SKU: 68110811861
pot for indoor plants

pot for indoor plants Knox Cylinder Planter with Wood Base

$20.16 $22.40
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Description

pot for indoor plants Knox Cylinder Planter with Wood BaseKnox White Cylinder Planter Organic Modern Indoor Steel Plant Pot, Architectural Metal with Hardwood Base. Fiberglass Lining, No Drainage for Indoor Use Elevate your space with a touch of modern and contemporary elegance. Available in Two Colors: White and Brushed Stainless Steel Finishes Ultra Heavy Duty 18 8 Stainless Steel Rolled steel edges for a touch of elegance and upscale finish. Beautiful Wood Base with Walnut Finish (made in U. S. A.)

Knox White Cylinder Planter -Organic Modern Indoor Steel Plant Pot, Architectural Metal with Hardwood Base. Fiberglass Lining, No Drainage -for Indoor Use

Elevate your space with a touch of modern and contemporary elegance.

  • Available in Two Colors: White and Brushed Stainless Steel Finishes
  • Ultra Heavy-Duty 18/8 Stainless Steel
  • Rolled steel edges for a touch of elegance and upscale finish.
  • Beautiful Wood Base with Walnut Finish (made in U.S.A.)
  • Durable Waterproof Fiberglass Lining. Sturdy Base.
  • Great for Indoor Plants. 
  • UV Resistant. 
  • Contemporary Round Planter Pot Styling. Modern and Architectural.
  • For All Types of Plants and Small Trees
  • For Home and Commercial Settings (Commercial Grade)
  • Can be Drilled for Drainage Holes, or use Pot in a Pot technique.
  • Small Pot - 15.5" Tall x 12” Diameter 
  • Medium Pot - 22.5” Tall x 18" Diameter
  • Made in India (pot) U.S.A. (wood base)

Introducing the Knox Cylinder Planter in White, a Stylish Modern Round Stainless Steel Metal Planter – the ultimate addition to elevate your indoor space with a touch of contemporary elegance. Expertly crafted from high-quality, rust-resistant stainless steel, this planter is both durable and stylish, providing the perfect home for your favorite plants, greenery, and even small trees.

The hardwood base enhances the appeal of the planter. This robust and stylish base adds an extra layer of sophistication by juxtaposing the sleekness of stainless steel with the warmth and natural texture of hardwood. Specifically designed for indoor use, the finely finished base brings an added touch of elegance and charm to your interior space, ensuring your planter remains a statement piece for years to come.

Choose from two stunning finishes, brushed stainless steel or a crisp, clean white allowing you to seamlessly blend it into your existing decor.

Two Sizes. 15" Ht. and 22" Ht. Metal Planter Including Base

Available in two versatile sizes, from a compact 12-inch round (15.5" tall) or a medium 18-inch round (22.5" tall), these sleek stainless steel metal planters cater to the needs of any space, in fine homes or commercial settings. These sizes allow you to accommodate a variety of plants, allowing you to mix and match for the perfect arrangement.

White Indoor Metal Stainless Steel Metal Pot for Plants. 

The stainless steel metal planters with wood base are suitable for indoor use, offering you the flexibility to enhance your living room or office with a touch of modern charm. The sleek and polished design of the planter effortlessly complements any decor style.

To accommodate your specific drainage preferences, these planters can be drilled for drainage holes, allowing for plant health and longevity. 

Available in 2 cylinder sizes to fit plants from small plants and greenery to tall and large plants.

  • Available in Two Colors: White and Brushed Stainless Steel Finishes
  • Ultra Heavy-Duty 18/8 Stainless Steel
  • Rolled steel edges for a touch of elegance and upscale finish.
  • Beautiful Wood Base with Walnut Finish (made in U.S.A.)
  • Durable Waterproof Fiberglass Lining. Sturdy Base.
  • Great for Indoor Plants. 
  • UV Resistant. 
  • Contemporary Round Planter Pot Styling. Modern and Architectural.
  • For All Types of Plants and Small Trees
  • For Home and Commercial Settings (Commercial Grade)
  • Can be Drilled for Drainage Holes, or use Pot in a Pot technique.
  • Small Pot - 15.5" Tall x 12” Diameter 
  • Medium Pot - 22.5” Tall x 18" Diameter
  • Made in India (pot) U.S.A. (wood base)

Save Extra 10% OFF Entire Order ($125 Minimum) with Code GET10

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Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 68110811861

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4.2 ★★★★★
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Product Reviews
D
Verified Purchase
David R. Papke
Pawtucket, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Louisville, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Lake Worth, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Phoenix, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Massapequa, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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