SKU: 80733038786
bald cypress bonsai trees for sale

bald cypress bonsai trees for sale Bonsai Special

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Description

bald cypress bonsai trees for sale Bonsai SpecialTaxodium mucronatum A one of a kind bonsai tree from the nursery the tree pictured here is the tree you'll get! Seed grown on California's Redwood Coast Transplanting and care instructions included Bonsai Info Age 16 years Foliar Height 25" Trunk Diameter 2" (above split) Container Size 14" x 14" x 5" Root Pruned Yes Wired Yes Species Info Moisture Medium Cold Hardiness 0F Light Full Sun Partial Shade Size 60 150' tall 30 80' spread Lifespan 1,500 yrs

Taxodium mucronatum

  • A one-of-a-kind bonsai tree from the nursery — the tree pictured here is the tree you'll get!
  • Seed-grown on California's Redwood Coast
  • Transplanting and care instructions included



Bonsai Info

Age
16 years
Foliar Height
25"
Trunk Diameter
2" (above split)
Container Size
14" x 14" x 5"
Root-Pruned
Yes
Wired
Yes
Species Info

Moisture
Medium
Cold Hardiness
0°F
Light
Full Sun / Partial Shade
Size
60 – 150' tall / 30 – 80' spread
Lifespan
1,500 yrs
Growth Rate
Fast Growing
Drought Tolerance
High
Wind Resistance
High
Details

About Jonsteen's Bonsai Specials

Throughout the year, we set aside especially interesting seedlings from the nursery for transplanting and light shaping in the bonsai style. These are one-of-a-kind specimens — what you see pictured here is exactly what you will receive!


About Montezuma Cypress

Montezuma Cypress — also known as Montezuma Baldcypress, Sabino, or Ahuehuete — is the National Tree of Mexico and has been widely cultivated and revered there since pre-Columbian times. Montezuma Cypresses are among the oldest cultivated trees in the New World, with some planted specimens estimated at more than 1,600 years old. True old growth examples of this tree are considered sacred in parts of Mexico, and are celebrated in religious ceremonies and festivals. The common name, Ahuehuete, which comes from the the Aztec language Nahuatl (āhuēhuētl), means "old man of the water" — no doubt a reference to Montezuma Cypress's penchant for growing near waterways and in flood zones.

Native throughout Mexico, Guatemala, and up into Southern Texas's Rio Grande Valley, Montezuma Cypress is a close relative of Baldcypress (Taxodium distichum), and features a similar appearance, but without the "knees" that often form at the bases of Baldcypresses. Montezuma Cypress has a broad, spreading crown with strong, horizontal branches and delicate, weeping branchlets. Its soft needles are bright green and feather-like. In the southern part of its range, Montezuma Cypress is an evergreen with persistent needles; in the northern part of its range in Texas (and often when cultivated elsewhere), the tree can be deciduous, losing its needles in fall/winter or when new growth emerges.

A fast-growing, long-lived tree, Montezuma Cypress is most often found in marsh or spring areas, along waterways, or in canyons where surface water may not flow throughout the year, but where the tree's root system can secure perennial water below ground. It is often found growing alongside Cottonwoods, Willows, and Mesquite Trees, or in pure stands. Though commonly found in moist soils, established trees are surprisingly drought tolerant.

Montezuma Cypresses become very large, with heavily buttressed trunks, often of remarkable circumference. In fact, the tree is known as a giant more for its massive, convoluted trunk than for its height, which typically ranges from 60 to 150 feet. The record height reported for this species is around 175 feet tall, far shorter than the record-holding Redwood behemoths of Northern California (which can reach nearly 400 feet tall). Trunk diameters in old growth Montezuma Cypresses, however, are the very largest in the tree world, at up to more than 50 feet across! The biggest Montezuma Cypress in the United States is located in San Benito, Texas. It is much smaller than its Mexican counterparts, at just 100 feet tall with a trunk diameter of around 7 feet across.

Perhaps the most famous Montezuma Cypress in the world is a specimen planted by an Aztec priest on what are now the grounds of the Catholic church in the town center of Santa Maria del Tule in the Mexican state of Oaxaca (around six miles east of the city of Oaxaca). This tree is known as "El Arbor del Tule," or sometimes "The Tree of Life," and has been called "the stoutest tree in the world" for its amazing trunk size, which, including the promontories and bays of its deep buttresses, exceeds 150 feet around. In 2001, "El Arbor" was placed on a UNESCO tentative list of World Heritage Sites.

The wood of Taxodium mucronatum is not as incredibly durable as that of Baldcypress, but it is still a favored material for fine furniture-building in Mexico, and it was heavily utilized for timber during the construction of Mexico City and many other Mexican cities. Montezuma Cypresses were also used by the Aztec peoples to create arable land out of shallow lakes by strategically planting trees and filling the spaces in between with earth. Indigenous peoples relied on Montezuma Cypress for many medicines as well.

In all, Montezuma Cypress is one of the tree world's most venerable citizens with an incredible history, particularly in Mexico. It makes a fantastic planting in lawns, yards, and gardens, and can be cultivated under a great variety of growing situations, including wet soils, dry soils, and temperatures that range from triple-digit heat all way down to 0-degrees Fahrenheit.

Plant your own Tree of Life and experience this wonder of the plant kingdom for yourself!

About Jonsteen's Seedlings

All of our trees are seed-grown at our nursery on California's Redwood Coast, which is inspected monthly and licensed by the California Department of Agriculture. Trees can provide a natural barrier against high winds, temperatures, noise pollution and soil erosion, all while benefiting local air quality, wildlife and property values — a Jonsteen seedling will only grow in value and beauty!


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SKU: 80733038786

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4.3 ★★★★★
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Product Reviews
J
Verified Purchase
jk Smiles
Louisville, US
★★★★★ 5
A book on dialogue should be experienced first as a book on tape
Format: Audio CD
I think of this more as a great master class lecture. Dialogue should be seemingly simple (we all talk), but McKee defines its essence and differences for prose, stage and cinema. The bulk is narrated by McKee, but the scene examples are read by voice actors and they do quite well. Even the roots of the English language are examined in order to make better decisions on your character's particular use of words. After listening the 10 hours twice while commuting, I finally picked up the book and read it. The book on tape is a better way to initially absorb the material, while the actual book helps to clarify the info. A must for all writers, especially screenwriters.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 30, 2018
L
Verified Purchase
Lori T. Sly
Lowell, US
★★★★★ 4
Helpful, but not as good as "Story" by same author, and it disses certain genres
Format: Hardcover
This book contains a lot of helpful information on how to write dialogue. It's dense with dialogue analysis and insights, tough to take in by just reading it through once. But it is helpful. McKee covers the three dialogue tiers (said, unsaid, unsayable) as well as how dialogue ties into story turning points and scene conflict type. I still have lots of practice ahead of me to figure out how best to do this in my story. I will definitely use his advice as a guide. He understands dialogue at a much deeper level than I do. However, many of McKee's dialogue examples did not speak to me. While I liked reading the dialogue examples for Breaking Bad, 30 Rock, The Sopranos, Frasier, A Raisin in the Sun, and The Great Gatsby, and agreed they were good, I disliked the dialogue from Shakespeare, Elmore Leonard, Sideways, Fraulein Else, and Lost in Translation. McKee says fine dialogue turns the reader/audience into a mind reader; I guess I'm not interested in movies which expect me to be as much of a mind reader as those latter examples did. I totally missed the subtext of the dialogue in those until he explained it to me as an aside. And that's after I already saw most of those movies! If I have to guess what every character means with every line, that's too much work and too little entertainment for me. Maybe mystery lovers liked the dialogue in "Lost in Translation"; I'm not a mystery lover. McKee quoted one novelist as saying that the crux of good writing is to, "Make em laugh, make em cry, make em wait." Lost In Translation and its dialogue did none of that for me. The subtext was so confusing and subtle that I lost interest in the movie. I can't even remember what it was about anymore, only that it won some award and I had no clue why. McKee says that with rare exceptions, a scene should never be outwardly and entirely about what it seems to be about. Dialogue should imply, not explain, its subtext. An ever-present subtext is the guiding principle of realism. Nonrealism, on the other hand, employs on-the-nose dialogue in all its genres and subgenres: myth and fairytale, science fiction and time travel, animation, the musical, the supernatural, Theatre of the Absurd, action/adventure, farce, horror, allegory, magical realism, postmodernism, dieselpunk retrofuturism, and the like. It's a bit unclear how, if at all, anyone writing in any of these "nonreal" genres should take his dialogue advice. It seems to me that even sci fi scenes need some good dialogue with subtext to be engaging. With McKee, all the accolades go to what is implied and unsaid over what is said. I agree that subtext matters, but for me, he's out of proportion with how much it matters to most people and how hard audiences are willing to work to discover the intended subtext. Also, memorable spoken character lines can elevate movie themes and characterization like nothing else. In the end, I think this book is geared more toward writers who want other advanced writers as their audience rather than the average reader or movie watcher. And McKee admits it is definitely not geared toward sci fi, fairytales/myths, action/adventure, horror or allegory. It's almost as if he's saying those genres can't have excellent dialogue. I disagree. But it was still a helpful book to read, and one I will be thinking about and trying to more fully understand for a long time. McKee understands how character's subconscious drives can deepen what they say or avoid saying, and how dialogue interacts with many other aspects of a story to make it all work together.
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Reviewed in the United States on December 12, 2019
R
Verified Purchase
Ray Pryor
Boise, US
★★★★★ 5
Amazing.
Format: Kindle
Just like a good movie, the first 10 pages = mind blown. Wow, such really, really good material here. If you're new, this will help you a ton. If you're experienced, this book will help you realize WHY great dialogue is so great, enabling you to create the magic again and again. I love how McKee covers several medias ( screen, theater, novel ) but still stays true and clear on the concept. A virtual masterclass on the subject. One of the best screenwriting books out there, and Yes, it's well worth all the hype.
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Reviewed in the United States on April 18, 2017
K
Verified Purchase
Kindle Customer
Carnegie, US
★★★★★ 5
So to speak
Format: Kindle
Previews did not show the Table of Contents, but it is worth searching the web for. The coverage includes practical techniques as well as case studies. Notes cover titles on topics over several decades. This book has four parts about what dialogue is, how it can mended, and how it can be created and designed. Trialogue, the third thing through which a pair of characters channel conflict in conversation, is an interesting concept because it overlaps social networks or media and comms devices; it is also looked at historically. Dialogue is reportedly the quickest way to fix a narrative text since it appeals to intuition. Those levels of depth are what the book is about. They can be found in first person voice. The approach could easily fill a site on the order of tropes for favorite titles, but for deconstruction and revision, which are also relevant to works in progress. It talks about finding characters in the dark, though not necessarily from the milieu, unless it were compressed and made to transfer meaning like in poetry, but reflexive so that it is symmetrical to the characters or human nature. If there is a boundary to be found, then this method is going to hit the lines to find out what happens then. The impact on the rest of the narrative elements is discussed. This extends back through the early philosophers, through tragedy, the merging of European roots into English, and the study of personalities to contemporary customs. Voice is plot.
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Reviewed in the United States on June 12, 2017
C
Verified Purchase
cf otto
Los Angeles, US
★★★★★ 5
ONE OF THE TWO BEST BOOKS ON SCREENWRITING
Format: Hardcover
Probably the best book on screenwriting ever (besides Egri), though there is also much here for the novelist and playwright. I am a professional TV writer, of long-standing (35 years), and I can tell you I used this book to figure out how to fix the problems of a complex pilot I'm writing; the author truly " guided me home." And lest you think I'm a McKee sycophant, I am not. I found little in STORY for me. The only thing I disagree with in DIALOGUE is that the author sells his own work short: it isn't just for those who are "lost" in their writing, like me, and the student, it's for anyone who writes fiction for a living, in any form, no matter how much experience they have. It's that good.
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Reviewed in the United States on October 14, 2016

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