SKU: 95527461162
heirloom spider plant

heirloom spider plant Spider Plant

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Description

heirloom spider plant Spider PlantChlorophytum comosum 'Irish' Overview Uses: Houseplant, hanging baskets, patio containers, interior dcor, tropical gardens in warm climates. Benefits: Compact, broad variegated foliage with reverse striping, easy care growth habit, adaptable to indoor conditions, produces arching stems with small white flowers and plantlets. USDA Hardiness Zones: 911 (grown as a houseplant in colder climates) Sun: Bright Indirect Light to Partial Shade Life Cycle:

Chlorophytum comosum 'Irish'

Overview

Uses: Houseplant, hanging baskets, patio containers, interior décor, tropical gardens in warm climates.

Benefits: Compact, broad variegated foliage with reverse striping, easy-care growth habit, adaptable to indoor conditions, produces arching stems with small white flowers and plantlets.

USDA Hardiness Zones: 9–11 (grown as a houseplant in colder climates)

Sun: Bright Indirect Light to Partial Shade

Life Cycle: Tender Perennial

Growth Habit: Clumping, Trailing — arching stems produce cascading plantlets.

Bloom Color: White

Foliage Color: Green and Cream Variegated

Mature Height: 12–18"

Mature Width: 12–18"

Bloom Season: Intermittent indoors; spring to summer outdoors

Growth Rate: Moderate

Summary

A dependable, easy-care houseplant with bold reverse variegation and graceful cascading growth.

Chlorophytum comosum 'Irish' is a compact spider plant cultivar known for its broader foliage and distinctive variegation pattern. Arching leaves form a dense clump, while mature plants send out long stems that produce small white flowers followed by dangling plantlets.

Its adaptability to a range of indoor light conditions makes it a reliable choice for shelves, hanging baskets, and bright rooms. In warm climates, it can also be grown outdoors as a tropical accent plant.

Care

Chlorophytum comosum 'Irish' Care

Provide bright indirect light for best growth and coloration. It tolerates partial shade but should be protected from intense direct sun, which can scorch foliage.

Plant in well-drained potting soil. Allow the top inch of soil to dry slightly between waterings. Reduce watering frequency during winter months.

Fertilize from spring through early fall using a balanced slow release fertilizer applied at light strength.

This plant performs well in average indoor temperatures between 60–85°F. Avoid prolonged exposure below 50°F.

Container Growing: Spider plants are commonly grown in containers and hanging baskets. Ensure adequate drainage and avoid overwatering. Container-grown plants may require more frequent watering than those grown outdoors in tropical climates. Plants hardy in the ground may require winter protection when grown in containers in colder zones.

Size

What Size is the Chlorophytum comosum 'Irish' for Sale Online?

Plants ship in a greenhouse-grade grow pot and are well-rooted, actively growing specimens. Size at shipment reflects the current stage of development. Please contact us with any specific sizing questions.

How Large Does Chlorophytum comosum 'Irish' Grow?

Mature plants typically reach 12–18 inches tall and wide. Trailing stems bearing plantlets may extend beyond the main clump, especially in hanging containers.

Additional Information

What are some common names for this plant?

  • Spider Plant
  • Spider Ivy
  • Ribbon Plant
  • Hen and Chickens (houseplant form)

Is Chlorophytum comosum 'Irish' suitable for hanging baskets?

Yes. Its naturally arching foliage and trailing stems make it well suited for hanging baskets, where plantlets can cascade freely.

Can it be grown outdoors?

In Zones 9–11, it may be grown outdoors as part of tropical plantings. In colder climates, it is best grown indoors or moved outside seasonally as one of many adaptable indoor plants.

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SKU: 95527461162

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These eye patches are really nice and worth it. I use them mainly on the weekends (when I don’t wear makeup). I wash my face and apply them under my eyes (I have also used them on my neck , forehead, corners of mouth, and between the brows for extra moisture) I leave them on about 30 minutes or more, peel them off, pat in the left over product; and my under-eye area looks a lot brighter and awake! I then apply and complete the rest of my skincare routine. (Under eye serum, face serum, and moisturizer). These patches are also very pretty, they make me feel like a mystical sea creature; think mermaid! My advice is make sure you are in fact using one, they are very thin and transparent and a few times i was actually applying more than one. With that being said there are A LOT of patches in the container.
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Good Product.
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I love these. I put these on every morning when I’m getting ready. Sometimes I’ll even leave them on under sunglasses if I’m just doing school drop off 😆 They don’t slide off, they really help brighten and de-puff my under eyes, they have a cooling effect, unscented, and there’s no irritation. They also help concealer go on super smooth. I recommend!
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One of the best films I have ever seen is The Killing. It can boast a great many things. It can proudly say that it is the best heist film ever made and that it is the creme dela creme of film noir. Out of all the films in my top ten favorites, The Killing is easily the most watchable and purely entertaining. It doesn't try to be much more than a crime picture. A crime picture written by the legendary Jim Thompson of course. Thompson is one of the best American crime writers, well ever. And his work in The Killing is simply exemplary and total-classic Thompson. The film can also boast having a brilliant cast. Sterling Hayden, Elisha Cook Jr., and Marie Windsor soar, it can boast having possibly the strongest ensemble in all of the crime genre. It can boast having a pitch perfect tone and a distinctly unique and absorbing atmosphere. It can brag about the extraordinary tracking shots throughout or the lighting that startles and dazzles and vibes, melts. It can brag about being fun and devious and sly. It can brag about being unpredictable and clever. Smart. It can brag about being one the greatest films ever made. It's honestly that perfect. And did I mention that some guy named Stanley Kubrick directed the thing? The Killing is a film about a group of men who plan to knock off a racetrack, those who seek to thwart them, and how it all plays out. The characters are unforgettable. The Killing has in it's repertoire more than just a few of my favorite noir characters. What makes the players so special is that all of them are so sympathetic. Really. My heart goes out to each and every one of them, understanding and empathy seldom hits this hard within the parameters of the heist and noir genre. But here, the damn thing works every time. I've seen the film several times and I still physically act as if every time is my first. I cover my hands over my mouth in astonishment, I bite my nails in anticipation, I drum on my knees with rhythmic excitement, I laugh out loud, and I cheer relentlessly for everyone involved. I imagine myself as a member of the outfit. I have so much fun with this twisted picture that it's ridiculous. Okay. Lucien Ballard. Dick Tower. Earl Snyder. The men who walk the walk. One of the most dazzling things about The Killing is it's technical brilliance. The thing looks absolutely gorgeous and twisted and just right. Smokey and sexy and rough. There are shots in this film that your eyes can more than feast on, they can devour them. There are sequences of sight and sound and light that will make you fall in love with noir all over again. If that's not enough, Jim Thompson's dialogue will make your head spin it's so good. You'll find yourself quoting it to yourself without warrant or cause. The beats and the meter and time and scale of Thompson's writing will send you for a ride. Great dialogue and a truly complex and understated plot, the inner workings of which are not only of the heart-pounding variety but the very fabric that it is woven into is absolutely compelling. There is a subtext here as well. I don't think Kubrick ever really made a film just for the sake of doing so, he always had something deeper to communicate on top of it. The Killing communicates within the subtext the idea of the perpetual joke. Borderline Absurdism. Characters die literally howling about not being able to understand their own private punchline. Robberies take place by men in the guise of clowns. Think Hayden Sterling as Pagliacci The Clown. The Killing feels like a crime film written by Jim Thompson, directed by Stanley Kubrick, and dreamt up by Albert Camus. The idea that everything is absurd, that life is a frenzied haywire with a morbid sense of humor. I think Sterling's Johnny finally understood the great joke of life at the end of it all. And its pointless brand of mischief. It is fascinating seeing the great Stanley Kubrick, before he really was the GREAT Stanley Kubrick, working within the framework of the crime genre. Kubrick excels here, even if he was limited by boundaries of style and time. He is a filmmaker that mastered every genre he dabbled in. He is not only one of the greatest directors that ever lived but he is my personal favorite one. His films have a crazy power, an uncanny transcendental quality to them. The Killing possesses every bit as much magic that his post 2001 films do. The Killing has a little bit more than that as well. It has an incredible watchability factor. I could watch The Killing once a week for the rest of my life and still not get tired of it. I think I'll do just that. Why not? You only live once, right?
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