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philodendron cebu

philodendron cebu 55

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Description

philodendron cebu 55Epipremnum pinnatum Cebu Blue is a captivating climbing aroid treasured for its metallic blue green foliage and elegant transformation as it matures. Native to the tropical forests of Cebu, Philippines, this plant is a member of the Araceae family and has become a collectors favourite for its shimmering leaves and easy going nature. The juvenile leaves are small, narrow, and display a distinct silvery blue sheen that catches the light beautifully.

Epipremnum pinnatum ‘Cebu Blue’ is a captivating climbing aroid treasured for its metallic blue-green foliage and elegant transformation as it matures. Native to the tropical forests of Cebu, Philippines, this plant is a member of the Araceae family and has become a collector’s favourite for its shimmering leaves and easy-going nature.

The juvenile leaves are small, narrow, and display a distinct silvery-blue sheen that catches the light beautifully. When trained up a moss pole or climbing support, the plant matures into larger, thicker leaves that gradually develop deep fenestrations and a darker green hue, revealing its relationship to Epipremnum pinnatum. The combination of the plant’s evolving form and iridescent colouring makes ‘Cebu Blue’ one of the most dynamic and rewarding climbing aroids in cultivation.

Graceful, fast-growing, and versatile, Epipremnum pinnatum ‘Cebu Blue’ adds both texture and movement to interiors — a perfect specimen for moss poles, vertical displays, or lush indoor jungles.


Epipremnum pinnatum ‘Cebu Blue’ (on Moss Pole) – Care Guide

Light

Thrives in bright, indirect light. Gentle morning or late-afternoon sunlight enhances the blue metallic tones, while prolonged low light will produce smaller, greener leaves. Avoid harsh direct sunlight, which can fade the delicate silvery sheen.

Watering

Keep the soil lightly moist but never soggy. Water when the top 3–4 cm of soil feels dry. Consistent moisture encourages steady climbing growth and healthy aerial roots. During winter, allow the soil to dry a little more between waterings. Always ensure the pot drains freely.

Temperature and Humidity

  • Temperature: Prefers warmth between 20–30 °C; avoid cold drafts or temperatures below 16 °C.

  • Humidity: Enjoys moderate to high humidity (60–80%). Misting the moss pole helps maintain moisture for the aerial roots and encourages stronger attachment and faster vertical growth.

Soil and Potting

Use a well-draining, airy aroid mix — equal parts compost, orchid bark, perlite, and coco coir. This provides both moisture and aeration. Ensure the moss pole remains evenly moist but not waterlogged to allow roots to anchor. Repot every 1–2 years in spring to refresh the substrate and provide climbing space.

Feeding

Feed every 4–6 weeks during the growing season with a diluted, balanced liquid fertiliser or one designed for foliage plants. Feeding regularly will support larger leaves and deeper colouration as the plant climbs. Suspend fertilisation in autumn and winter.

Pruning and Maintenance

Prune leggy or wayward vines to maintain shape and encourage branching. Wipe leaves gently with a soft cloth to highlight their silvery-blue lustre. Train vines to the moss pole using soft ties until the aerial roots attach naturally. Keep the pole moist to promote strong upward growth and mature leaf development.

Growth and Maturity

A fast grower, Epipremnum pinnatum ‘Cebu Blue’ can reach 1.5–2.5 metres in height when given a moss pole or trellis. As it climbs, the foliage transitions from narrow, smooth juvenile leaves to larger, more fenestrated mature leaves. Under ideal conditions, this transformation creates a breathtaking display of gradient colour and texture — shimmering silver at the base and deep tropical green at the top.

Common Issues

  • Yellowing leaves: Overwatering or poor drainage.

  • Curling leaves: Underwatering or low humidity.

  • Dull colour: Insufficient light.

  • Pests: Occasionally mealybugs or thrips; treat promptly with neem oil or insecticidal soap.


Background and Benefits

Native to the tropical forests of the Philippines, Epipremnum pinnatum ‘Cebu Blue’ thrives as an epiphytic climber, attaching to tree trunks with aerial roots and reaching toward the canopy. Its distinctive bluish tint and ability to transform with maturity have made it one of the most sought-after forms of Epipremnum.

In cultivation, it’s loved for its resilience and versatility — thriving in a range of indoor conditions and adding refined tropical texture to any space. Like other aroids, it also functions as a natural air purifier, helping to filter toxins while elevating the atmosphere of modern interiors.


Quick Care Summary

Light: Bright, indirect light; avoid harsh direct sun
Water: Keep soil evenly moist; allow top 3–4 cm to dry slightly between watering
Temperature: 20–30 °C; avoid below 16 °C
Humidity: Moderate to high (60–80%); mist moss pole regularly
Soil: Airy, well-draining mix – compost, bark, perlite, coir
Feed: Every 4–6 weeks in spring/summer
Growth: Climbing habit, 1.5–2.5 m; silvery-blue juvenile leaves maturing to fenestrated dark green foliage

⚠️ Toxicity note: Contains calcium oxalate crystals and is toxic if ingested. Keep away from pets and children.


Styling Tip

Display Epipremnum pinnatum ‘Cebu Blue’ in a tall decorative planter with a moist moss pole to showcase its elegant vertical growth. Its silvery foliage pairs beautifully with rich greens like Philodendron ‘Congo Green’ or warm variegates such as Aglaonema ‘Cherry Baby’. Position it near a bright window or within a plant cluster for layered texture and dimension — its metallic leaves will catch the light and add a serene, tropical shimmer to your collection.

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    Kendall Giles
    Carnegie, US
    ★★★★★ 5
    Getting words onto the page!
    Format: Kindle
    There seem to be as many books about how to write as there are actual writers, yet Anne Lamott makes a solid if not altogether inspiring contribution to the collection. Also known for her non-fiction books dealing with depression, Christianity, and alcoholism, in Bird by Bird author Lamott turns her humor and autobiographical lens toward offering sage advice and inspiration for writers of all levels. While far from Strunk and White's The Elements of Style, and mute on the meter of poetry and the tropes of science fiction, Lamott instead focuses more on psychological issues that confront and haunt writers from all genres, such as defeating the blank page, avoiding perfectionism obsessions, cranking out that first draft, and writing for the right reasons. A breadth of writing advice, Bird by Bird gets its title from wisdom Lamott's father once gave to her brother, incapacitated by the task of writing a school essay on birds. The senior Lamott advised the younger to break the assignment down into manageable chunks: "Bird by bird, buddy. Just take it bird by bird." Divided into five parts, in part one Lamott first addresses writing itself -- getting words onto the page. Lamott starts by giving the aspiring author permission to write and then by encouraging the author to just get the words onto the page. Go ahead, just create that first, messy draft: "Almost all good writing begins with terrible first efforts. You need to start somewhere." She then suggests focusing more on creating compelling characters than worrying about plot: "If you focus on who the people in your story are, if you sit and write about two people you know and are getting to know better day by day, something is bound to happen." She even discusses a short story template -- action, background, development, climax, ending -- that can be used as an initial story structure. Dialog is important too, and compelling dialog can be influenced by real-life encounters, but the main goal is to get that first draft written, in short steps, a little each day. In part Two Lamott talks about the writing frame of mind -- about how authors can psyche themselves into writing using rituals at the beginning of each writing session and by believing in the stories they are telling. Part Three presents specific tools authors can use to help recall memorable quotes and scenes, how to collect new material, and how to gain feedback on drafts, such as using index cards on which to jot down ideas, joining or forming writing groups and sending drafts to a short-list of people an author trusts to give honest and useful feedback, and overcoming writer's block by refilling the author's emptiness through short exercises just to get the fingers moving. In part Four Lamott talks about the publication process and why an author simply giving herself to the writing act in and of itself is often the best reward: "There is no cosmic importance to your getting something published, but there is in learning to be a giver." Part Five contains final words of wisdom and encouragement for the budding author. For example, an author should not hesitate to use experiences from their childhood (and tips are given on how to avoid libel when using autobiographical material). Overall, rather than being the strict writing schoolmarm, Lamott is more like a writing companion. She chats over your shoulder with you at the end of the day, sipping a glass of wine, reflecting on her own experiences in the writing trenches, and sharing what worked for her in achieving success. Her advice is true and her voice is encouraging -- she uses self-deprecating humor to convince any reader that their writing anguish is neither new nor unique since Lamott herself has likely already confronted and conquered those same demons. She persevered and achieved success, and the reader of her book too shall overcome and get their story onto the page. She mentions God throughout, but she does not come across as preachy. Again, she's relating what worked for her, using anecdotes from memorable episodes in her life. There's no magic and no divine inspiration to solve writing problems--she uses real techniques and encouragement to help confront and conquer the blank page. Indeed, we can all use encouragement and insights from someone who's already been there. Like the oft-repeated "Practice, practice, practice" response by legendary pianist Arthur Rubinstein when he was stopped on a street in New York and was asked, "Pardon me sir, how do you get to Carnegie Hall?", Lamott's response to writers in Bird by Bird is just as wise and true, but perhaps even more motivational due to her humor and honest expression from the trenches.
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    Reviewed in the United States on April 20, 2011
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    Nick
    San Leandro, US
    ★★★★★ 3
    Worthwhile, though average, experience
    Format: Kindle
    I'll start this review by stating that I'm not an aspiring novelist, at least at the moment. A hearty recommendation prompted me to read this book, though I had only a cursory idea of the subject matter. At a time when it seems that only raving praise or apoplectic hate receive meaningful attention, stating that something is only okay or average feels especially hostile. Unfortunately I must admit that was my finding of this book, that it was a middle of the road, if not totally unexceptional, experience that elicited little in the way of strong responses. Let me be clear: there is value in this book especially for the would-be writer looking for advice, try a sample to feel this book out and don't let my ambivalence scare you off. The positives should probably come first, right? The author is clearly passionate about the subject and it doesn't matter what the topic happens to be, when the writer cares about the topic it immediately makes the book more enjoyable to read. Ms. Lamott's writing is straightforward and honest and I appreciate that immensely. Another book I was reading concurrently too often felt pedantic and by comparison this one did not reek of this stench one bit. The author is perhaps overly generous in her use of quotes, but they're not cloying as if to convince you that she should be taken seriously. Instead these quotations are offered as useful pearls of wisdom. I come from a world of academia where too many quotations tend to be frowned upon, but you may like them so chalk this up to my own biases. While Ms. Lamott doesn't suffocate you with her qualifications, she is entirely within her rights to do so. I say this to illustrate the following point: if you are willing, this book can help you with something. As I said, I'm not looking to publish a novel, article or really anything but there are suggestions and advice that apply beyond the page. I count this as the book's main strength and what keeps it from being entirely forgettable. A challenge I often face, like any writers reading this review, is just getting started and the exhortation offered by the author was so true that I cannot help but to think of the help it will give me. The book is also humble, it doesn't get convoluted and I think avoiding that pitfall deserves praise. The negatives, specific to me perhaps, start with the sense that I found the description of writing and the writing process too mystical. Maybe this too irritates nerves made too sensitive by years of academic rather than creative writing, but if I were looking for advice on a finishing a short story the encouragement to "listen to my characters" would seem silly to me. I understand that the author can only relay what has been helpful to her but it at times seems overly caught up with the love affair of writing as opposed to more substantive things a person can try. Secondly, the tendency just mentioned all too often takes up more space than what seems to be needed and the book is consequently longer than it felt like it needed to be. Overall, I found this book to be a solid middle-of-the-road experience. I wouldn't dismiss it totally but I found myself having to look the other way on several occasions. That maybe speaks more to my background than anything else and if you are a fan of the author please don't take it that I'm trying to tarnish her work in any way. Really, I guess this review is more geared to the person like me who is perhaps not a writer in the sense envisaged by this book. Maybe you are being recommended at this very instant to pick up a copy and maybe, like me, you're somewhat skeptical. To this hypothetical person I say this: it is worth reading even if the starry-eyed expressions get a little trite after a while. I would argue that this is a bit of high praise by itself, it isn't too often that somebody would say that a generally average book is worth the time it takes to read it. I think that's worth something, maybe about as much as this book.
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