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Description
britax parkway sg g1 1 Britax Willow Grove SC Travel SystemMake every moment effortless with the Britax Willow Grove SC baby travel system. This infant car seat and stroller combo includes the Britax Willow SC infant car seat, Alpine car seat base and Grove modular stroller. First ride jitters? Gone. Britax is the only brand with ClickTight technology so you know it can be installed securely on the first ride and beyond. Made for multitasking, this Britax infant car seat features an aluminum carry handle that
Make every moment effortless with the Britax Willow Grove SC baby travel system. This infant car seat and stroller combo includes the Britax Willow SC infant car seat, Alpine car seat base and Grove modular stroller. First ride jitters? Gone. Britax is the only brand with ClickTight® technology so you know it can be installed securely on the first ride and beyond. Made for multitasking, this Britax infant car seat features an aluminum carry handle that easily adjusts with one hand to keep the other hand free. The RightSize™ system provides adjustment points at the hips, shoulders and between the legs to help you find the perfect fit from the start. When it's time to cruise, attach the car seat to the Grove baby stroller and take on the town. Made for children up to 50 lbs, the Grove baby stroller features 6 different strolling positions—including both parent-facing and forward-facing—so your child can look up at you or out to the world. The included washable CozyFit™ insert allows babies as small as 10 lbs to ride in this toddler stroller when the seat is fully reclined. The one-step fold lets you pack up and go with trunk space to spare. The Grove stroller comes with an extra-large cargo basket plus 5 additional pockets for valuables, drinks and your little one's must-haves. Fabrics are naturally flame retardant with no added FR chemicals. The Willow Grove SC infant travel system pairs trusted car seat safety with a fully loaded stroller to give you the best of both worlds.
Features:
- STAYCLEAN® AND SAFEWASH® FABRIC: Durable fabric resists stains, moisture and odors to stay cleaner for longer; machine washable and dryable
- NO ADDED FR CHEMICALS: Fabrics are naturally flame retardant with no added FR chemicals
- SAFECELL™ TECHNOLOGY: Infant car seat is designed to help manage energy and minimize force transferred to your baby
- SIDE IMPACT TESTED: Side impact certified to help protect your little one's head, neck and torso for your peace of mind
- ULTRA PORTABLE: This baby car seat features an aluminum carry handle that adjusts easily with one hand
- INSERT PILLOWS: For the infant car seat are designed to provide a customized fit for newborns under 11 lbs with plush fabrics to offer premium comfort
- QUICK-PUSH LATCH CONNECTORS: For the base installation, easily lock into place with a click and release from the push of a button with easy storage in the base when not in use
- EASY RECLINING: Find the correct installation angle for your vehicle with the level indicators and spring-assist recline
- PLUSH COMFORT: Extra cushioning on the harness helps prevent skin irritation for increased comfort
- ROOM TO GROW: CozyFit insert allows baby to ride in the stroller seat from 10 pounds and can be removed to accommodate children up to 50 pounds
- SPACESAVER DESIGN: This infant car seat is slim on the outside but spacious inside to free up backseat space while giving your child plenty of room to ride
- EASY BOARDING: Built-in harness holders and a flip-forward belly pad make it easy to get your baby in and out of the infant car seat
- BUMPER BAR: Swings out of the way on either side for easy stroller loading and unloading and allows your child to rest their arms comfortably
- ONE-HAND FOLD: Britax stroller uses a one-hand fold technique to free up your other hand for multitasking
- PEEK-A-BOO WINDOW: Featured on both the stroller and infant car seat, check on your little one while strolling with the quiet magnetic closure peek-a-boo window
- LASTING CONSTRUCTION: Fade-free canopy and no-scuff footrest keep the stroller looking like new
Specifications:
- Product Weight (Car Seat Only): 9.3 lbs
- Seat Back Compartment Height: 21"
- Harness Slot Heights: 5.5" / 7.5" / 9.5" / 11.5"
- Buckle Strap Depths: 2.25" / 5.5"
- Product Weight (Base Only): 10.2 lbs
- Seat Area Depth/Width: 12" / 9.5"
- Shoulder Width: 10"
- Stroller Product Weight: 24 lbs
- Maximum Unfolded Dimensions: 37"L x 23.5"W x 44"H
- Folded Dimensions, Wheels On: 16”L x 23.5”W x 36”H
- Stroller Product Length/Depth: 37"
- Stroller Product Height: 44"
- Stroller Product Width: 23.5"
- Seat Area Depth/Width: 12" / 9.5"
- Shoulder Width: 10"
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4.9 ★★★★★
Based on 1688 reviews
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Product Reviews
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
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Reviewed in the United States on April 20, 2017