SKU: 91257557746
large money plant

large money plant Money Tree Braided, Tree Form, Pachira Aquatica, Good Luck Tree

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Description

large money plant Money Tree Braided, Tree Form, Pachira Aquatica, Good Luck TreeMoney Tree Braided, Tree Form Multi Stem Braid, Good Luck and Fortune Tree. The Money Tree, scientifically known as Pachira aquatica, is a popular houseplant known for its unique braided trunk and lush green foliage. This plant is believed to bring good luck and prosperity, which is why it is often chosen as a decorative plant for homes and offices. Here are a few interesting facts about the Money Tree: Origin: The Money Tree is native to Central and

Money Tree Braided, Tree Form Multi Stem Braid, Good Luck and Fortune Tree.

The Money Tree, scientifically known as Pachira aquatica, is a popular houseplant known for its unique braided trunk and lush green foliage. This plant is believed to bring good luck and prosperity, which is why it is often chosen as a decorative plant for homes and offices.

Here are a few interesting facts about the Money Tree:

Origin: The Money Tree is native to Central and South America, particularly the wetlands of Mexico and northern South America.

Symbolism: In many cultures, the Money Tree is considered a symbol of good luck, wealth, and prosperity. It is often placed in homes and offices to attract positive energy and financial success.

Appearance: The Money Tree has a distinctive braided trunk, which is created by intertwining multiple young plants together. Its leaves are palmate, meaning they resemble a hand with multiple leaflets. The leaves are typically bright green and can be quite large, giving the plant a lush and tropical look.

Low Maintenance: Money Trees are relatively easy to care for, making them a popular choice among indoor plant enthusiasts. They thrive in bright, indirect light but can tolerate lower light conditions. They prefer well-draining soil and should be watered when the top inch of soil feels dry. Overwatering can lead to root rot, so it's important not to let the plant sit in standing water.

Feng Shui: According to Feng Shui principles, placing a Money Tree in the southeast corner of your home or office is believed to enhance wealth and abundance. It is also said to bring luck in career and business endeavors.

Money Tree Braided, also known as Good Luck Tree or Malabar chestnut, its scientific name is Pachira Aquatica. Pachira Aquatica is known to bring prosperity and good fortune, is a very resilient and easy to maintain plant, can easily rebound from neglect. The Money Tree's braided trunks usually have three to five inter-woven trunks, its dark green leaves resemble a hand with five fingers, this plant is perfect for gifting and great for beginners, they do best in a sunny room with indirect light and a moderate watering schedule. These plants are frequently used in indoor decoration but can be placed outdoors under shaded areas. 

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SKU: 91257557746

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4.3 ★★★★★
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David R. Papke
Natrona Heights, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
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Verified Purchase
DoubtfulReader
Battle Creek, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Verified Purchase
Matt M.
Alexandria, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
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Verified Purchase
J. Christian
Boise, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
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Verified Purchase
Classics professor
Fort Morgan, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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