SKU: 33177952236
one shoulder dress orange

one shoulder dress orange Sienna One Shoulder Dress | Vegan Silk

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Description

one shoulder dress orange Sienna One Shoulder Dress | Vegan SilkDetails A captivating take on relaxed elegance, the Calypso one shoulder dress is crafted with mindful minimalism embracing your inner goddess. This asymmetric maxi has a long one shouldered draped slit sleeve as well as an elegant side seam opening that reveals part of the leg. Crafted from our signature Cupro fabric for optimal breathability and durability. 100% Bemberg Cupro Soft finish typical of premium sand washed silk PETA approved vegan

Details

A captivating take on relaxed elegance, the Calypso one shoulder dress is crafted with mindful minimalism embracing your inner goddess. This asymmetric maxi has a long one-shouldered draped slit sleeve as well as an elegant side seam opening that reveals part of the leg.

Crafted from our signature Cupro fabric for optimal breathability and durability.

  • 100% Bemberg® Cupro
  • Soft finish typical of premium sand-washed silk
  • PETA-approved vegan
  • Biodegradable
  • Thermoregulating to help maintain a comfy body temperature
  • Anti-static and hypoallergenic
  • Designed in Miami - Made in Turkey
  • Comes beautifully wrapped in our signature niLuu branded box

Care

The niLuu vegan silk dress will continue delivering its amazingly soft and silky feel for a long time. It has been developed to allow it to be machine washed at home.

  • Wash inside out with similar colors
  • Choose delicate cycle, cold water and low spin
  • Tumble dry at low heat or line dry
  • Steam press iron to restore the original luster and silky feel

Sizing

The niLuu vegan silk dress comes in Small, Medium or Large and fits true to size. For reference, model is wearing small and her measurements are:

  • Height: 177cm/ 5’10”
  • Bust: 86cm/ 34” 
  • Waist: 63.5cm / 25"
  • Hips: 91cm / 36"

Transparency in our process

100% CLEAN MATERIALS

We source our materials from Japan with the production of the core element behind our fabrics, Bemberg Yarn. Gentle on our skin and kink to our planet, Bemberg is materializad from cotton linters, a fiber found in cotton seeds that has traditionally been disposed of in the past.

WOVEN WITH CARE

Our natural fibers are woven into our beautiful vegan silk in Turkey at the first vegan-labeled fabric producer in the world to create a luxurious cruelty-free and earth-friendly alternative to silk. Our fabric breathes like cotton, but feels like silk.

FAIR + SAFE ATELIER

The fabric is passed along to our women-led atelier in Serra Serra, Turkey, to be transformed into the ethereal silk-wear pieces that characterize niLuu. Our atelier focuses on providing fair, safe, and advantageous employment opportunities for women.

FEMALE-FOUNDED BUSINESS

It all starts and ends in Miami, where we dream and create the concepts and ideas to bring each collection to life with our female-founder, Nilufer Bracco. Packaged with the utmost care, our team puts your order together and ensures its delivery.

    Shipping Notes
    • Free Standard Shipping on $100+ Orders to the USA.
    • Except Preorder products are shipped in 48 hours.
    • Delivery to the USA:
    1. Standard Shipping : 3-10 business days
    • If time is of the essence, please consider selecting expedited delivery for faster service.
    Exchange/Return Notes
    • We offer a 30-day return/exchange service after receiving.
    • Final sale items are not eligible for returns or exchanges.
    • To process your return/exchange, please contact us at [email protected]
    • Please click here for more details>>> Return & Exchange Policy
    SKU: 33177952236

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    4.5 ★★★★★
    Based on 25 reviews
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    T
    Verified Purchase
    Tahoeman
    Cuba, US
    ★★★★★ 5
    Much needed guide to narration in law practice
    Format: Paperback
    Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on February 10, 2014
    D
    Verified Purchase
    David R. Papke
    Carnegie, US
    ★★★★★ 5
    Recommended for All Lawyers
    Format: Paperback
    Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on May 7, 2014
    D
    Verified Purchase
    DoubtfulReader
    West Palm Beach, US
    ★★★★★ 3
    Notes on Legal Style by a Law Professor and Experienced Lawyer.
    Format: Kindle
    BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on June 27, 2017
    M
    Verified Purchase
    Matt M.
    Belleville, US
    ★★★★★ 5
    Great book and great professor
    Format: Paperback
    Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on January 19, 2021
    J
    Verified Purchase
    J. Christian
    San Leandro, US
    ★★★★★ 4
    Interesting book
    Format: Paperback
    I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on March 20, 2014

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