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seed set plants Late Winter Flower Seed Collection – Kids Seed Co

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seed set plants Late Winter Flower Seed Collection – Kids Seed CoPlant flower seeds this winter! There are many flower varieties that can be sown in the garden in winter. Some varieties benefit from cold stratification, a period of cold moist conditions, and some varieties will produce early spring blooms after overwintering. We put together this collection of 9 of our favorite flower varieties that can be sown in your garden in winter. While all of these varieties will overwinter in your gardens, they can also be

Plant flower seeds this winter! There are many flower varieties that can be sown in the garden in winter. Some varieties benefit from cold-stratification, a period of cold moist conditions, and some varieties will produce early spring blooms after overwintering. 

We put together this collection of 9 of our favorite flower varieties that can be sown in your garden in winter. While all of these varieties will overwinter in your gardens, they can also be sown in early spring, several weeks before your last frost. 

Seed Varieties:

Wild Bergamot (Monarda fistulosa)

An herbaceous perennial plant native to much of North America with beautiful light purple blooms. Wild bergamot honey is prized for its' herby-sweet flavor and the flowers attract lots of beneficial insects to the garden. Native American used the plant as a medicinal remedy and generally infused the aromatic leaves in tea. (As always, consult your medical provider for advise on herbal remedies!) Wild bergamot spreads through underground rhizomes and it looks beautiful in mass plantings. We love wild bergamot as a cut-flower in arrangements. 

Origin: We collected the parent seed of our Wild Bergamot from wild plants on a trail near Watch Knob Mountain in Swannanoa, NC many years ago. 

(Approximately 50 seeds per packet)

Planting Instructions: Sow a few seeds in a 4 inch pot indoors in mid-winter, barely covering them with soil. Transplant outside in the spring or summer, 6-8 weeks after starting the seeds, spacing plants 12-18" apart in full sun to part shade. Seeds can also be sown directly in the garden 6-8 weeks before your last frost in spring or in the fall a few weeks after your first frost.

Milkweed (Asclepias tuberosa)

Perhaps the single most important thing home gardeners can do to support monarch butterfly populations is to plant perennial milkweed. This native heirloom plant provides food and habitat for monarch butterflies and the plant is an essential food source for monarch caterpillars. In summer, deep orange blooms look beautiful in the garden and provide a wonderful source of nectar for a range of beneficial insects.

Butterfly milkweed has smaller leaves than common or swamp milkweed and the flowers are a dark shade of orange. The plants generally grow to approximately 24" tall. Butterfly milkweed is a perennial plant and spreads through underground rhizomes as well as through scattered seeds. We grow our milkweed in border and peripheral areas of the garden where the plants have room to spread into a monarch nursery. 

NOTE: Sap is mildly toxic; avoid eye/skin contact and do not ingest.  

Origin: We harvested the parent seed of our milkweed from the Beaver Lake Bird Sanctuary in Asheville, NC. 

(Approximately 30 seeds per packet)

Planting Instructions: Seeds germinate best when COLD STRATIFIED. Simply place seeds on a damp paper towel in a plastic bag in the refrigerator for about 30 days before sowing seeds in the garden or starting in containers to transplant in spring. Seeds can also be sown in the garden in fall where cold stratification will occur naturally in winter. Sow seeds or transplant seedlings in full sun and keep well watered until established. Milkweed may not bloom in the first year but will perennialize and bloom in the second year and for years to come. 

Bachelor Button (Centaurea cyanus)

With amazing sky-blue color, bachelor buttons look stunning in mass plantings. They are easy-to-grow, drought tolerant and edible petals add a fun garnish to salads! Bachelor buttons appear in many European folk tales and men of olden days would frequently wear a bloom on their lapel. 

Origin: We collected the parent seed of the colorful bachelor button mix from two sources. First, from a wheat field in Hungary while visiting family there and second from the garden of a friend in Asheville, NC who has saved her seeds for over thirty years. The true blue blooms are of Hungarian origin and the other colors were carefully selected over the years in Asheville. 

(Approximately 100 seeds per packet)

Planting Instructions: sow a group of 3 seeds 1/4" deep every 8" in spring as soon as soil can be worked. Full sun. 24"-36" height. Seeds can also be sown in fall a few weeks after your first frost.

Cleome (Cleome hassleriana)

With big dramatic flowers in shades of pink, purple and white, cleome are a wonderful addition to the cut-flower garden. The plants generally grow to about 4-5 ft tall and they attract all sorts of pollinators, especially hummingbirds! Cleome make wonderfully fragrant cut flowers and the spiky seed pods add a unique look to the garden. Cleome like to grow in full sun but once they're established they need very little care.

Origin: The parent seed of our Cleome came from the Tuileries Garden, located between the Louvre and the Place de la Concorde in the 1st arrondissement of Paris, France. Many years ago we knew a gardener at Tuileries and she gave us Cleome seeds from their collection. 

(Approximately 50 seeds per packet)

Planting Instructions: Sow cleome seeds by scattering the seeds on prepared soil in full sun. The seeds germinate best with light. You can either sow the seeds in the fall and they'll emerge when conditions are right in spring, or,  you can sow seeds a few weeks before your last frost date in spring. Seeds can take 10-15 days to germinate. 

Nigella (Nigella damascena)

Nigella is an airy plant and lively blooms range in color from red, blue, violet and white. This early bloomer self sows easily. Nigella makes a great cut-flower and dried seed pods have a unique look in dried arrangements. Also known as Love-in-a-Mist, this hearty and easy-to-grow plant will become an instant favorite and garden mainstay. 

Origin: We were given the parent seed of our nigella by a friend who volunteers at community garden in Tokyo, Japan while we were on a trip to visit family there.

(Approximately 50 seeds per packet)

Planting Instructions: sow a group of 3 seeds every 8" by barely covering with soil a few weeks before your last frost in spring. Full sun. Thin to 1 every 8" when plants are 3" tall. Seeds can also be sown in fall a few weeks after your first frost.

Lupine (Lupinus polyphyllus)

Lupines are perennial flowers with huge, stately blooms. Mid-winter sown lupines might not bloom until their second year in cool climates (Zone 4-7) and in warm climates (Zone 7 & Up) fall planting generally produces blooms in early spring. Mostly Pink and Purple blooms. 

The wonderful book "Ms. Rumphius" by Barbara Cooney inspired us to grow lupines and the blooms are a reminder to work to add beauty to the world. 36"- 48" tall plants. 

Origin: The parent seed of our lupines we given to us by a dear friend who has a gorgeous farm near Eugene, Oregon. 

(Approximately 50 seeds per packet)

Planting Instructions: Sow 1 seed 1/8" deep every 12" in late fall or early winter in full sun. (May not bloom until year 2 in cooler climates)

Echinacea (Echinacea purpurea)

A gorgeous wildflower native to North America, echinacea is a popular perennial in many gardens and makes a wonderful cut-flower and attractor of pollinators. The plants have many herbal uses and the flowers grow on long stems to about 5 feet tall. The blooms of our echinacea variety are generally purple and range in hues from lighter to darker purple.

The genus name Echinacea comes from the Greek work for hedgehog, referring to the spiny seed heads of the flower. Native Americans used the plant extensively for a wide range of wellness applications for the antibiotic properties of the plant and immune boosting attributes. German physician Dr. Gerhard Madaus thoroughly researched the plant in the early 20th century and his work led to increased adoption of echinacea in naturopathic applications. 

Note: Echinacea is a perennial plant so it will grow anew from established roots every year. The plants generally don't bloom until their second year but will bloom each year after. 

Origin: The parent seed of our echinacea came from two sources, both from wildcrafted seeds. First, we save seeds from wild plants near the NC Arboretum in Bent Creek, NC and also from seeds we saved from wild plants near Cacapon State Park near Berkley Springs, WV. 

(Approximately 50 Seeds per packet)

Planting Instructions: Echinacea seeds benefit from cold-stratification, a period of cold, moist conditions. We recommend planting seeds either in the fall after your first frost or in late winter several weeks before your last frost. Seeds can be manually cold stratified too by placing seeds on a damp paper towel in a plastic bag. Keep the bag in the refrigerator for at least 30 days before planting. Sow seeds 1/4" deep in full sun to part shade in well drained soil. Keep seeds moist until they germinate.

Flanders Poppi ( Papaveri rhoeas )

In Flanders fields the poppies blow
Between the crosses, row on row,
    That mark our place; and in the sky
    The larks, still bravely singing, fly
Scarce heard amid the guns below.
We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
    Loved and were loved, and now we lie,
        In Flanders fields.
Take up our quarrel with the foe:
To you from failing hands we throw
    The torch; be yours to hold it high.
    If ye break faith with us who die
We shall not sleep, though poppies grow
        In Flanders fields
The poem above, "In Flanders Fields" was written by Canadian Physician Lieutenant-Colonel John McCrae. He was inspired to write it on May 3, 1915, after presiding over the funeral of friend and fellow soldier Lieutenant Alexis Helmer, who died in the second battle of Ypres. The Flanders poppy grew in the most ravaged battle fields of the First World War in stark contrast to the devastation that surrounded them. 
The beautiful red blooms have become a symbol of remembrance for those who have died in the service of their country and in our garden here in zone 7b we typically have blooms by Memorial Day. 
Origin: We collected the parent seed of our Flanders poppies in France. On a trip to visit Mama's sister and her family in Meximieux, a suburb of Lyon, we saved seeds that were growing at the edge of a wheat field. 
(Approximately 200 seeds per packet)
Planting Instructions: In most climates, except the coldest zones, seeds are best sown onto prepared soil by scattering in the fall after the first frost. They can also be sown in the same way in late winter about 4 weeks before the last frost. Sow in full sun. 

PoppI (Papaveri spp.)

Poppies are such a joyful bloom to have in the garden and they are some of the first flowers to bloom in early spring. Our mix has vibrant blooms that are red, pink, purple and white and some interesting combinations have developed in our garden over the years. Plants grow about 4-6ft tall. 


Origin: We collected the parent seed of this poppi mix on the farm of our cousin in Hungary many years ago.

(Approximately 200 seeds per packet)

Planting Instructions: In most climates, except the coldest zones, seeds are best sown onto prepared soil by scattering in the fall after the first frost. They can also be sown in the same way in late winter about 4 weeks before the last frost. Sow in full sun. 

 We hope you enjoy growing these flowers! 

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John P. Jones III
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“The fragments of a life”…
A formidable movie, in the stricter sense of the word. In a looser sense, it has helped shape the way that I’ve seen the world, ‘lo these past six decades. I saw this movie when it first came out, in 1963, at one of my favorite art theaters in Pittsburgh. Like most of us at the time, we’d only viewed rather straightforward movies of “good and evil,” Westerners, and the like. Predictable endings. The director of “8 ½,” Federico Fellini, offered something radically different, a foreshadowing of the stream-of-consciousness technique in literature, how the fragments of one’s life get all jumbled up in the brain. And he provided some takeaways that have long been with me. I was 16 at the time and took a date who was 15. In re-watching it now, if I thought it somewhat baffling at 16, I wonder what my date thought about the portrayal of the women in the movie, who are “fragments” in the life of the movie director, Guido Anselmi, excellently played by Marcello Mastroianni. There is his wife, Luisa, wonderfully played by Anouk Aimée, who was the motive force behind the re-watching of it now. There is the “virginal” Claudia Cardinale, usually in white (I had not realized that she was originally Tunisian). Sandra Milo plays Guido’s flighty bimbo of a mistress. And so many others: The airline stewardess; the caring mom who wraps the infant Guido in a blanket; the first stripper; the insightful and nagging friend of his wife… “Upstairs when you are 40.” That was one of the big takeaways. Anselmi is having this male fantasy about his “harem,” all those fragmented women who are there to serve him and do so in complete harmony when he realizes that the “stripper” is now 40 and must go upstairs, the metaphor for being placed on the “discard pile” for being too old. He gets out his bull whip even, to drive her up the stairs. Even at 16, when 40 is more than twice your life away, it did seem a bit harsh, particularly when the same rule does not apply to the guy with the bull whip. It was also my first viewing of the prototype of those pompous pedantic critics of movies or literature who toss around expressions like “impoverished poetic imagination,” “overabundant symbols,” and, of course, “self-indulgent.” I was in parochial high school at the time, so the scenes in which the priests were chasing down the young student Guido in order to shame and humiliate him because he found sexual imagery to be of interest, imagine that, strongly resonated. It was also the era that the Catholic Church published “The Index of Forbidden Books,” (which now seems to have been taken over by the woke crowd of today), and thus the scene in which Anselmi has to pay homage to the Cardinal also resonated. Anouk Aimée is absolutely mesmerizing. She has been a “fragment” of my own life, ever since I viewed “A Man and a Woman” in the ’60’s. Again, she played opposite the equally formidable Jean-Louis Trintignant, of “Z,” “Three Colors, Red,” and so much else, fame. Far more relevantly, the two of them recently played in “The Best Years of Our Lives,” again directed by Claude Lelouch. Aimée is now a young 90. In her role as Anselmi’s wife, Luisa, she wore those glasses that connotated a greater thoughtfulness than him. I searched that ever-so-youthful face watching for the subtle expressions of later movies. It struck to the core. Luisa is utterly fed up with Guido’s philandering and constant lies. And Guido is suffering from “director’s block” in trying to finish his movie, with what sort of message? Luisa fires off THE classic line that I have long remembered: “But what can you say to strangers when you can’t tell the truth to the one closest to you…”. The only problem is that I’ve felt that line was said in Ingmar Bergman’s “Scenes from a Marriage.” And maybe that line was ALSO said in Bergman’s movie, which means one more movie I need to watch to find out. As I said earlier, things can tend to get jumbled up in the brain, even more so as one ages. Fellini would understand, maybe Aimée would also. 5-stars, plus for Fellini’s classic, formidable film.
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Stephen McLeod
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One of the greatest in SPECTACULAR DVD package
This new Criterion Collection edition of *8 1/2* is one of the best DVD "special edition" sets I've come across. The Movie: Fellini's breakthrough film is a movie about itself. It is archetypal in the Fellini canon because it both settles old scores and announces a new cinema. The film's hero is an Italian filmaker (Mastroianni as "Guido" a quasi-alter ego for the director) who has just had his first major hit (=La Dolce Vita). He is not resting on his laurels, however. He is confronted with the necessity of the next movie. This necessity is both personal to the director and apparently contractual: the producer is forever hovering... To Guido, it is an inner necessity, an unrest, a creative suffocation, objectified in the opening sequence of the movie where Guido is seen/not seen by the camera, trapped inside a tiny car that is itself trapped in a traffic jam that stretches endlessly beyond available light as the car fills with toxic gas. We see the as yet unidentified hero in silhouette from behind. We see his hands and feet from outside the car, through the window as he desparately tries to escape. Then, he mysteriously escapes through the car's roof like a new bird escaping its shell and is carried off into the clouds, etc. The trouble is, this is a wish fulfillment dream. In "real" life, Guido is about to make a movie, and he has no idea what it's going to be about, or what to do with all the actors and extras, and the giant launching pad for some kind of space-ship that is the only thing even close to a concrete idea for the projected picture. The film is not, however, a perfect autobiographical fit. For one thing, Fellini gets to finish his movie and Guido, evidently, does not. But, that said, the movie is a virtual mirror of itself, which was a very hard thing to pull off in 1962, before the concept of "virtual" was annexed by the codifiers of computer jargon, and *8 1/2* is nothing if not a virtuoso performance. Fellini's breakthrough is the film we watch. But in the film, the hero finds the resolution to his anguish, not in finding the project - that is, in making what would have been the film-about-itself within the film-about-itself within the film-about-itself that we are, finally, watching - but in letting go of the project, in surrendering to the impossibility of finding it or making it. Precisely *on the other side of his own fantasy-suicide*, at the moment when he apparently gives in to despair, he discovers the circle of life and becomes able to join into the procession of lives into which his own life is finally intertwined. So, this is an essential film. And it is a film so rich in texture that a person could watch the movie a hundred times and find new things to wonder at, and discover new connections between the One and the Many - Fellini's personal/existential problem. The DVD: First disc contains a sparkling transfer of the movie that restores a luster to the angular lights and shadows in Fellini's final black & white movie. Audio commentary by a couple of scholars and Fellini's former close accomplice Gideon Bachman. Second disc contains Fellini's famous "Director's Notebook" of 1968(-9), an hour-long movie that was originally made for television, as well as another documentary about composer Nino Rota, and various interviews, including one with the ever-fiesty Lina Wertmueller who was Fellini's Asst. Director on *8 1/2*. The package also comes with a really interesting little booklet with lots of information and a thoughtful mini-essay. Overall a great package that I'll not regret buying.
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Reviewed in the United States on January 5, 2002

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