviewed in the United States on May 20, 2025
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Chelsea, US
★★★★★ 4
Great story
Format: Paperback
I’m not an avid reader, but this was finished in a few days. Such a good book!
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Reviewed in the United States on June 14, 2025
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AMD
Massapequa, US
★★★★★ 3
Won’t be buying book two.
Format: Paperback
Entertaining enough but poorly written. Lots of typos. Won’t be buying book two.
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Reviewed in the United States on July 8, 2025
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Dr.C.J.Singh.Wallia
Charlottesville, US
★★★★★ 5
An Excellent Primer on Novel-Writing
Format: Paperback
WIRED FOR STORY By Lisa Cron Reviewed by C J Singh (Berkeley, California) Excellent Primer on Novel-Writing In Berkeley, California, we happily have access to four independent bookstores that display literary novels and creative-writing craft books. Browsing, I picked up two books by Lisa Cron on using "Brain Science" for writing fiction. The jacket quote by Caroline Leavitt rivetted my attention: "I'd never consider writing a novel without Lisa's input, and neither should you." As a longtime fan of Leavitt's novels "Is This Tomorrow," " Pictures of You, " "Girls in Trouble," I looked up Stanford Continuing Education where Leavitt regularly teaches online courses. As a Stanford Alumnus (Psychology PhD), I've taken several on-campus and online workshops on fiction-writing. While still at the bookstore, I promptly signed up for Leavitt's soon-to-begin course that uses two coaching books: Cron's Wired For Story and John Truby's The Anatomy of Story. I'm familiar with Truby's book and its nine excellent exercises. See my detailed review on amazon: https://www.amazon.com/review/R29NU7U6LAHGBV/ Here's my review of Lisa Cron's "Wired For Story" "WIRED FOR STORY' presents a unique, distinguishing feature among fiction-writing primers: throughout its text, the author includes excerpts from the published works of leading contemporary brain-scientists that validate the principles of narrative craft. Cron explains the principles of narrative craft in twelve well-organized chapters that focus on theme, the protagonist's issue, characters' bios, points of view, rising conflicts, subplots, suspense, reveals, and the arc from setup to payoff. At the beginning of each chapter, she presents sentences in italics that illuminate the cognitive-science underpinnings of narrative craft. Examples follow. "Cognitive Secret: When the brain focuses its full attention on something, it filters out all unnecessary information. Story Secret: To hold the brain's attention, everything in a story must be there on a need-to-know basis" (page 23). . "Cognitive Secret: Everything we do is goal directed and our biggest goal is figuring out everyone else's agenda, the better to figure out our own. Story Secret: A protagonist without a clear goal has nothing to figure out and nowhere to go" (p 65) . "Cognitive Secret: It takes long-term, conscious effort to hone a skill before the brain assigns it to the cognitive unconscious. "Story Secret: There's no writing; there's only rewriting" (p 219). Also remarkable are sentences in bold that challenge advice offered in some writing-craft workshops and books. Examples follow. "Myth: Write What You Know. "Reality: Write What You Know EMOTIONALLY" (p 62). . "Myth: Sensory Details Bring a Story to Life." "Reality: Unless They Convey Necessary Information, Sensory Details Clog a Story's Arteries" (p 118). . "Myth: `Show, Don't Tell' Is Literal - Don't Tell Me John Is Sad, Show Him Crying. "Reality: `Show, Don't Tell Is Figurative - Don't Tell Me John Is Sad, Show Me WHY He's Sad" (p 152). Has the author introduced a Myth of her own? I am afraid so. On page 57, "No matter whose point of view you're writing in, you may be in only one head per scene." In my opinion, the Reality is: No matter whose point of view you're writing in, you may be in only one head per PARAGRAPH. This is the new reality -- virtually every fiction-readers' perception has been reshaped by watching films and TV dramas that imply the camera engaged in frequent head-hopping in a scene. At the end of each chapter, Cron presents a concise series of checkpoints to remind the readers while they develop their work-in-progress. Throughout, she includes many examples from literary works and films. Literary works like Gabriel Marquez's "Love in the Time of Cholera," Margaret Mitchell's "Gone with the Wind," and Caroline Leavitt's "Girls in Trouble." Films like "It's a Wonderful Life," "Vertigo," and "American Graffiti." An inspiring citation for writers: " `Recent breakthroughs in neuroscience reveal that our brain is hardwired to respond to story.... It turns that a powerful story can have a hand in rewiring the reader's brain -- helping empathy, for instance - `which is why writers are, and always have been among the most powerful people in the world'. " (On p 239 of Endnotes is the specific citation of three scientists' 2009 article "On Being Moved by Art: How Reading Fiction Transforms the Self" in the Creativity Research Journal vol. 21, no.1 ) WIRED FOR STORY fully earns its title with its numerous citations of recent contributions of neuroscience that validate narrative craft. Examples of cited works included are: V. S. Ramachandran's "The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human"; Michael Gazzaniga's "Human: The Science Behind What Makes Your Brain Unique; and Steven Pinker's "How the Mind Works." These stellar books illuminate the nexus between art and science; their shining light reflects on Lisa Cron's book as a five-star primer for novel-writing.
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Reviewed in the United States on March 7, 2020

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