SKU: 69513990376
anthurium dark

anthurium dark Anthurium Dark Lotus (Black Diamond x Papililaminum)

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Description

anthurium dark Anthurium Dark Lotus (Black Diamond x Papililaminum)Anthurium Dark Lotus Anthurium 'Black Diamond' (Anthurium regale Anthurium luxurians) Anthurium papillilaminum A three lineage hybrid assembling three of the most texturally compelling compact to medium anthuriums in the collector world into a single cross of considerable complexity and ambition. The Black Diamond parent itself a hybrid of Anthurium regale and Anthurium luxurians contributes two complementary characters simultaneously: regale's large

Anthurium Dark Lotus
Anthurium 'Black Diamond' (Anthurium regale × Anthurium luxurians) × Anthurium papillilaminum

A three-lineage hybrid assembling three of the most texturally compelling compact-to-medium anthuriums in the collector world into a single cross of considerable complexity and ambition. The Black Diamond parent — itself a hybrid of Anthurium regale and Anthurium luxurians — contributes two complementary characters simultaneously: regale's large-scale, broadly cordate, velvety leaf constitution and prominent venation; and luxurians' deeply bullate, lacquer-glossy, three-dimensionally quilted surface in which each interveinal section rises into a pronounced convex blister. Against this already textured foundation, Anthurium papillilaminum introduces the third lineage — the celebrated Panamanian understory species with its thick, muscular, densely papillose-velvety surface texture, characteristic ribbed and winged petioles, and the deep mahogany to reddish-brown emergent coloration that papillilaminum passes so reliably into its offspring. The 'Dark Lotus' name captures the resulting aesthetic precisely — a leaf that is simultaneously dark, deeply textured, and of considerable formal elegance, where the bullate quilting from the luxurians lineage plays out across a surface that carries papillilaminum's velvet constitution, producing a three-dimensional, tactilely extraordinary leaf of substantial presence and near-black mature pigmentation. New leaves emerge in rich, saturated mahogany tones from the papillilaminum lineage before darkening to the deep, near-black mature coloration. Individual seedling expression varies as with all multi-lineage crosses.

  • Light: Bright but soft indirect light — the dark pigmentation from papillilaminum is sensitive to high-intensity exposure; lower fc levels than most velvet anthuriums support the deepest coloration. Avoid direct sun.

  • Soil: Very open, chunky epiphytic mix of orchid bark, perlite, and coco coir with excellent drainage and aeration; luxurians lineage in particular is prone to root rot in waterlogged conditions.

  • Temperature/Humidity: Warm temperatures between 65-80°F; high humidity of 70-80%+ is essential for maintaining the velvet surface quality and bullate texture from both parent lineages.

  • Watering: Keep consistently but lightly moist — allow only the top inch to approach dryness. Never waterlog; never allow to dry out fully.

  • Fertilizer: Feed with a balanced liquid fertilizer supplemented with calcium every 4-6 weeks during active growth; dilute to half strength. Reduce in winter.

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SKU: 69513990376

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James Shepherd
Alexandria, US
★★★★★ 4
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Format: Paperback
Buy this book and find out if you really are a good comic artist.
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Reviewed in the United States on August 20, 2019
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deblake60
New York, US
★★★★★ 5
Great book
Format: Paperback
This is very similar to Panel Two, which I bought because of certain comic book writers that I enjoyed. Panel One is basically the same, which provide examples and even so "how to's" and "why's that" type of information.
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Reviewed in the United States on May 21, 2013
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T.J.
Battle Creek, US
★★★★★ 5
GOOD BUY!!!
Format: Paperback
I love this book. If you are interested in how comics are made do yourself a favor. Also pick up the WIll Eisner textbook trilogy.
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Reviewed in the United States on March 1, 2014
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Dr. Daniel L. Young
Cuba, US
★★★★★ 5
Five Stars
Format: Paperback
I love this book and have absolutely no talent drawing, etc.,
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Reviewed in the United States on August 11, 2014
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Patrick Terra
Phoenix, US
★★★★★ 3
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This is a fascinating look at the early creative processes writers do when they make scripts for graphic novels. The only down side to this book is it doesn't show any comparison between the scripts and the final product. I suppose that's part of the fun of this book is that you have to imagine the graphics just like the original artists did.
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