SKU: 79613606177
britax one4life clicktight

britax one4life clicktight Britax One4Life ClickTight All-in-One Car Seat

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Description

britax one4life clicktight Britax One4Life ClickTight All-in-One Car SeatOne4Life takes your child from birth to big kid with Britax Safety and ClickTight Installation. It easily converts from a rear facing infant car seat, to a forward facing 5 point harness, to a high back belt positioning booster seat. SafeWash cover is safe to machine wash and dry. ClickTight is as easy as buckling a seat belt, so you can install with confidence, every time. Color coded belt paths show you where to route the seat belt for each

One4Life takes your child from birth to big kid with Britax Safety and ClickTight Installation. It easily converts from a rear-facing infant car seat, to a forward-facing 5-point harness, to a high-back belt-positioning booster seat. SafeWash cover is safe to machine wash and dry.

ClickTight is as easy as buckling a seat belt, so you can install with confidence, every time. Color-coded belt paths show you where to route the seat belt for each installation mode. Plus, easy-read indicators help you find the correct recline angle.

A high strength steel frame, crumple zone, and V-shaped tether help absorb crash energy. And, 2 layers of side impact protection surround your child’s head, neck and torso.

As your baby grows, adjust the 15-position headrest & harness in seconds to create the perfect fit. When it’s time for booster mode, simply tuck the harness into the built-in storage compartment. With cooling channels, premium padding and built-in arm rests, your child will love the ride.

Features:
Converts from a rear-facing infant seat (5- 50lb) to a forward-facing 5-point harness seat (22-65 lbs) to a high-back belt-positioning booster seat (40- 120lb).
10 years of use: One4Life convertible to booster car seat grows with your child from 5 – 120 lbs and up to 63” in height
ClickTight Installation. Install with confidence, every time. You’ll know it’s right in just 3 easy steps: Pinch to open. Thread & buckle. Click it closed.
15-Position, Quick-Adjust Headrest & Harness create the proper fit as your child grows.
Patented V-Shaped Tether with staged-release stitches helps slow and reduce forward movement during a crash.
High Strength Steel Frame reinforces the seat structure to help keep it sturdy and stabilized.
Quick-Push, 9-Position Recline helps you find the most comfortable fit for your child and the best fit for your vehicle.
Rear-facing with infant positioning pillow mode: 5 lbs - 22 lbs; Rear-facing mode: 23 lbs - 40 lbs; Forward-facing mode: 20 lbs - 65 lbs.
2 Layers of Side Impact Protection: energy-absorbing shell and foam-lined headrest surround your child’s head, neck, and torso
SafeCell Technology acts as a crumple zone, absorbing crash energy to help keep it away from your child
High Strength Steel Frame reinforces the seat structure to help keep it stabilized
V-Shaped Tether with staged-release stiches helps slow and reduce forward movement in a crash
Quick-push LATCH connectors lock into place with a click, and are easily released with the push of a button
Built-in lock-offs make seat belt installation a breeze
Easy-Read Level Indicators help you find the correct recline angle for your vehicle
10-Position Harness & Headrest easily adjust to grow with your baby

Clicktight Installation:
Britax's commitment to child safety inspired one of their proudest innovations to date - ClickTight Installation. They knew something had to be done about the staggering number of car seats being installed incorrectly. Despite best efforts, parents were still getting it wrong. So Britax developed a 3-step, self-tensioning system that makes it easy to achieve secure installation, every time.

Specifications:
Product Dimensions: 20.5" L x 19.5" W x 25" H
Car Seat Weight: 30 lbs
Child Weight Capacity:
Rear-facing: 5- 50 lbs
Forward-facing: 22-65 lbs
Booster seat: 40- 120 lbs
Child Height Capacity: Up to 63"

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SKU: 79613606177

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4.7 ★★★★★
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D
Verified Purchase
David R. Papke
Chelsea, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Fort Morgan, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Cuba, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Pawtucket, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Lowell, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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