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Description
britax carrier weight limit Britax Poplar S Convertible 2-in-1 Car Seat with ClickTightReady to go with room to grow! The Poplar S convertible car seat takes the stress out of moving to the next car seat stage thanks to the patented ClickTight installation and slim SpaceSaver design. This convertible car seat accommodates up to 50 lbs when installed rear facing, allowing your child to ride rear facing longer. It easily switches to a forward facing car seat as your child grows, accommodating up to 65 lbs. ClickTight technology provides
Ready to go with room to grow!
The Poplar® S convertible car seat takes the stress out of moving to the next car seat stage thanks to the patented ClickTight® installation and slim SpaceSaver™ design. This convertible car seat accommodates up to 50 lbs when installed rear-facing, allowing your child to ride rear-facing longer. It easily switches to a forward-facing car seat as your child grows, accommodating up to 65 lbs.
ClickTight technology provides fully open seat belt paths that are clearly labeled and easy to access, and the automatic tensioner takes care of the tightening. This baby car seat lets you easily adjust the 14-position no-rethread harness and headrest to help create the perfect fit.
The premium inserts also help provide refined comfort and a tailored fit. The ReboundReduce™ stability bar easily attaches to the car seat when installed rear-facing, helping to minimize movement in the event of a crash. Slim outside and spacious inside, this convertible car seat features 17-inch SpaceSaver™ technology designed to fit 3-across* without compromising on trusted Britax® safety and premium comfort.
The rear-facing car seat includes a patented SafeCell® crumple zone and a V-shaped top tether to help manage crash energy. Carbon steel frame and belt paths provide strength and stability. The car seat cover fabrics are naturally flame-retardant with no added FR chemicals, and they’re safe to machine wash and dry time and again.
*Britax cannot guarantee 3-across installation fitment in all vehicles
- Convertible Design: Works as a rear-facing car seat with the infant insert and converts to a forward-facing car seat as your child grows
- Fit: Rear-facing 5-50 lbs; Forward-facing 30-65 lbs. *Due to regulatory changes, weight and height ranges may vary by model. Always follow the weight and height specifications listed in your product's user guide and on your product labels.
- ClickTight® Installation: With ClickTight, you know it’s right in just 3 easy steps: open, thread and buckle, click it closed
- ReboundReduce™ Stability Bar: Carbon steel bar easily attaches to the car seat when installed rear-facing to minimize the movement in the event of a crash; must be removed when installed forward-facing
- SpaceSaver™ Design: Slim 17" seat is designed to fit 3-across without compromising on trusted Britax® safety and premium comfort. *Britax cannot guarantee 3-across installation fitment in all vehicles
- Infant Insert: Specifically helps to properly position newborns
- 5-Point Safety Harness: Helps evenly distribute crash energy to keep your child safe
- Patented V-Shaped Top Tether: Has 2 connection points to help slow and reduce forward movement in a crash; easily stores away when not in use
- Easy-Read Level Indicators: The 6-position and quick-adjust recline helps you find the most comfortable fit for your child and the best fit for your vehicle
- Naturally Flame-Retardant Fabrics: With no added FR chemicals
- SafeCell® Technology: Acts as a crumple zone, helping to keep crash energy away from your child
- Easy-Adjust Harness: The 14-position no-rethread harness and headrest move to help create the perfect fit
- Carbon Steel Frame: Reinforces the seat structure to help keep it sturdy and stabilized
- Flip-Forward Buckle Pad: Stays out of the way for easy boarding
- Washer and Dryer-Friendly: No more hand-washing or waiting for the cover to air-dry; just quick and easy cleanup, so you can keep moving
- Dishwasher-Safe Cup Holders: The 2 cup holders slide in and out for easy cleaning between rides
Usage
- Newborn to 50 lbs.
Specifications
- Dimensions: 23.5"H x 20.5"D x 17"W
- Product weight: 28 lbs.
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
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Exchange/Return Notes
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4.1 ★★★★★
Based on 24 reviews
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Product Reviews
★★★★★ 5
Not what I was expecting, but I liked it.
Format: Paperback
My first book by Emma Slate. Wonderful writing style, I wanna read some more MC books.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 8, 2024
★★★★★ 1
Poor read
Format: Paperback
Not worth the hype. Was poorly written and had to put it down and not finish it.
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Reviewed in the United States on May 20, 2025
★★★★★ 4
Great story
Format: Paperback
I’m not an avid reader, but this was finished in a few days. Such a good book!
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Reviewed in the United States on June 14, 2025
★★★★★ 3
Won’t be buying book two.
Format: Paperback
Entertaining enough but poorly written. Lots of typos. Won’t be buying book two.
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Reviewed in the United States on July 8, 2025
★★★★★ 5
An Excellent Primer on Novel-Writing
Format: Paperback
WIRED FOR STORY
By Lisa Cron
Reviewed by C J Singh (Berkeley, California)
Excellent Primer on Novel-Writing
In Berkeley, California, we happily have access to four independent bookstores that display literary novels and creative-writing craft books. Browsing, I picked up two books by Lisa Cron on using "Brain Science" for writing fiction. The jacket quote by Caroline Leavitt rivetted my attention: "I'd never consider writing a novel without Lisa's input, and neither should you." As a longtime fan of Leavitt's novels "Is This Tomorrow," " Pictures of You, " "Girls in Trouble," I looked up Stanford Continuing Education where Leavitt regularly teaches online courses. As a Stanford Alumnus (Psychology PhD), I've taken several on-campus and online workshops on fiction-writing. While still at the bookstore, I promptly signed up for Leavitt's soon-to-begin course that uses two coaching books: Cron's Wired For Story and John Truby's The Anatomy of Story. I'm familiar with Truby's book and its nine excellent exercises. See my detailed review on amazon: https://www.amazon.com/review/R29NU7U6LAHGBV/
Here's my review of Lisa Cron's "Wired For Story"
"WIRED FOR STORY' presents a unique, distinguishing feature among fiction-writing primers: throughout its text, the author includes excerpts from the published works of leading contemporary brain-scientists that validate the principles of narrative craft.
Cron explains the principles of narrative craft in twelve well-organized chapters that focus on theme, the protagonist's issue, characters' bios, points of view, rising conflicts, subplots, suspense, reveals, and the arc from setup to payoff. At the beginning of each chapter, she presents sentences in italics that illuminate the cognitive-science underpinnings of narrative craft. Examples follow.
"Cognitive Secret: When the brain focuses its full attention on something, it filters out all unnecessary information.
Story Secret: To hold the brain's attention, everything in a story must be there on a need-to-know basis" (page 23).
.
"Cognitive Secret: Everything we do is goal directed and our biggest goal is figuring out everyone else's agenda, the better to figure out our own.
Story Secret: A protagonist without a clear goal has nothing to figure out and nowhere to go" (p 65)
.
"Cognitive Secret: It takes long-term, conscious effort to hone a skill before the brain assigns it to the cognitive unconscious.
"Story Secret: There's no writing; there's only rewriting" (p 219).
Also remarkable are sentences in bold that challenge advice offered in some writing-craft workshops and books. Examples follow.
"Myth: Write What You Know.
"Reality: Write What You Know EMOTIONALLY" (p 62).
.
"Myth: Sensory Details Bring a Story to Life."
"Reality: Unless They Convey Necessary Information, Sensory Details Clog a Story's Arteries" (p 118).
.
"Myth: `Show, Don't Tell' Is Literal - Don't Tell Me John Is Sad, Show Him Crying.
"Reality: `Show, Don't Tell Is Figurative - Don't Tell Me John Is Sad, Show Me WHY He's Sad" (p 152).
Has the author introduced a Myth of her own? I am afraid so. On page 57, "No matter whose point of view you're writing in, you may be in only one head per scene." In my opinion, the Reality is: No matter whose point of view you're writing in, you may be in only one head per PARAGRAPH. This is the new reality -- virtually every fiction-readers' perception has been reshaped by watching films and TV dramas that imply the camera engaged in frequent head-hopping in a scene.
At the end of each chapter, Cron presents a concise series of checkpoints to remind the readers while they develop their work-in-progress. Throughout, she includes many examples from literary works and films. Literary works like Gabriel Marquez's "Love in the Time of Cholera," Margaret Mitchell's "Gone with the Wind," and Caroline Leavitt's "Girls in Trouble." Films like "It's a Wonderful Life," "Vertigo," and "American Graffiti."
An inspiring citation for writers: " `Recent breakthroughs in neuroscience reveal that our brain is hardwired to respond to story.... It turns that a powerful story can have a hand in rewiring the reader's brain -- helping empathy, for instance - `which is why writers are, and always have been among the most powerful people in the world'. " (On p 239 of Endnotes is the specific citation of three scientists' 2009 article "On Being Moved by Art: How Reading Fiction Transforms the Self" in the Creativity Research Journal vol. 21, no.1 )
WIRED FOR STORY fully earns its title with its numerous citations of recent contributions of neuroscience that validate narrative craft. Examples of cited works included are: V. S. Ramachandran's "The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human"; Michael Gazzaniga's "Human: The Science Behind What Makes Your Brain Unique; and Steven Pinker's "How the Mind Works." These stellar books illuminate the nexus between art and science; their shining light reflects on Lisa Cron's book as a five-star primer for novel-writing.
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Reviewed in the United States on March 7, 2020
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