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fleur de jade plante CRASSULA OVATA – Centre Jardin CloutierLa Crassula ovata, plus communment appele Plante de Jade ou Arbre de Jade, est une succulente robuste et facile entretenir, connue pour ses feuilles paisses et charnues, souvent teintes de rouge. Elle est idale pour les personnes dbutant en jardinage ou celles qui souhaitent une plante ncessitant peu dentretien. Voici un guide pour entretenir votre Crassula ovata : 1. Exposition la lumire Lumire vive et indirecte : La Crassula ovata a besoin de lumire
La Crassula ovata, plus communément appelée Plante de Jade ou Arbre de Jade, est une succulente robuste et facile à entretenir, connue pour ses feuilles épaisses et charnues, souvent teintées de rouge. Elle est idéale pour les personnes débutant en jardinage ou celles qui souhaitent une plante nécessitant peu d’entretien. Voici un guide pour entretenir votre Crassula ovata :
1. Exposition à la lumière
- Lumière vive et indirecte : La Crassula ovata a besoin de lumière vive et indirecte pour prospérer. Une fenêtre ensoleillée est idéale, mais il faut éviter l'exposition directe et prolongée aux rayons du soleil qui pourrait brûler les feuilles.
- Exposition au soleil : Si elle reçoit suffisamment de lumière, les feuilles de la Crassula peuvent se teinter de rouge, mais évitez de l’exposer en plein soleil pendant les heures les plus chaudes de la journée pour éviter des dommages.
- Plante à l’intérieur : Si vous la cultivez à l'intérieur, placez-la près d’une fenêtre orientée au sud ou à l’ouest, mais évitez le soleil direct pendant les après-midi d'été.
2. Arrosage
- Arrosage modéré : Comme toutes les succulentes, la Crassula ovata préfère être arrosée de manière modérée. Laissez le sol sécher complètement entre deux arrosages pour éviter que les racines ne pourrissent.
- Fréquence d'arrosage : En période de croissance active (printemps et été), arrosez environ tous les 7 à 10 jours. En automne et hiver, la plante entre en période de repos, réduisez donc l’arrosage à environ toutes les 2 à 3 semaines.
- Ne pas laisser d'eau stagnante : Il est crucial que le pot ait des trous de drainage pour éviter l'accumulation d'eau au fond. L'excès d'eau peut entraîner la pourriture des racines.
- Technique de "sec et sec" : Attendez que le sol soit complètement sec avant de ré-arroser.
3. Température et humidité
- Température idéale : La Crassula ovata préfère des températures comprises entre 18°C et 24°C. Elle tolère des températures plus élevées mais ne supporte pas le gel. L’idéal est de la maintenir dans un environnement tempéré, loin des courants d'air froids.
- Humidité faible : La Crassula est une plante succulente qui préfère un environnement sec. Elle tolère très bien l'air sec, ce qui la rend parfaite pour des environnements intérieurs, notamment en hiver lorsque l'air est plus sec à cause du chauffage.
4. Sol
- Utilisez un sol bien drainé et léger, comme un terreau pour cactées et succulentes. Vous pouvez aussi ajouter un peu de sable ou de perlite pour améliorer le drainage.
- Le pot doit avoir des trous de drainage pour éviter que l'eau ne stagne, ce qui pourrait entraîner la pourriture des racines.
5. Fertilisation
- Fertiliser modérément : La Crassula ovata ne nécessite pas de fertilisation fréquente. Pendant la saison de croissance (printemps et été), vous pouvez fertiliser une fois par mois avec un engrais liquide pour succulentes ou un engrais à faible teneur en azote.
- Ne pas fertiliser en hiver : Pendant l'hiver, la plante est en dormance, donc ne la fertilisez pas.
6. Entretien et taille
- Retirer les feuilles mortes ou abîmées : Enlevez les feuilles jaunes, brunes ou mortes pour maintenir l’aspect soigné de la plante et éviter qu’elles n’affectent sa santé.
- Taille : Si vous souhaitez contrôler la forme de votre Crassula ovata, vous pouvez la tailler en coupant les tiges principales ou les branches latérales. Utilisez des ciseaux ou un sécateur propre pour éviter de transmettre des maladies.
- Pousses longues : Si la plante devient trop grande ou étendue, vous pouvez couper les tiges et les replanter pour obtenir de nouvelles plantes.
7. Rempotage
- Rempoter tous les 2 à 3 ans : La Crassula ovata a une croissance relativement lente, mais avec le temps, elle peut devenir trop grande pour son pot. Rempotez-la tous les 2 à 3 ans, ou lorsque les racines ont occupé tout l'espace du pot.
- Lors du rempotage, assurez-vous de choisir un pot légèrement plus grand que celui de la plante et d'ajouter un sol bien drainé.
8. Problèmes courants
- Feuilles jaunes ou molles : Cela est souvent un signe d'excès d'eau. Réduisez l’arrosage et laissez le sol sécher complètement avant de ré-arroser.
- Feuilles brunes ou sèches : Cela peut être causé par un excès de soleil ou des températures trop élevées. Protégez la plante du soleil direct en particulier lors des journées très chaudes.
- Chute de feuilles : La Crassula ovata perd parfois des feuilles pour s'adapter à des conditions de stress, comme un changement de température ou d'humidité. Il est important de donner à la plante un environnement stable.
- Parasites : Bien que résistante, la Crassula ovata peut être sujette à des attaques de cochenilles, de pucerons ou d’araignées rouges. Inspectez régulièrement la plante et traitez-la avec un savon insecticide ou un produit naturel si nécessaire.
9. Multiplication
- La Crassula ovata est facile à multiplier par bouturage. Coupez une tige saine de la plante mère et laissez-la sécher pendant quelques jours. Une fois le bout sec, plantez-le dans un sol bien drainé. Arrosez modérément et attendez que la racine s'établisse.
Conclusion
La Crassula ovata est une plante d'intérieur robuste et peu exigeante, idéale pour les personnes occupées ou celles qui n’ont pas la main verte. En suivant quelques règles simples concernant l’arrosage, la lumière et le sol, vous pourrez profiter d’une plante saine et attrayante pendant de nombreuses années. Son entretien simple et sa tolérance à des conditions sèches en font un excellent choix pour les débutants et les amateurs de plantes succulentes.
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4.8 ★★★★★
Based on 24 reviews
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Product Reviews
★★★★★ 5
Laurence Stern is still one of the most creative writers ever
This review is not about the words and images inside the book. This is about the fact that, when I removed the book from its packaging, the book's cover had too many creases and bends in it, both front and back, for my taste. Although I do think that Laurence Sterne might have smiled at my response, I don't think the creases were a type of samizdat (think Alexander Solzhenitsyn) added by a disgruntled/creative employee at Amazon. If this doesn't make any sense to you, or seems to be a silly mountain out of a molehill compliant, you will love the book.
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Reviewed in the United States on February 21, 2025
★★★★★ 5
A Few Thoughts on Tristram Shandy by Laurence Sterne
Shandy is an amazing book. More than anything it made me think of a late 1990s vibe with Seinfeld and David Foster Wallace. I can imagine the discourse that must have grown up around it. It I about memory and storytelling but also about nothing but also childbirth and siege warfare. I’m glad I read it; it was worth it even if it took a while.
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Reviewed in the United States on May 14, 2023
★★★★★ 5
A Dyadic Review: Baffling, Brilliant
Difficult. Rewarding.
Serious. Hilarious.
Wise. Faux-wise.
Scholarly. Mock-scholarly.
Observant. Absurdly, obsessively observant.
Sharp characterizations. Ridiculous characters.
Devout. Bawdy.
Endearing. Frustrating.
Genius. Barking mad.
Narratively incoherent. Stream-of-consciousness associative.
Consistently provincial. Profoundly universal.
Mired in the 18th century. Harbinger of 20th century literary Modernism.
Baffling. Brilliant
Not for every taste. For my taste.
And while I'm at it, let me give a shout-out for the out-of-print Norton critical edition, which provides many helps, essay avenues of understanding, and a clever chapter summary/table of contents. For so many years - since reading Moby Dick in grad school with the help of a Norton critical - this publication line has been my go-to for great texts: useful annotations, contemporary reviews, later scholarly articles, and more.
And also let me give a shout-out to Anton Lesser, who narrated the complete novel for Naxos. I have never, ever experienced an audiobook as masterfully produced and narrated as Naxos' Tristram Shandy. No, it is simply not a book one can listen to and fully comprehend as heard. But one might read while listening, or listen while reading, with - if you have the riight software - the narration sped up closer to one's own reading speed, and experience the full majesty of Lesser's absolute preparation, with Latin, Greek, French, and German - as well as regional English - beautifully and humorously intoned, character voices carefully differentiated, tone and mood captured, etc. Or, as I do, go for a walk and listen as you walk, and afterward slip into a comfy chair, crack the novel open, and continue from where you left off, or backtrack if necessary to sort out the characters. In any event, and particularly for devotees of audio books, do find Anton Lesser's note-perfect reading, a veritable radio serial, perhaps the last book you'd expect anyone to attempt single-handedly, with My Father, My Uncle Toby, Corporal Trim, Parson Yorick, Doctor Slop, Widow Wadman, and all the rest of the supporting characters beautifully, consistently interpreted. Lesser is, in a galaxy of fine narrators, the greatest I've heard: an absolutely peerless voice actor in a most demanding work.
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Reviewed in the United States on June 13, 2016
★★★★★ 5
Brilliant stream of consciousness style, *extremely* humorous
"The Life and Opinions..." is perhaps impossible to really classify. It purports to be a biography of the fictional Tristram Shandy, but I don't think you can call something a biography when it only covers a year or so of the subject's life! I would say that more than half of the novel actually falls into the "Opinions" referred to in the title. The rest consists of short stories on Tristram's father, uncle, and a couple other minor characters.
I have never in my life read so many digressions from the topic at hand, most of which were utterly irrelevant but the charm of it is that Sterne *knows* they're irrelevant, but mockingly expresses his license of authorship in forcing the reader to go off on these sidetracks. His attitude is: "If you can't wait a chapter or two to get back to the story, well, go take a flying leap, I'm the author." Sometimes the digressions are exasperating. Very unlike Victor Hugo's signature habit of digressing, say when a certain main character in Notre Dame decides to enter the Paris sewers, Hugo takes thirty or more pages to give a history of the design and construction of the Paris sewer system. At least Hugo's digressions have *something* to do with the story.
Well, maybe that's the problem. There isn't a main story in this novel. It's not a storybook. There are many short stories nested within the main framework, but there is no real protagonist or overarching theme of any sort. Indeed, the end comes abruptly and there is absolutely no resolution of any conflict.
It's not trying to teach anything, really.
So what is it? I'm not sure. More a comedy than anything else. Right up there with Dickens' "Pickwick Papers" in terms of humor, but lacking the story. Maybe funnier than Dickens and just as clever. I was rolling in the aisles so many times I lost count.
I read the Penguin edition, edited by Melvyn & Joan New. The back cover does a better job than I could ever do in providing a sense of what you're getting into when you pick this one up:
"No one description will fit this strange, eccentric, endlessly complex masterpiece. It is a fiction about fiction-writing in which the invented world is as much infused with wit and genius as the theme of inventing it. It is a joyful celebration of the infinite possibilities of the art of fiction, and a wry demonstration of its limitations."
It's a large work, it will take a while to work through. It's worth it. There are passages I want to go back to and make copies of to tape to the walls, they're that brilliant.
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Reviewed in the United States on July 31, 2005
★★★★★ 3
Interesting read, but takes some getting used to
I heard about this book on a blog, and figured I'd check it out. It's the rambling tale of a man determined to give you every last detail of everything that might be important to the narrative of his life. Unfortunately, he goes on tangets so often that he doesn't even get to his birth for several chapters, let alone the story of the rest of his life. Along the way, you're introduced to lots of random characters who are (at best) loosely related to the protagonist, but as often as not these tangents are fairly amusing.
The writing is pretty dense, and this along with the tangents had me putting the book down fairly often. It's probably ideal for a commuting book, but I never wanted to just sit down and blitz through big chunks of it.
Overall it's a very different kind of experience than a novel reader typically gets. It's worth a read for a change of pace, but I can't say it's a life-altering read.
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Reviewed in the United States on March 21, 2013
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