SKU: 9968732100
lily of the valley flower near me

lily of the valley flower near me Lily of the Valley Plant

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Description

lily of the valley flower near me Lily of the Valley PlantBuy Lily Of The Valley Plants Online Wholesale Lily of the Valley plants are a perennial native to North American conifer forested regions. More specifically, Canada, British Columbia, and mainly northern regions of the United States have also been discovered along the Appalachian Mountain chain as far south as Georgia. Lily of the valley flourishes under deciduous and evergreen trees alike. It is also known as Convallaria majalis. This type

Buy Lily Of The Valley Plants Online Wholesale

Lily of the Valley plants are a perennial native to North American conifer forested regions. More specifically, Canada, British Columbia, and mainly northern regions of the United States have also been discovered along the Appalachian Mountain chain as far south as Georgia.

 Lily of the valley flourishes under deciduous and evergreen trees alike.It is also known as Convallaria majalis. This type originates in Europe and Asia and has dark green leaves, small bell-shaped flowers, and a sweet scent. The stems are formed in the summer and grown throughout the spring, 15-30 cm tall, with leaves as long as 10-25 cm long. It has white flowers that can sometimes be pink and bell-shaped.

Lily of the Valley Plants Are Believed To Be Only Native To The U.S.

These are not found in the Mediterranean or Atlantic areas. It is debatable when it began in the Eastern United States. It is a partial shade type that prefers warm climates and summers. It can live in the mountains to a maximum altitude and is considered an herbaceous perennial.

Growing Conditions

  • Humus-rich, sandy, or silty soil

  • Acidic to moderately alkaline pH

  • Mature plants reach up to 23cm tall and spread 30cm wide

  • Can grow beneath roses, shrubs, or other garden plants

Symbolism and History

Lily Of The Valley can live in a cold climate for many years. In the past, it was the primary source of green pigments. In wedding ceremonies, it symbolizes modesty, chastity, and purity. It blooms in May and can also be seen as the return of happiness during these times.

It Produces Berries That Birds Love

It is a small berry producer that attracts birds and rodents. Each one produces one to three leaves, which are oval in shape, stalkless, and notched at the base, contouring around the stalk in a semi-circular fashion.

Flower Characteristics

From late spring to summer, it produces clusters of star-shaped flowers, white sprouting above the leaves at the plant's apex. The flowers, of which there are approximately twelve to twenty per cluster, can be further described as having four tepals (A term used for the outer part of the flower when sepals and petals cannot be differentiated.) Four stamens are also present.

The Flowers’ Fruit Holds 1 or 2 Seeds

The fruit itself is a small red berry which, when discovered in late spring to early summer, is mottled red and, when ripened by mid to late summer, is a darker red and, by some reports, more translucent. The berries are a source for various birds and rodents whose habitat is the forested regions where these grow.
Most found in one location are known as vegetative clones, meaning they multiply via budding instead of through a seed. Types with a single leaf have no fruiting structure to produce fruit and, therefore, seeds.

This Particular Has Many Look-A-Likes

The Lily of the Valley Plants has many monikers. It is also known as the Canadian Mayflower and the Canadian May Lily. Ironically, it is known as the False Lily Of The Valley and the more elegant label, the Two Leaved Solomonseal.

Let’s be honest, everyone knows Lily Of The Valley. It's that extremely fragrant perennial—the one with the small, bell-shaped white flowers. What people don't always realize is that it actually belongs to the asparagus family—odd, right? It's basically the go-to plant for any shady border or woodland area because it’s low-growing and thrives in cool, well-drained soil. If you need lush green foliage and an early spring scent, Lily Of The Valley is a reliable choice.

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SKU: 9968732100

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David R. Papke
Belleville, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
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DoubtfulReader
New York, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
Natrona Heights, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
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J. Christian
Los Angeles, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
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Classics professor
Bozeman, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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