SKU: 50691006870
evenflo embrace stroller

evenflo embrace stroller Evenflo Gold Shyft DualRide with Carryall Storage Infant Car Seat and Stroller Combo

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Description

evenflo embrace stroller Evenflo Gold Shyft DualRide with Carryall Storage Infant Car Seat and Stroller ComboAuthorized DEALER Guaranteed Authentic Manufacturer Backed Shop With Confidence Premium Evenflo Gold Protection Included As an authorized Evenflo Gold retailer, your purchase includes access to Evenflos premium support program when registered after purchase. Limited Lifetime Warranty Free Live Video Installation Support ParentLink Premier Customer Support Complimentary Crash Replacement Program SensorSafe Technology on Select Models Register your

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Premium Evenflo Gold Protection Included

As an authorized Evenflo Gold retailer, your purchase includes access to Evenflo’s premium support program when registered after purchase.

✅ Limited Lifetime Warranty

✅ Free Live Video Installation Support

✅ ParentLink® Premier Customer Support

✅ Complimentary Crash Replacement Program

✅ SensorSafe® Technology on Select Models

Register your product with Evenflo after purchase to activate warranty coverage and premium support benefits.

Car Seat To Stroller In Seconds

Evenflo Shyft DualRide Infant Car Seat & Stroller Combo

The Shyft DualRide is an all-in-one solution for busy families, effortlessly converting from infant car seat to stroller in one simple step. From car rides to sidewalk strolls, it keeps travel smooth, convenient, and stress-free.

Product Highlights

Convenience, Comfort & Smart Safety

Car to Sidewalk in Seconds
Lift the carrier from the base, release the wheels, and you’re ready to stroll.

One-Step Transition
Seamlessly shifts from infant car seat to stroller without disturbing your baby.

SensorSafe® Smart Alerts
Sends notifications for chest clip unbuckling, unsafe temperatures, unattended child reminders, and more.

Anti-Rebound Base
Helps absorb crash forces and adds stability during travel.

Full-Coverage Canopy
UPF 50+ canopy helps protect your little one from sun, wind, rain, and snow.

Elevated Carrier Position
Keeps your baby closer to you while strolling for added convenience and bonding.

No-Rethread Harness
Eight adjustable harness positions grow alongside your child.

Included

What’s Included

• Infant Carrier

• Stroller Frame

• Infant Car Seat Base

• Infant Insert

• Parent Cup Holder

• Removable Carryall Storage Bag

Tech Specs

Specifications

Suitability: Birth up to 35 lbs

Child Height Range: 15.7″–32″

Product Weight: 29 lbs

Dimensions: 18″ W × 35″ D × 41.5″ H

Folded Dimensions: 18.8″ W × 30″ D × 27.5″ H

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SKU: 50691006870

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4.6 ★★★★★
Based on 2263 reviews
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Product Reviews
D
Verified Purchase
David R. Papke
Houston, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Los Angeles, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Grantham, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Lowell, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Los Angeles, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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