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Description
360 car seat and stroller combo Luxury Leather 3-in-1 Stroller Travel System – SianldconeProduct Specifications Product Name R906 luxury leather stroller and car seat Material Pu Leather, Aluminum alloy Stroller Bassinet Size 8135. 5cm Wheel Type Pu Rubber Folding Size 716032cm Load Weight 16kg Net weight of stroller 9kg Weight of stroller 10kg Suitable age 0 3 years old Car Safety Seat Basket Specification Basket's inner width 30 cm Basket's inner arc length 78 cm Basket size 60 x 41. 5 x 69 cm Net weight about 3. 1 kg Gross weight about
Product Specifications
| Product Name | R906 luxury leather stroller and car seat |
| Material | Pu Leather, Aluminum alloy |
| Stroller Bassinet Size | 81×35.5cm |
| Wheel Type | Pu Rubber |
| Folding Size | 71×60×32cm |
| Load-Weight | 16kg |
| Net weight of stroller | 9kg |
| Weight of stroller | 10kg |
| Suitable age | 0-3 years old |
Car Safety Seat Basket Specification
| Basket's inner width | 30 cm |
| Basket's inner arc length | 78 cm |
| Basket size | 60 x 41.5 x 69 cm |
| Net weight | about 3.1 kg |
| Gross weight | about 4 kg |
Package List
- 1 × Baby Stroller
- 1 × Car Seat
- 3 × Bonus Accessories: Cushion, Rain Coat, Foot cover.
Product Feature
- 360°Rotation, Multi-Angle Flexibility, Unlike standard two-way strollers, this model offers full 360° rotation—switch effortlessly between forward-facing, parent-facing, and even side-facing for added flexibility and interaction.
- CarSeat Multi-Scene Adaptation, The car seat easily transitions between two modes: attach it to the stroller for seamless mobility, use it as a carrycot for convenience.
- Adjustable Recline Modes, Different angles can adapt to different daily needs.
- Stroller & Bassinet, Seamlessly switch between a cozy bassinet for newborns and a comfortable seat for growing babies.
- One-click Folding, With a simple push of a button, the stroller folds easily, making it easy to store in your car trunk or closet for compact storage.
- Four-Wheel Damping System, Each wheel is equipped with an independent suspension system, effectively absorbing shocks and ensuring a smooth, stable, and safe ride for your baby.
- Single-Step Double Brake System, This foot-operated brake offers convenient, secure stopping power with a single step, providing added safety in any situation.
Warm Tips
- If you have any questions during the installation and use, please feel free to contact us.
- Our seats are only suitable for stroller and portable use. If you need to be placed in a car, we sincerely recommend that you purchase an additional ISOFIX car seat base.
Feature Details
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
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Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
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4.1 ★★★★★
Based on 2268 reviews
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Product Reviews
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
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Reviewed in the United States on April 20, 2017
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