SKU: 52211051594
monsters in the night book

monsters in the night book Maniacs, Monsters And A Bump In The Night

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Description

monsters in the night book Maniacs, Monsters And A Bump In The NightThe stories in Maniacs, Monsters and a Bump in the Night run the gamut from the horrible things that can come from revenge, to the wonderful things that can come from sacrifice, and suffering. There is darkness, and horror, with a bit of fantasy and science fiction as well. These stories reveal how poor decision making, treating people with contempt, or the abuse, and punishment of a child can have serious, even deadly, consequences. The reader will

The stories in Maniacs, Monsters and a Bump in the Night run the gamut from the horrible things that can come from revenge, to the wonderful things that can come from sacrifice, and suffering. There is darkness, and horror, with a bit of fantasy and science fiction as well. These stories reveal how poor decision making, treating people with contempt, or the abuse, and punishment of a child can have serious, even deadly, consequences. The reader will understand after finishing this book how important it is to treat people with respect and dignity.

About the Author

G. Richard Evans worked in the substance abuse and addiction field for a quarter of a century, from Detox Technician to Program Director, while at the same time, teaching in the Addiction Studies program at a local Community College. Even in retirement, Evans still does what he can to help people get and stay sober. Evans writes songs and some poetry, enjoys a good movie or play, and watching his local sports teams in action. He is a widower, but finds himself fortunate to have three children and two grandchildren living close to him, allowing for plenty of quality time spent together. He has been a fan of horror for as long as he can remember and has an extensive collection of books from such authors as Stephen King, Robert McCammon and Dean Koontz. Three of the stories featured in this book were previously published in the 1980’s.

Reviews

Review of Maniacs, Monsters and a Bump in the Night

Post by Lunastella » 10 Mar 2022, 19:50

[Following is an official OnlineBookClub.org review of "Maniacs, Monsters and a Bump in the Night" by G. Richard Evans.]

What are you afraid of? Debt? Rejection? Bullies? Humiliation? G. Richard Evans in Maniacs, Monsters, and a Bump in the Night takes our deepest fears and turns them up to eleven into fifteen terrifying short stories that go from novellas to ones that comprise only a few pages. All of them have a fantastic or supernatural element, with some leaning heavier into the paranormal and others much more into realism. My favorite one, titled “Scream It’s Dark” deals with one of humanity’s most primal fears: darkness. But why is Peter scared of the dark? And why, if he has this phobia, does he prowl poorly lit nightclubs looking for women?

 The stories are relatable, which makes them even scarier. Of course, most of us won’t find a demon or a ghost in our lifetimes, but the core themes, such as envy, superstition, or addiction, are common to the human experience. Maniacs, Monsters, and a Bump in the Night has something for everyone. Paranormal enthusiasts will find their fair share of witchcraft, demons, and ghosts, while pragmatic readers can see characters who struggle with more realistic fears, such as humiliation. However, try to keep an open mind. I usually prefer supernatural horror. So I wasn’t especially enthused about the story, “Ask Your Daughter”, which is about a junkie. I’ve never even tried drugs in my life. But the talented and sinister pen of Mr. Evans put me through such an inferno of aches and chills that I had to take a break from reading.

The author planned every word in this book to achieve its maximum effect. He doesn’t fatten up his stories with unnecessary gore for shock value but uses each word carefully to create unforgettable moments of fear. Take, for instance, the following brief but powerful description: “It was both indescribably beautiful and unbelievably ugly.” The amazing narrative abilities of the author make even the most innocent of themes a frightening one. We’ve all had a cough, right? After you read “You Bet Your Wife” you might never again look at a cough as a simple, annoying malady. This story is also a great example of how even the titles are creative and work as an appetizer for what comes next. Every narrative aspect of these tales is perfectly executed, but the endings were my favorite part because they surprised me every time, with one story (I won’t tell which, as not to spoil the fun) even having a relatively happy ending.

Finally, I enjoyed that G. Richard Evans doesn’t limit to a glum narrative tone, but includes hints of humor and even some thought-provoking passages. Take, for instance, the following reflection: “He knew that things aren’t always as we think they are and that he had been buried in his own conception of life for much too long.” (p. 25).

The only drawback to this delectable read is that the book has over ten minor editing mistakes. I would like nothing more than to give it a perfect rating, but these flaws prevent me from doing so. I rate Maniacs, Monsters, and a Bump in the Night by G. Richard Evans 3 out of 4 stars because of its original plots, relatable core themes, powerful descriptions, and flawless pacing.

This book is best suited for a mature audience since the author broaches many sensitive subjects, such as alcoholism, child abuse, and animal cruelty. I recommend this book to readers who like fantasy, the paranormal, and horror. It’s also a great read for those of us who occasionally don’t have the time to tackle a full-sized novel but still want a chunk of literary reverie in our days. Readers who look for gothic horror will find these tales too focused on action and not enough in the atmosphere. This is not a book for people whose religious affiliation or personal beliefs compel them to take witchcraft and other paranormal topics as genuine threats. Likewise, I wouldn’t recommend it to readers who enjoy complex character development, because the length of the stories doesn’t allow for such luxury.

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SKU: 52211051594

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4.6 ★★★★★
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Terry L.
Fort Morgan, US
★★★★★ 5
Recommend
Tells the other side of the story you didn't get in U.S. History class. Good read.
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Reviewed in the United States on May 15, 2015
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George Vargas
Alexandria, US
★★★★★ 5
Five Stars
Outstanding book on the general history of European barbarism.
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Reviewed in the United States on December 26, 2017
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Howard
Carnegie, US
★★★★★ 5
By far, the best book of many I have read on this subject. Must read for anyone interested in this subject.
Format: Paperback
Best book I have yet read on the subject, and I have read many in research for the writing of my second novel. It relentlessly examines specific cases of lynching over time, but it is not a mere narrative of specific lynchings. It is an excellent analysis of the social, historical and cultural forces behind this horrendous practice. The book's discussion of the movie, Birth of a Nation, would by itself make this a valuable book, but the book's central theme is even more important. Its central theme, the public's desire for spectacle as fuel for lynchings, particularly after the abolition of legal public executions, is even more revealing. Also a good look at the social and cultural forces that over time led to the gradual demise of lynching as a phenomenon. A page turner for history readers. Warning -- man's inhumanity to man will make you simultaneously angry and sad.
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Reviewed in the United States on July 24, 2015
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AlanWarner
Pawtucket, US
★★★★★ 5
WHITE MOB JUSTICE
Format: Paperback
More black men were hanged in America in the twentieth century than were hanged during slavery, the author of this book Miss Amy Louise Wood does an excellent job of revealing who and what group of Americans did this whole scale hanging of black men. Many white people who participated and witnessed these hangings were your everyday run of the mill American citizens as stated on page 80-81 "As visual extensions of the lynching itself, photographs could at times assuage crowds that had missed the opportunity to witness and participate in the violence. In 1934, the posse that captured Claude Neal, accused of raping and killing a young white woman named Lola Cannidy, chose to lynch him in the woods outside Marianna, Florida, rather than bringing him to the Cannidy home, where a large crowd had gathered in anticipation of the lynching. When the waiting crowd had discovered that the mob had lynched Neal privately, they were reportedly outraged. The mob finally arrived with Neal's body in tow, and the crowd, which included Cannidy's family, took out their vengeance on the corpse, kicking and shooting it, tearing it apart, and even driving their cars over it. Neal's mutilated, nude body was then hanged on the courthouse lawn in the center of the town, and hundreds of photographs were taken. he next day, as people congregated in the square to see the body, the photographs were sold to those purportedly still incensed that the posse who lynched Neal had denied them the satisfaction and pleasure of witnessing Neal's lynching. The images acted as visual replications of the actual spectacle, offering them vicarious access to the missed thrill of the lynching. The gratification local viewers derived from the images of Neal's lynched body was directly attached to their outrage over Cannidy's rape and murder, their fears of black criminality, and their desires to assert their racial power and superiority in the face of these threats." Another interesting aspect of these mobs is the role religion played in their actions as stated on pages 67 "The performance of a lynching thus created a symbolic representation of white supremacy-a spectacle of demonic and wicked black men against a united and pure white community. That those images coincided with evangelicals' impassioned exhortations against sin gave lynching sacred force and justification. Indeed, the imprint of Protestant language and tropes on lynching rituals and defenses imbued the violence with divine sanction and made it appear familiar and recognizable to a people immersed in Christian beliefs and values. Mobs could thus conspicuously flout the law and perpetrate what otherwise would be considered aberrant and grotesque acts of sadism while considering themselves to be righteous and moral citizens." In the twentieth century the hanging of black men was a major festive event for many on looking white people as can be seen in the pictures on page 32 and also on pages 78 and 79, on page 79 you can see a young white man smiling, on pages 95 and 102 there are more pictures of gleeful white spectators, on page 192 there is crowd participation in this picture of a hanging and burning black man I thank this author for writing this very much needed book.
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Reviewed in the United States on July 6, 2015
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Carole T Emberton
Carnegie, US
★★★★★ 5
A fresh take on lynching and its place in American culture.
Format: Paperback
A path-breaking study of lynching as spectacle and the meanings such events produced for the masses who attended them as well as for those who saw the photos and postcards afterwards. Wood's visual analysis of these images is impressive and cogent. Her writing is clear and accessible to a wide audience. This is cultural history at its finest!
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Reviewed in the United States on April 17, 2018

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