SKU: 17650430915
patterns for dresses for women

patterns for dresses for women NH Patterns Diana Dress and Top – The Fold Line

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Description

patterns for dresses for women NH Patterns Diana Dress and Top – The Fold LineBuy the Diana Dress and Top sewing pattern from NH Patterns. Diana is a lightly tailored midi length dress with a lapel and revere neckline. The dress has princess seams at the front and back and two armhole options. Choose between a sleeveless style with narrow shoulders, or a full shoulder seam and cap sleeves. Diana fastens with buttons down the front. The top is the same as the dress in design. Sewing level: Intermediate This sewing pattern is

Buy the Diana Dress and Top sewing pattern from NH Patterns. Diana is a lightly tailored midi-length dress with a lapel and revere neckline. The dress has princess seams at the front and back and two armhole options. Choose between a sleeveless style with narrow shoulders, or a full shoulder seam and cap sleeves. Diana fastens with buttons down the front. The top is the same as the dress in design. 

Sewing level: Intermediate

This sewing pattern is available to buy in the following formats:

– PDF (available to download immediately after purchase). What is a PDF?

– PDF pattern + Printed A0 copy shop (We print out the A0 pattern sheets, but you’ll need to download the digital instructions, as we don’t print these. The PDF files will be emailed immediately after purchase, and the A0 pattern sheets will be dispatched next working day). What is Copy Shop?

Note if purchasing copy shop printing: Some of the pattern pieces have been split (to fit on the A0 sheets) and will need to be joined together.

Suggested fabrics: Light to medium-weight woven fabric with little to no stretch. The designer recommends something with a nice structure and nothing too light. You want it to have a little bit of weight to support the button stand and collar. Crisp cottons in a shirting weight, cotton twill, lightweight denim and chambray, linen and linen blends, tencel, and suitings are all perfect. Avoid lightweight drapey fabrics like viscose or crepe.

Fabric requirements: 

Sizes 4 – 18

Dress: 150 cm (59") wide fabric: 340 - 370 cm (3.7 - 4 yd) // 135 cm (54") wide fabric: 370 - 460 cm (4 - 5 yd).

Top: 150 cm (59") wide fabric: 170 - 190 cm (1.9 - 2.1 yd) // 135 cm (54") wide fabric: 180 - 210 cm (2 - 2.3 yd).

Sizes 16 – 32

Dress: 150 cm (59") wide fabric: 490 - 510 cm (5.4 - 5.6 yd) // 137 cm (54") wide fabric: 520 - 570 cm (5.7 - 6.3 yd).

Top: 150 cm (59") wide fabric: 230 - 260 cm (2.6 - 2.9 yd) // 137 cm (54") wide fabric: 250 - 300 cm (2.8 - 3.3 yd).

Sizing: 4 – 18 and 16 – 32 (approx. UK 6 – 18 and UK 16 – 32, based on our standardised size chart). Please also check the designer's size chart and finished garment measurements.

This pattern is split into two different blocks. The 4-18 size range has been developed from a size 10 block with a dressmakers B cup (2"/5 cm difference between high and full bust). The 16-32 size range has been developed from a size 22 block with a dressmakers D cup (4"/10 cm difference between high and full bust).

Notions: Lightweight fusible interfacing; 12-15 mm buttons, 9 for dress or 5 for top.

PDF pattern includes: Instructions; A4 print-at-home pattern (50 pages for sizes 4-18, 63 pages for sizes 16-32); US letter print-at-home pattern (50 pages for sizes 4-18, 63 pages for sizes 16-32); A0 copy shop pattern (3 sheets for sizes 4-18, 4 sheets for sizes 16-32) // Layers: Yes // Projector file: Yes.

If you’re looking for more maker inspiration, check out the latest sewing pattern reviews from the sewing community. We also have a sewing blog to keep you up to date with all the news from the world of sewing.

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SKU: 17650430915

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Joe S
Port Orchard, US
★★★★★ 4
ITS GOOD OIL
Size: 5 Quarts
OVERALL NOT BAD BUT USING IT TO SEASON A CAST IRON WILL CREATE A BIT TOO DARK OF A SHEEN. WISH THE MANUFACTURER MENTIONED THAT
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Reviewed in the United States on April 8, 2025
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patricia
Boise, US
★★★★★ 5
buenos
Size: 5 Quarts
Siempre compro de este aceite y es buenisimo me gusta
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Reviewed in the United States on May 5, 2026
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Booktroll
Phoenix, US
★★★★★ 5
Well researched, disturbing, engaging.
Format: Paperback
I was amazed at how indepth and involved this history was. Very interesting, engaging and also very disturbing.
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Reviewed in the United States on April 1, 2026
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S. tamburin
Waukegan, US
★★★★★ 4
Good For History Lovers
I doubt anyone who does not want to read a true historical book with a lot of facts but not as exciting as a non-fiction novel will enjoy this. I liked it because I learned a lot of things about New York that I was really surprised to read. Seems my beloved New York had a pretty bloody, violent history towards slaves and Catholics and some others the leaders and people did not like. I didn't realize the punishments of the day were just as bad, if not worse, than those of the Salem Witch hunt days. Beware, some of the content may turn your stomach.
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Reviewed in the United States on March 17, 2014
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Rocco Dormarunno
Houston, US
★★★★★ 5
Search for Scapegoats
Format: Hardcover
Jill Lepore's "New York Burning: Liberty, Slavery, and Conspiracy in Eighteenth-Century Manhattan" is a valuable and admirable examination of one of the darkest episodes in New York's history: the so-called slave rebellion of 1741 and the brutal vengeance that was extracted. Professor Lepore's painstaking research confronts the reader with a terrible conclusion: even the most respectable of people in society will consent to the deaths of human beings, based on even the tiniest shreds of evidence. Focusing primarily on the actions of Daniel Horsmanden, the City's Recorder, Lepore provides the reader with a background on the attitudes of New York's whites toward their slaves. She makes clear that Gotham was neither the first nor only city to have witnessed slave uprisings. (It had suffered a similar uprising a couple of decades earlier.) But the events of 1741 were unique for several reasons: --the shifting finger-pointing at various groups; --the inconsistency of Mary Burton's testimony, which essentially was the case against several slaves;and --Horsmanden's bizarre behavior toward Mary Burton. Admittedly, I've only superficially studied this dark time in New York's history, so I was shocked to learn that there were actually several "conspiracies": the Negro Plot, Hughson's Plot, the Spanish Plot, the Roman Plot, etc. Each plot was hatched depending on who confessed to what. Worst of all, the white population of New York--fueled by racism, xenophobia, paranoia, and, not the least of all, bloodlust--went right along with it. And, with the exception of an intriguing anonymous letter from Massachussetts, it seems the rest of the colonies went along with it, too. While Horsmanden is just short of villified in this book, he is not alone in his culpability. Professor Lapore's "New York Burning" will disturb many readers. The accounts of the slaves and the few whites burning, hanging, begging, and praying are graphic and heartbreaking. Still, this in an incredibly important book for anyone interested in the history of our nation and/or the all-too-tragic fragility of race relations in America. For this, Professor Lapore deserves our appreciation
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Reviewed in the United States on June 8, 2006

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