SKU: 77295346920
large indoor plant pots for trees

large indoor plant pots for trees Large Sphere Planter for Small Trees and Shrubs

Sale price$22.42 Regular price$24.91
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Ships within 48 hours · Estimated delivery Jul 22 - Jul 27

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Description

large indoor plant pots for trees Large Sphere Planter for Small Trees and ShrubsExtra Large Sphere Planter Ideal for Small Trees, Shrubs & Feature Plants Instantly elevates gardens, patios, roof terraces and courtyards. A sculptural statement planter that blends premium materials with timeless design, the Orbello large sphere planter is an exceptional choice for those seeking to create a striking focal point in their outdoor or indoor spaces. 207L capacity perfect for small trees, ornamental shrubs and dramatic arrangements,

Extra Large Sphere Planter – Ideal for Small Trees, Shrubs & Feature Plants

Instantly elevates gardens, patios, roof terraces and courtyards.

A sculptural statement planter that blends premium materials with timeless design, the Orbello large sphere planter is an exceptional choice for those seeking to create a striking focal point in their outdoor or indoor spaces.


  • 207L capacity – perfect for small trees, ornamental shrubs and dramatic arrangements, providing ample room for root growth and soil nutrients
  • 70cm wide × 64cm tall – with a generous 57cm planting opening, allowing for easy planting and maintenance of your chosen greenery
  • Hand-crafted from pigmented cement stone – no paint, no peeling, no fading, ensuring long-lasting beauty and durability in various weather conditions
  • Indoor & Outdoor use – internally sealed, frost-resistant and built to last, making it versatile for any setting
  • Pre-drilled drainage holes – for healthy roots and easy water management, preventing waterlogging and root rot
  • Solid and secure – 38kg empty weight with a steel-reinforced core, providing stability and resistance to tipping
  • No assembly required – arrives ready to style, saving you time and effort
  • Low-maintenance – wipe clean; no treatments or re-sealing needed, reducing ongoing care requirements
  • Flat base – sits securely on any solid, level surface, ensuring stability and preventing damage to your patio or indoor flooring

Tip: place the Orbello in its final position before adding soil and plants to avoid difficulties in moving the filled planter


Why Choose the Orbello Planter?

  • Premium pigmented cement stone – colour runs through the body, ensuring long-lasting aesthetics without the risk of surface damage
  • Generous 207L soil capacity – larger than most round planters in its class, providing ample space for root development and nutrient retention
  • Perfect scale – for patios, courtyards & interiors; suits olives, bays, acers and flowering shrubs, allowing for versatile landscaping options
  • Hand-made finish – each planter has unique texture and character, adding an artisanal touch to your space
  • Engineered strength – steel-reinforced walls resist cracks and knocks, ensuring longevity even in high-traffic areas
  • Long-life sustainability – designed to last decades, outliving disposable plastic pots and reducing landfill waste, aligning with eco-conscious gardening practices
  • Design flexibility – combine with the 686L Orbello for a striking, layered display, allowing for creative and dynamic landscaping arrangements

Full Description

Introducing the Orbello – a bold, sculptural planter crafted to elevate any setting. Its perfectly balanced spherical silhouette and commanding presence make this 207-litre vessel ideal for small trees, ornamental shrubs or layered plantings, indoors or out. The large sphere serves as a stunning focal point, enhancing the visual appeal of gardens, courtyards or expansive interiors.

Each Orbello is hand-poured and hand-finished by skilled artisans using a premium blend of pigmented cement stone. The surface reveals a natural, weathered texture, gentle pitting and organic imperfections, ensuring no two pieces are ever identical.

Finished in Blushstone – a warm, earthy blend of terracotta, rose, and clay tones – this contemporary new colourway offers a soft, natural aesthetic that complements both greenery and architectural materials. Because the pigment is infused throughout the cement, it will never fade, peel or flake like surface-coated plant pots.

Built for real-world environments, the Orbello is internally sealed and frost-resistant, with discreet pre-drilled drainage holes for optimal root health. These features ensure healthy plant growth in both outdoor and indoor environments. A steel-reinforced core provides structural strength, and at 38kg unfilled, the Orbello balances solid stability with manageable placement.

With no assembly, minimal upkeep, and a timeless sculptural design, the Orbello is built to last – in both construction and style.

It looks stunning in multiples – flank a doorway with matching pairs or combine this size with larger Orbello planters to create a dramatic, tiered arrangement.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 77295346920

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Misty Rose
Carnegie, US
★★★★★ 5
FYI These are worth it!
Color: Caviar PDRN, Color: Caviar PDRN
These eye patches are really nice and worth it. I use them mainly on the weekends (when I don’t wear makeup). I wash my face and apply them under my eyes (I have also used them on my neck , forehead, corners of mouth, and between the brows for extra moisture) I leave them on about 30 minutes or more, peel them off, pat in the left over product; and my under-eye area looks a lot brighter and awake! I then apply and complete the rest of my skincare routine. (Under eye serum, face serum, and moisturizer). These patches are also very pretty, they make me feel like a mystical sea creature; think mermaid! My advice is make sure you are in fact using one, they are very thin and transparent and a few times i was actually applying more than one. With that being said there are A LOT of patches in the container.
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Reviewed in the United States on May 24, 2026
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Marcella
Waukegan, US
★★★★★ 4
Good product.
Color: Caviar PDRN
Good Product.
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Reviewed in the United States on June 7, 2026
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Sarah Pettingill
Carnegie, US
★★★★★ 5
🫶🏻
Color: Caviar PDRN
I love these. I put these on every morning when I’m getting ready. Sometimes I’ll even leave them on under sunglasses if I’m just doing school drop off 😆 They don’t slide off, they really help brighten and de-puff my under eyes, they have a cooling effect, unscented, and there’s no irritation. They also help concealer go on super smooth. I recommend!
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Reviewed in the United States on May 18, 2026
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Jessica Martin
Carnegie, US
★★★★★ 5
super hydrating
Color: Caviar PDRN
I love the full face mask but this is nice for a more frequent refresh. They are super convenient and work really well.
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Reviewed in the United States on June 4, 2026
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Zachary Bednar
Draper, US
★★★★★ 5
The Perpetual Joke
One of the best films I have ever seen is The Killing. It can boast a great many things. It can proudly say that it is the best heist film ever made and that it is the creme dela creme of film noir. Out of all the films in my top ten favorites, The Killing is easily the most watchable and purely entertaining. It doesn't try to be much more than a crime picture. A crime picture written by the legendary Jim Thompson of course. Thompson is one of the best American crime writers, well ever. And his work in The Killing is simply exemplary and total-classic Thompson. The film can also boast having a brilliant cast. Sterling Hayden, Elisha Cook Jr., and Marie Windsor soar, it can boast having possibly the strongest ensemble in all of the crime genre. It can boast having a pitch perfect tone and a distinctly unique and absorbing atmosphere. It can brag about the extraordinary tracking shots throughout or the lighting that startles and dazzles and vibes, melts. It can brag about being fun and devious and sly. It can brag about being unpredictable and clever. Smart. It can brag about being one the greatest films ever made. It's honestly that perfect. And did I mention that some guy named Stanley Kubrick directed the thing? The Killing is a film about a group of men who plan to knock off a racetrack, those who seek to thwart them, and how it all plays out. The characters are unforgettable. The Killing has in it's repertoire more than just a few of my favorite noir characters. What makes the players so special is that all of them are so sympathetic. Really. My heart goes out to each and every one of them, understanding and empathy seldom hits this hard within the parameters of the heist and noir genre. But here, the damn thing works every time. I've seen the film several times and I still physically act as if every time is my first. I cover my hands over my mouth in astonishment, I bite my nails in anticipation, I drum on my knees with rhythmic excitement, I laugh out loud, and I cheer relentlessly for everyone involved. I imagine myself as a member of the outfit. I have so much fun with this twisted picture that it's ridiculous. Okay. Lucien Ballard. Dick Tower. Earl Snyder. The men who walk the walk. One of the most dazzling things about The Killing is it's technical brilliance. The thing looks absolutely gorgeous and twisted and just right. Smokey and sexy and rough. There are shots in this film that your eyes can more than feast on, they can devour them. There are sequences of sight and sound and light that will make you fall in love with noir all over again. If that's not enough, Jim Thompson's dialogue will make your head spin it's so good. You'll find yourself quoting it to yourself without warrant or cause. The beats and the meter and time and scale of Thompson's writing will send you for a ride. Great dialogue and a truly complex and understated plot, the inner workings of which are not only of the heart-pounding variety but the very fabric that it is woven into is absolutely compelling. There is a subtext here as well. I don't think Kubrick ever really made a film just for the sake of doing so, he always had something deeper to communicate on top of it. The Killing communicates within the subtext the idea of the perpetual joke. Borderline Absurdism. Characters die literally howling about not being able to understand their own private punchline. Robberies take place by men in the guise of clowns. Think Hayden Sterling as Pagliacci The Clown. The Killing feels like a crime film written by Jim Thompson, directed by Stanley Kubrick, and dreamt up by Albert Camus. The idea that everything is absurd, that life is a frenzied haywire with a morbid sense of humor. I think Sterling's Johnny finally understood the great joke of life at the end of it all. And its pointless brand of mischief. It is fascinating seeing the great Stanley Kubrick, before he really was the GREAT Stanley Kubrick, working within the framework of the crime genre. Kubrick excels here, even if he was limited by boundaries of style and time. He is a filmmaker that mastered every genre he dabbled in. He is not only one of the greatest directors that ever lived but he is my personal favorite one. His films have a crazy power, an uncanny transcendental quality to them. The Killing possesses every bit as much magic that his post 2001 films do. The Killing has a little bit more than that as well. It has an incredible watchability factor. I could watch The Killing once a week for the rest of my life and still not get tired of it. I think I'll do just that. Why not? You only live once, right?
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Reviewed in the United States on July 17, 2014

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