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caring for dracaena marginata

caring for dracaena marginata Kiwi Dragon Tree – Dracaena ‘kiwi Cane’

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Description

caring for dracaena marginata Kiwi Dragon Tree – Dracaena ‘kiwi Cane’The Kiwi Dragon Tree, known as Dracaena marginata Kiwi, is a striking and vibrant cultivar admired for its colorful foliage and easygoing nature, making it a favorite among indoor plant enthusiasts. Its gracefully arching leaves and dynamic color palette set it apart from other houseplants, while its ability to adapt to a range of indoor conditions adds to its widespread appeal. This variety offers all the hardiness of the classic Dracaena marginata

The Kiwi Dragon Tree, known as Dracaena marginata ‘Kiwi, is a striking and vibrant cultivar admired for its colorful foliage and easygoing nature, making it a favorite among indoor plant enthusiasts. Its gracefully arching leaves and dynamic color palette set it apart from other houseplants, while its ability to adapt to a range of indoor conditions adds to its widespread appeal.  

This variety offers all the hardiness of the classic Dracaena marginata with an extra splash of color, making it an excellent choice for home and office décor. 

Native to Madagascar, the “Kiwi” name comes from its tri-colored leaves that resemble the vibrant shades of a kiwi fruit—lime green centers, creamy yellow margins, and thin pink to red edging that intensifies with proper lighting.

The Kiwi Dragon Tree is primarily grown for its foliage, which is long, narrow, and sword-shaped, forming elegant tufts at the top of tall, slender stems.

The colorful leaf pattern creates a vivid display year-round, with the variegation appearing more pronounced in bright, indirect light.

New growth emerges from the crown, and older leaves naturally shed from the bottom, giving the plant its distinctive tree-like appearance.

When mature, the Kiwi Dragon Tree can grow up to 8 feet tall indoors, although growth is slow and controlled, especially in containers. It tends to grow upright, with the option to prune or braid stems for visual interest. In its native habitat or in ideal tropical outdoor environments, it may grow even taller, but it remains compact enough for most indoor settings. 

The Kiwi Dragon Tree may produce small, white to pale pink fragrant flowers, typically followed by orange or red berries. These flowers emerge on tall stalks and can be an unexpected bonus for long-time plant owners. However, most growers value the plant for its year-round ornamental foliage rather than its blooms. 

When it comes to Dracaena marginata kiwi care, use a well-draining potting mix, opens in a new tab, such as a blend made for palms or indoor tropical plants. Water deeply but infrequently, allow the top 1–2 inches of soil to dry between waterings, and reduce watering during winter.

Indoors, keep the temperature between 65°F and 80°F with humidity above 40%, and place it in bright, indirect light.

Outdoors, it grows well in USDA Zones 10–12, where temperatures remain above 50°F. Provide dappled sunlight or light shade to prevent leaf scorching.

Prune leggy stems or brown leaves as needed to maintain shape, and fertilize once a year during the growing season in spring with a diluted balanced houseplant fertilizer. 

One of the most unique aspects of the ‘Kiwi’ cultivar is its foliage coloration, which requires just the right balance of light and care to maintain vibrancy. In low light, the variegation can fade, while in too much direct sun, the leaves may burn. Its drought tolerance, ease of pruning, and low pest issues make it a low-maintenance plant despite its colorful appearance. It is also known to filter indoor air pollutants, making it as functional as it is beautiful. 

Final Thoughts

Overall, the Kiwi Dragon Tree (Dracaena marginata ‘Kiwi’) offers a perfect combination of visual appeal, resilience, and versatility. Its vivid foliage makes it a standout among variegated houseplants, while its slow growth and upright form make it suitable for small spaces. Whether placed in a bright corner of a living room or a softly lit office, the Kiwi Dragon Tree adds a tropical touch and a splash of color without demanding much in return. 

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Trendy Chic
Lake Worth, US
★★★★★ 5
Not what I was expecting, but I liked it.
Format: Paperback
My first book by Emma Slate. Wonderful writing style, I wanna read some more MC books.
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Reviewed in the United States on September 8, 2024
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Matthew
Grantham, US
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Poor read
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Not worth the hype. Was poorly written and had to put it down and not finish it.
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Reviewed in the United States on May 20, 2025
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Carnegie, US
★★★★★ 4
Great story
Format: Paperback
I’m not an avid reader, but this was finished in a few days. Such a good book!
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Reviewed in the United States on June 14, 2025
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Draper, US
★★★★★ 3
Won’t be buying book two.
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Entertaining enough but poorly written. Lots of typos. Won’t be buying book two.
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Reviewed in the United States on July 8, 2025
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Dr.C.J.Singh.Wallia
Pawtucket, US
★★★★★ 5
An Excellent Primer on Novel-Writing
Format: Paperback
WIRED FOR STORY By Lisa Cron Reviewed by C J Singh (Berkeley, California) Excellent Primer on Novel-Writing In Berkeley, California, we happily have access to four independent bookstores that display literary novels and creative-writing craft books. Browsing, I picked up two books by Lisa Cron on using "Brain Science" for writing fiction. The jacket quote by Caroline Leavitt rivetted my attention: "I'd never consider writing a novel without Lisa's input, and neither should you." As a longtime fan of Leavitt's novels "Is This Tomorrow," " Pictures of You, " "Girls in Trouble," I looked up Stanford Continuing Education where Leavitt regularly teaches online courses. As a Stanford Alumnus (Psychology PhD), I've taken several on-campus and online workshops on fiction-writing. While still at the bookstore, I promptly signed up for Leavitt's soon-to-begin course that uses two coaching books: Cron's Wired For Story and John Truby's The Anatomy of Story. I'm familiar with Truby's book and its nine excellent exercises. See my detailed review on amazon: https://www.amazon.com/review/R29NU7U6LAHGBV/ Here's my review of Lisa Cron's "Wired For Story" "WIRED FOR STORY' presents a unique, distinguishing feature among fiction-writing primers: throughout its text, the author includes excerpts from the published works of leading contemporary brain-scientists that validate the principles of narrative craft. Cron explains the principles of narrative craft in twelve well-organized chapters that focus on theme, the protagonist's issue, characters' bios, points of view, rising conflicts, subplots, suspense, reveals, and the arc from setup to payoff. At the beginning of each chapter, she presents sentences in italics that illuminate the cognitive-science underpinnings of narrative craft. Examples follow. "Cognitive Secret: When the brain focuses its full attention on something, it filters out all unnecessary information. Story Secret: To hold the brain's attention, everything in a story must be there on a need-to-know basis" (page 23). . "Cognitive Secret: Everything we do is goal directed and our biggest goal is figuring out everyone else's agenda, the better to figure out our own. Story Secret: A protagonist without a clear goal has nothing to figure out and nowhere to go" (p 65) . "Cognitive Secret: It takes long-term, conscious effort to hone a skill before the brain assigns it to the cognitive unconscious. "Story Secret: There's no writing; there's only rewriting" (p 219). Also remarkable are sentences in bold that challenge advice offered in some writing-craft workshops and books. Examples follow. "Myth: Write What You Know. "Reality: Write What You Know EMOTIONALLY" (p 62). . "Myth: Sensory Details Bring a Story to Life." "Reality: Unless They Convey Necessary Information, Sensory Details Clog a Story's Arteries" (p 118). . "Myth: `Show, Don't Tell' Is Literal - Don't Tell Me John Is Sad, Show Him Crying. "Reality: `Show, Don't Tell Is Figurative - Don't Tell Me John Is Sad, Show Me WHY He's Sad" (p 152). Has the author introduced a Myth of her own? I am afraid so. On page 57, "No matter whose point of view you're writing in, you may be in only one head per scene." In my opinion, the Reality is: No matter whose point of view you're writing in, you may be in only one head per PARAGRAPH. This is the new reality -- virtually every fiction-readers' perception has been reshaped by watching films and TV dramas that imply the camera engaged in frequent head-hopping in a scene. At the end of each chapter, Cron presents a concise series of checkpoints to remind the readers while they develop their work-in-progress. Throughout, she includes many examples from literary works and films. Literary works like Gabriel Marquez's "Love in the Time of Cholera," Margaret Mitchell's "Gone with the Wind," and Caroline Leavitt's "Girls in Trouble." Films like "It's a Wonderful Life," "Vertigo," and "American Graffiti." An inspiring citation for writers: " `Recent breakthroughs in neuroscience reveal that our brain is hardwired to respond to story.... It turns that a powerful story can have a hand in rewiring the reader's brain -- helping empathy, for instance - `which is why writers are, and always have been among the most powerful people in the world'. " (On p 239 of Endnotes is the specific citation of three scientists' 2009 article "On Being Moved by Art: How Reading Fiction Transforms the Self" in the Creativity Research Journal vol. 21, no.1 ) WIRED FOR STORY fully earns its title with its numerous citations of recent contributions of neuroscience that validate narrative craft. Examples of cited works included are: V. S. Ramachandran's "The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human"; Michael Gazzaniga's "Human: The Science Behind What Makes Your Brain Unique; and Steven Pinker's "How the Mind Works." These stellar books illuminate the nexus between art and science; their shining light reflects on Lisa Cron's book as a five-star primer for novel-writing.
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Reviewed in the United States on March 7, 2020

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