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Description
bedbox by stokke Stokke® JetKids™ BedBox™ – TadpoleStokke JetKids BedBox Ride, sleep, explore little adventurers can do it all Airline approved ride on luggage that turns any seat into a bed Carry on compatible, with ample storage and a practical top opening Little ones (2 7 years old) can ride on it, be pulled along, or pull it along themselves Adjustable strap allows parents to carry over their shoulder Comes with sticker set for customization Ride, sleep, explore little adventurers can do it all
Stokke® JetKids™ BedBox™
Ride, sleep, explore – little adventurers can do it all
- Airline-approved ride-on luggage that turns any seat into a bed
- Carry-on compatible, with ample storage and a practical top opening
- Little ones (2-7 years old) can ride on it, be pulled along, or pull it along themselves
- Adjustable strap allows parents to carry over their shoulder
- Comes with sticker set for customization
Ride, sleep, explore – little adventurers can do it all
Prepare your little adventurer for journeys far and wide with Stokke® Jetkids™ BedBox™. Designed for children aged 2-7, the airline approved BedBox™ is unique with both a sleep-on and ride-on function. It offers your little one a comfortable space to rest or nap, whether on a short trip or a long-haul flight, while keeping their essentials close by in its spacious storage. Your child will love the freedom of decorating their BedBox™ with stickers and having fun riding or pulling it through the airport. This ride-on suitcase turns every moment of travel into an exciting adventure for both of you.
Packing and preparation
- Personalize your BedBox™: your child can add its unique touch with the included stickers
- Spacious interior: store all travel essentials with ease (19 liters / 5 gallons volume)
- Smart storage: with a practical lid compartment for extra organization (additional 3 liters / 0.8 gallons volume)
Getting around
- Little rider: watch your kid ride effortlessly with sturdy, improved front swivel wheels
- Added safety: your child can hold on while riding for extra fun and safety
- Versatile transport: carry or pull your BedBox™ by easily adjusting the strap
- Restful break: use your BedBox™ as a comfortable foot ledge
During travel (plane, train, ferry...)
- Ultimate comfort: set-up your BedBox™ and transform your child's seat into a cozy space
- Extra room: extend the seat surface with the expandable lid
- Sleep-on: the mattress and soft side panels provide a cozy environment, perfect for a quick nap or a full sleep session
- Perfect fit: designed to fit most standard airline seats with a practical top-opening to prevent items from falling out
- Safe and secure: use the seat belt both lying down or sitting upright
Product Size (cm/in)
W 20 cm x H 39 cm x D 47 cm / W 7.9 in x H 15.4 in x D 18.5 in
Weight (kg/lbs)
3 kg / 6.6 lbsSuitable for age
from 24 to 84 (months)Suitable for weight (kg/lbs)
35 kg / 77 lbsMaterials
ABS, nylonMaterials Textiles
Mattress: 65% Polyester / 35% CottonVolume Bedbox (litres/gallons)
20 liters / 5.3 gallons for main casing, 3 liters / 0.8 gallons for lid.
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
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Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
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4.2 ★★★★★
Based on 418 reviews
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Product Reviews
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
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Reviewed in the United States on April 20, 2017