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b&q aloe vera plant

b&q aloe vera plant Buy 'Large Aloe Vera Plants - Aloe barbadensis' Care and Growing Guide

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b&q aloe vera plant Buy 'Large Aloe Vera Plants - Aloe barbadensis' Care and Growing GuideIntroducing the fabulous Aloe Vera plant also known as Aloe barbadensis 'miller,' it is also known as a medicinal aloe and burn plant. The Aloe vera plant is by far the most popular out of over 400 varieties of the Aloe genus. This incredible tropical succulent is not your average houseplant. It's a superstar known for its leaves, which hold a magical aloe vera gel for soothing sunburn and as a popular drink to help your stomach. This large Aloe vera

Introducing the fabulous Aloe Vera plant- also known as Aloe barbadensis 'miller,' it is also known as a medicinal aloe and burn plant. The Aloe vera plant is by far the most popular out of over 400 varieties of the Aloe genus.

This incredible tropical succulent is not your average houseplant. It's a superstar known for its leaves, which hold a magical aloe vera gel for soothing sunburn and as a popular drink to help your stomach.

This large Aloe vera plant boasts fleshy lance-shaped grey-green leaves with small white teeth along the edges growing out from a starfish-like basal rosette. 

The edible aloe vera flowers burst into bloom in vibrant shades of yellow at the tips of their stalks when given favorable conditions. Only mature plants will yield flowers, so you'll have to wait at least four years to see an aloe vera bloom. However, in some growing conditions (especially hybrid plants), the flowers can sometimes appear with orange or reddish hues. 

This fast-growing succulent can grow into a large aloe vera plant up to 3 feet tall and 2 feet wide and even produce adorable pups that you can repot or share as delightful gifts with fellow plant enthusiasts.

How to Get Aloe Vera Gel from the plant to use on your skin

  1. Choose and Cut a Leaf: Select a large, healthy leaf from the bottom of the plant. Use a sharp knife to cut the entire leaf off at the base.
  2. Prepare the Leaf: Let the leaf sit upright in a container for 10–15 minutes to allow the yellow sap (aloin) to drain out. This sap can be irritating to the skin.
  3. Slice and Extract the Gel: For a small amount of gel, cut a section from the leaf rather than using the whole thing. Slice the leaf lengthwise to expose the gel. Use a spoon or knife to scoop out the clear gel.
  4. Apply or Store: Apply directly to your skin for soothing relief. Store extra gel in an airtight container in the fridge for a few days.

Aloe vera juice has many benefits for humans, this succulent rich in antibacterial, antioxidant, and anti-inflammatory properties, may enhance digestion, blood sugar levels, and oral health, although certain compounds, particularly aloin, may cause digestive discomfort and other side effects.

An aloe vera indoor plant is a great addition to any home, as it is easy to aloe vera care for and provides a variety of aloe vera benefits. 

According to the American Academy of Dermatology, Aloe vera has anti-inflammatory properties that can help in wound healing. It can also help to moisturize the skin and prevent peeling.

When and How to Water Your Aloe Vera 

As a desert dweller, watering the aloe vera succulent may be tricky, it may shrivel and die if given too little water, but it may also easily rot when given excessive water. So be careful not to overwater your aloe plantyou only want to give it enough to keep it from drying out completely, not drown it! 

A good rule of thumb is to water the Aloe plants deeply and then allow the soil to dry out completely before watering again. In the spring and summer, during the growing season, watering can be done once every 2-3 weeks.

During the winter months, when aloe vera is in a dormant period, it can be watered even less frequently. If you live in a rainy climate, consider planting aloe in gravel or stones. 

It is also important to note that aloe vera plants are sensitive to water quality. They prefer water that is low in minerals and salts, so it is best to use distilled or filtered water. Tap water can be used, but it should be left out for 24 hours before watering the plant to allow the chlorine to evaporate.

Light Requirements - Where to Place Your Aloe Vera Plant 

When growing indoors as a houseplant, place the aloe vera a few feet away from the south-facing window that receives plenty of sunlight, but it is important to avoid direct sunlight, as this can cause the leaves to burn. If the aloe plant is not receiving enough light, the leaves will start to droop and turn brown. In this case, it may be necessary to move the aloe vera plant to a brighter location. 

When planted outdoors, your Aloe plants need their daily dose of sunshine like a beach-loving teenager needs their favorite tunes!

They thrive on at least 6 to 8 hours of direct sunlight, soaking up those glorious rays with joy.

But wait, before you go dragging your aloe plant from its cozy shady spot into the blazing sun, be cautious. That sudden move can dry out your leafy buddy and leave it looking as yellow as a lemon.  

Now imagine you live in one of those cooler climates where clouds have permanent residency or if your home lacks these sunny windows altogether.

Fear not; you can use artificial lights – they're like little suns in bulb form! Hang them about one to two feet above your precious plant during daylight hours (that's roughly 16 hours per day) and watch it flourish happily amidst dim interiors.

Optimal Soil & Fertilizer Needs 

Aloe vera plants prefer well-draining soil that is a mixture of sand, perlite, and peat moss. It is critical to avoid soil that retains excessive moisture, as this can cause root rot. Instead, make or buy a well-draining potting mix, or ideally use our specialized succulent potting mix soil for aloe vera that contains 5 natural substrates and mycorrhizae to promote the development of a strong root system that helps your succulent to thrive.  

In terms of fertilizer, aloe succulents do not require a lot of nutrients. They can be fertilized once a year in the spring with a balanced fertilizer (NPK) of 5-10-5 in ratio. It is important not to over-fertilize the aloe plant, as this can lead to root burn. 

Hardiness Zones & More 

When grown indoors as a houseplant, aloe vera plants prefer a warm and dry environment. They thrive in temperatures between 60°F and 80°F. Aloe vera is a succulent, so it's adapted to arid conditions and doesn't do well in overly humid environments. Aim for a humidity level of around 30% to 40% for your indoor aloe vera plant.

In the United States, this is mostly an indoor plant, but if you live in southern Florida or Hawaii then you can cultivate it outdoors in USDA zones 9-11

Aloe vera can tolerate temperatures as low as 40°F for short periods, but prolonged exposure to freezing temperatures can damage or kill the plant. If you live in a colder climate, it's best to keep your aloe vera indoors or provide protection during winter months.

Aloe vera plants prefer dry air and do not require high levels of humidity. They can tolerate low humidity levels and do not need to be misted or placed in a humid environment. 

Wildlife - Aloe Vera Attracts the Following Friendly Pollinators

Aloe vera plants attract a variety of friendly pollinators, including bees, butterflies, and hummingbirds. These pollinators are essential for the reproduction of aloe vera plants, as they help transfer pollen between flowers, ultimately leading to the production of seeds. Additionally, these pollinators play a crucial role in maintaining biodiversity and ecosystem health.

Butterflies
Bees
Hummingbirds
Lady Bugs
Multi Pollinators
Other Birds

According to the ASPCA, the Aloe vera can be mildly toxic to pets and humans. It is rare but can occur if consumed in large quantities and can cause abdominal cramps, diarrhea, and electrolyte imbalances. It is important to consult a healthcare professional if you experience any adverse effects from consuming aloe vera.

How to Propagate Your Aloe Vera Plant

To propagate your aloe vera plant, you can separate the offsets or "pups" that grow at the base of the main plant. Gently remove these pups and plant them in their own pots with well-draining soil to encourage root growth. Water sparingly until they establish themselves, and place them in a sunny spot to promote healthy growth.

Aloe Vera: The Natural Sunburn Remedy


Aloe vera gel is known for its ability to moisturize the skin, it helps soothe burns and sunburns, as well as being known for its anti-inflammatory and antibacterial properties.

Aloe Vera is also rich in vitamins and minerals that are essential for healthy skin. It is best to use pure aloe gel extracted directly from an aloe vera plant.

To use aloe vera gel to soothe sunburns, cut off a piece of the large aloe vera leaf and open it to reveal the gel.

To maintain the aesthetic appeal of your aloe plant, it is advisable to cut off the entire leaf of the large aloe vera plant when cutting one. Just chop the leaf off as close to the main stem as you can. Cutting leaves from the base of the plant is always preferable. These leaves will be thicker since they are older. If you cut off the tip of a leaf, it will eventually turn brown at the tip because cut leaves keep their scars.

Key Takeaways

  1. Aloe vera is renowned for its medicinal properties, particularly its soothing gel, which is widely used for treating burns, wounds, and skin irritations. Its natural compounds, like aloin and acemannan, have anti-inflammatory and healing properties.
  2. When cut, aloe vera can seal its own wounds by producing protective latex, showcasing its remarkable survival mechanism in harsh environments.
  3. Aloe vera is not just a skincare savior; it also purifies indoor air by removing harmful pollutants like formaldehyde and benzene, making it a great addition to homes and offices.
  4. Native to arid regions, aloe vera thrives in minimal water conditions. It stores water in its thick, fleshy leaves, allowing it to endure prolonged droughts.
  5. The inner gel of aloe vera leaves is edible and used in drinks and food for its health benefits, such as aiding digestion, boosting immunity, and providing hydration. Always ensure proper preparation to remove any bitter or toxic compounds.
  6. The presence of yellow flower buds is a strong indicator of the edible variety.

The Bottom Line

Overall, Aloe vera is a popular plant known for its healing properties and versatility. It has gained popularity for its ability to help heal wounds, cuts, and burns, including sunburns. The gel inside the aloe vera leaves contains soothing and moisturizing properties that can provide relief and promote healing. In terms of care, aloe vera is relatively low-maintenance. It thrives in well-draining soil and requires moderate watering. It prefers bright, indirect sunlight but can tolerate some shade. 

A lot of people have a hard time finding large aloe vera plants, but here at Planet Desert, we regularly have large sizes in stock. Don't miss out on adding an Aloe vera plant for sale to your garden! Order now and enjoy its beauty for years to come. 

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Julie S.
Pawtucket, US
★★★★★ 5
5 Stars – A Must-Read for Anyone Interested in Creativity!
Format: Paperback
Creativity: The Psychology of Discovery and Invention* by Mihaly Csikszentmihalyi is a brilliant exploration of the inner workings of creativity and the human mind. Whether you’re an artist, entrepreneur, or simply someone interested in understanding how creative breakthroughs happen, this book provides a fascinating blend of psychology, real-world examples, and deep insights. What sets this book apart is its comprehensive approach to creativity, going beyond the idea of it being a mysterious or innate trait. Csikszentmihalyi breaks down the creative process into digestible parts, showing how environment, discipline, curiosity, and flow all play a crucial role in fostering creative discovery. The interviews with a wide variety of highly creative people—including scientists, artists, and business leaders—add incredible depth and context to his theories. One of my favorite takeaways is how Csikszentmihalyi emphasizes the balance between freedom and structure in creative work, and how finding the "flow" state can lead to moments of true innovation. The book not only helped me better understand my own creative process but also offered practical advice for cultivating creativity in everyday life. This is an insightful, inspiring read for anyone who wants to dive deeper into the psychology behind creative genius. Highly recommend!
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Reviewed in the United States on September 10, 2024
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M. Edwards
Lowell, US
★★★★★ 4
Personal Creativity does not equal Domain Transformation
This was a good if not a great book. Its greatest strength lies in the thesis introduced early on and supported throughout that the kind of creativity that leaves a trace in the cultural matrix rests not in the personal creativity of the individual, but in what Csikszentmihalyi tags the "systems approach " to creativity. To have any effect, a creative idea must be couched in terms that are understandable to others, pass muster with the experts in the field (i.e. the gatekeepers to the domain), and be included within the cultural domain (the set of symbolic rules or procedures) to which it belongs. In this systems view, the definition of a creative person is someone whose thoughts or actions change a domain or establish a new domain (pp. 27-28). This is no easy task, especially since he or she needs to learn the existing domain or domains first, and almost always necessitates being in the right place at the right time (e.g. studying quantum physics at the beginning of the 20th century or women seeking academic opportunities when WWII broke out). Having established this in the first 30 pages, if you didn't read the remaining 350 you wouldn't miss much. But I still enjoyed reading the stories and thoughts of selected individuals whom the author deemed as "creative" according to the definition above (However, I disagreed with the selection of a few of these and would have chosen at least one more person of faith in addition to the Quaker who was briefly highlighted. Also on the issue of faith, I found the author's grouping on page 371 of studying the bible with addictive behaviors such as cruising the internet and betting on horse races to be rather laughable!). Some additional personal nuggets I gleaned from this book include the following: 1. Those who persevere and succeed must be creative not only in their manipulation of symbols but maybe even more in shaping a career and a future for themselves that will enable them to survive while continuing to explore the strange universe in which they live (p. 199). 2. When seeking to allow your mind to make new connections in a beautiful setting, just sitting and watching is fine, but taking a leisurely walk seems to be even better. The shaping of one's personal space is also important. The Greek philosophers settled on the peripatetic method, preferring to discuss ideas walking up and down in the courtyards of the academy. When we participate in this kind of "semiautomatic activity" that uses a certain amount of attention, we allow the rest of it to be free to make connections among ideas, often from different domains, well below the threshold of conscious intentionality. "Devoting full attention to a problem is not the best recipe for having creative thoughts. "(p. 138) 3. Both creativity and innovation on the one hand and conservation and traditionalism on the other are both equally important. "Neither uncritical acceptance nor wholesale dismissal of human creativity will lead us far. " (p. 322) The final section deals with how to enhance personal creativity. Some of these ideas were helpful (e.g. to seek to be surprised and to seek to surprise another person at least once every day, to seek to look at problems from multiple perspectives instead of assuming you see the issue clearly from one perspective, etc.) but others just seem to be taking up space on the page. I'm afraid the phraseology of how to use psychic energy more effectively on page 356 and a few other places lost my interest almost completely.
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Reviewed in the United States on November 15, 2010
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pepe
Cuba, US
★★★★★ 5
interesting analysis of what 'being creative' really means
This easy-to-read absorbing book is based on lengthy interviews with 91 creative individuals ranging from Nobel prize winners to artists to CEOs. Csikszentmihalyi starts by debunking the myth of 'the lone genius having a brilliant idea as if by magic' and defines three necessary ingredients for creativity ('with a capital "C"') - domain, field, and individual. Creativity must take place within a recognised domain (such as physics, painting and so forth); be recognised by experts in that domain (the field, although this may not happen in the individual's lifetime, eg, Van Gogh); and of course come from an individual, although he also adds the painstaking work that precedes and insight, the reality that all creativity builds on what has gone before, and the social elements of the creative process. The book also offers supporting evidence from the lives of the 91 interviewed, which also provides interesting insights into their lives. In many ways, this book is a biography of the creative individual. Also contains a chapter with quite practical guidance on how to live more creatively. Prescient advice for a book published in 1996 given the increasing profile creativity is getting in business and public life. HIghly recommended, one of the most interesting learning experiences i have had in a long while!
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Reviewed in the United States on February 5, 2013
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Charles H. Hooker Jr.
Draper, US
★★★★★ 5
Very enlightening for those who truly appreciate creativity more than cleverness!
Format: Paperback
I love how the author almost redefines creativity .and sheds new light (for me, at least!)on what what real-for-true creativity is and how it benefits individuals and society. It's far more than simply brightening up a room with new wallpaper and curtains -- it describes how genuine creativity requires a thorough working knowledge of the fundamentals of any given field before one can truly create something new or better, and it reveals how those of us who aren't capable of creating something ourselves can yet be part of the process by demonstrating appreciation and support for those who create, whether as sponsors, patrons, or even just ardent fans!
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Reviewed in the United States on July 4, 2023
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Donald Walker
Omaha, US
★★★★★ 3
instructive but limited
The testimonies of creative people that give this book its flesh and blood provide fascinating examples of creative people at work. That said, if a journalist had written the book, it would be more readable, and I don't think any less of an intellectual contribution. Moreover, the definition of creativity is elitist and stunts the topic (as observed by other reviewers): "Creativity is any act, idea, or product that changes an existing domain, or that transforms an existing domain into a new one. And the definition of a creative person is: someone whose thoughts or actions change a domain, or establish a new domain. It is important to remember, however, that a domain cannot be changed without the explicit or implicit consent of a field responsible for it." Given the people interviewed, much more needs to be said about the function of social institutions in promoting creativity. Many of the accomplishments lauded in this book would never have happened without grant-making agencies (e.g., NSF, NIH, HHMI) or non-profit employers like research universities and hospitals. To offer just one obvious example of the difference made by one's institutional context, the author had advanced students to help him do his research for this book. The elitism of the definition is even clearer in the role that marketplace plays as a judge of creativity. None of us buys books from amazon.com because some official group validated amazon.com as a good idea. We didn't wait for computer programers to affirm and certify it. Amazon.com is not deemed successful because it impressed its peers. It is successful because millions of us purchase goods through it. Similarly, auto-executives did not make the minivan a successful idea, millions of shoppers did. (Obviously I don't think the marketplace fits into the author's definition of creativity. If 300 million American consumers comprise a domain with 300 million judges, then the word no longer has any useful meaning.) The definition also precludes that countless ephemeral acts of creativity that take place daily. I think instantly of two women I have worked with who were great at holidays. Their clever costumes or decorations brightened my day, adding a little element of surprise and delight. Their acts of creativity don't meet the definitions of this book. The way that creativity is defined in this book is simply a filtering mechanism by which the author selected the people he would interview. It is not a definition of creativity. It is only a description of a subsection of creativity, the kind where institutions provide paychecks to highly practiced individuals to work hard at what they love. I also found little new to take away and apply to my own social existence inside the organization where I work. Perhaps I can summarize my dissatisfaction by observing that the subtitle sets out an agenda for the psychology of creativity, but the definitional filter is intrinsically social. This disconnection sets the book up to fail. So, count this as a negative review, yes, but I did enjoy reading the testimonies of the people interviewed, and the author adds some value in the generalizations he draws. Still, much, much more could have been said.
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Reviewed in the United States on April 30, 2012

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