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Description
cybex sirona s newborn insert weight limit Callisto G360 Convertible Car Seat in Salt Lake City Utah – Babinski's BabyThe Callisto G 360 with SafetyAssure Protection System is the ultimate all in one car seat, designed to prioritize your childs safety and comfort at every turn. Offering peace of mind, its equipped with innovative safety features like SensorSafe Smart Technology, which alerts you to unsafe conditions, and the SafeLock One Time Installation system for a secure, worry free setup. Whether youre bringing home a newborn or driving your big kid to school,
The Callisto G 360 with SafetyAssure Protection System is the ultimate all-in-one car seat, designed to prioritize your child’s safety and comfort at every turn. Offering peace of mind, it’s equipped with innovative safety features like SensorSafe Smart Technology, which alerts you to unsafe conditions, and the SafeLock One-Time Installation system for a secure, worry-free setup. Whether you’re bringing home a newborn or driving your big kid to school, the Callisto G 360 grows with your child—from 4 pounds to 65 pounds in harness mode, and up to 120 pounds as a booster seat. Safety has never been this simple, from day one through grade school!
- SAFELOCK 1-TIME INSTALLATION SYSTEM: Fasten the tether to your vehicle's anchor point for added stability. Route the seatbelt through the belt guide, click it into place, close the SafeLock door, and secure the car seat. Tether, Route, Click & Go!
- 360° ROTATION IN ANY RECLINE POSITION: The Callisto G 360 can be rotated toward the car door in any recline position, making it easy to load your child and ensuring you always have the proper recline setup. With five recline options, whether rear or forward-facing, your child is guaranteed a comfortable ride every time.
- SAFETYASSURE PROTECTION SYSTEM IS 37% SAFER*: A complete safety system designed to enhance the car seat’s performance in every situation. It features an Anti-Rebound Base with SecureFix360 Tether, Linear Side-impact Protection, and SensorSafe Bluetooth-enabled chest clip for added peace of mind. The steel frame construction integrates the seat and base, providing reinforced crash protection for superior safety. *Based on head and chest injury metrics as compared to the same seat without these features
- SAFETY TESTING: meets the latest Federal Motor Vehicle Safety Standards for side impact and frontal impact safety (FMVSS 213a, FMVSS 213b)
- ANTI-REBOUND BASE WITH SECUREFIX360 TETHER: Minimizes movement during a crash and ensures maximum stability.
- LINEAR SIDE IMPACT PROTECTION SYSTEM: Effectively reduces crash forces on the child in the event of a side impact collision.
- SENSORSAFE CHEST CLIP: Bluetooth enabled chest clip sends mobile app alerts if a child unbuckles the chest clip, if the back seat becomes too warm or too cold, and if the driver unintentionally leaves the child behind. It also notifies emergency contacts if no action is taken, sharing your location.
- ALL–IN–ONE SEAT: 3 modes of use from birth through elementary school years: Rear-Facing, Forward-Facing and Belt Positioning Booster.
- FIRE RETARDANT CHEMICAL FREE FABRIC: Naturally flame resistant, passing federal safety standards without harmful fire-retardant chemicals.
- REMOVEABLE SUN CANOPY: Adjustable, oversized UPF50+ canopy protects and provides shade for full sun protection.
- 12- POSITION ADJUSTABLE HEADREST AND REMOVEABLE MULTI-STAGE INFANT INSERT: Ensures proper fit and support for your child.
- ALL-AROUND AIR VENTILATION: Mesh fabric details combined with ventilation holes in the shell keep your child cool and comfortable.
- EASY-IN BUCKLE PAD AND INTEGRATED MAGNETIC BUCKLE HOLDERS: Keep the straps and buckles out of the way for hassle-free loading and unloading, making buckling up your child quick and stress-free.
- INTEGRATED REMOVEABLE CUP HOLDERS: The seat includes two integrated, removable cupholders that are dishwasher-safe for easy cleaning.
- MACHINE WASHABLE FABRICS: Spills and messes happen, the Callisto’s premium seat fabric can be washed for easy cleaning.
Usage
- Complies with new FMVSS 213 side impact and frontal impact safety standards
- Rear Facing: 4-40 lbs. and 17-43.3 in
- Forward Facing: 26.5-65 lbs. and 33.5-49.2 in
- Booster: 40-120 lbs. and 43.3-57 in. Use from birth to approx. 10 years
What's in the box
- Car Seat
- SensorSafe
- Removeable Sun Canopy
- Multi-Stage Infant Insert
- Cup Holders
Specifications
- Product Dimensions: 21.7"L x 18.7"W x 35"H
- Weight: 35 lbs.
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
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- Delivery to the USA:
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Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
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4.5 ★★★★★
Based on 698 reviews
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Product Reviews
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
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Reviewed in the United States on April 20, 2017