SKU: 36387563558
white dresses birthday

white dresses birthday Wedding girl dress ivory sleeveless, Birthday girl dress lace, First c – Colibri Fashion Studio

Sale price$22.23 Regular price$24.70
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Description

white dresses birthday Wedding girl dress ivory sleeveless, Birthday girl dress lace, First c – Colibri Fashion Studio10% SALE FOR THE FIRST ORDER This dress is perfect for birthday, wedding, first communion, baptism, dancing and family photos. Color: Ivory Depending on the supply of fabrics, shades of the same color may differ slightly. If you order a dress for the same event together with another of my customers, write about it in the comments to the order. I will use the same shade of fabric. Please check the measurements before placing your order. MEASUREMENT

10% SALE FOR THE FIRST ORDER

This dress is perfect for birthday, wedding, first communion, baptism, dancing and family photos.

Color:

Ivory


Depending on the supply of fabrics, shades of the same color may differ slightly. If you order a dress for the same event together with another of my customers, write about it in the comments to the order. I will use the same shade of fabric.

Please check the measurements before placing your order.

MEASUREMENT
Size 1
Height 86cm / 33.8inch
Chest 52cm / 20.5inch
Waist 50cm / 19.6inch

Size 2
Height 92cm / 36.2inch
Chest 54cm / 21.3inch
Waist 51cm / 20inch

Size 3
Height 98cm / 38.5inch
Chest 55cm / 21.7inch
Waist 52cm / 20.5inch

Size 4
Height 104 cm / 41 inches
Chest 57cm / 22.4inch
Waist 54cm / 21.2inch

Size 5
Height 110cm / 43.3inch
Chest 60cm / 23.6inch
Waist 56cm / 21.6inch

Size 6
Height 116cm / 45.6inch
Chest 61cm / 24inch
Waist 58cm / 22.8inch

Size 7
Height 122 cm / 48 inches
Chest 63cm / 24.8inch
Waist 60cm / 23.6inch

Size 8
Height 128cm / 50.4inch
Chest 65cm / 25.6inch
Waist 60cm / 23.6inch

Size 9
Height 134cm / 52.7inch
Chest 67cm / 26.3inch
Waist 62cm / 24.4inch

Size 10
Height 140cm / 55.1inch
Chest 69cm / 27.1inch
Waist 63cm / 24.8inch

Size 11
Height 146cm / 57.5inch
Chest 72cm / 28.3inch
Waist 65cm / 25.6inch

Size 12
Height 152 cm / 60 inches
Chest 75cm / 29.5inch
Waist 67cm / 26.3inch

Please choose the size according to our size chart which is posted in each listing. We can also make a custom size for you. Just choose the size close to your individual measurements and leave them in the notes at checkout please. The buyer is responsible for the measurements and we don't refund/exchange the item if it's made to incorrect measurements. The same is applied to custom order items.

Custom measurements
Please keep in mind that the customer is solely responsible for the measurements that he leaves in the comments to the order. If your event after a while, calculate how your girl can grow up by this time. And write down the measurements considering that the girl will grow up. I do not add to the growth and sew the dress exactly according to the measurements that you wrote in the comments to the order.

Custom size and custom size +
If your girl's measurements are between sizes and you want me to make your order according to individual measurements, please select the "custom size" option.
If your girl's measurements are over 60 inches, chest 32 inches and waist 30 inches please select the "custom size +" option.

Please note that each item is unique and handmade to order. The finished product may slightly differ from the image in the shade of fabrics. Contact me if the shade of the fabric matters to you and the dresses are ordered for one event.

We recommend that you steam the dress on arrival.

Orders placed with free shipping usually arrive within 3-5 weeks. If you want it to be delivered earlier, please select the type of express delivery that suits you when placing your order.

If you have any questions, do not hesitate to contact me!

Import duties, taxes and charges are not included in the item price or shipping charges.
These charges are the buyer's responsibility.
Please check with your country's customs office to determine what these additional costs will be prior to bidding / buying.
These charges are normally collected by the delivering freight (shipping) company or when you pick the item up - do not confuse them for additional shipping charges.

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Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
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SKU: 36387563558

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J
JeFF Stumpo
Phoenix, US
★★★★★ 5
A Feminist Divine Comedy?
Format: Paperback
Let me start with this: The Descent of Alette is difficult to read at first. Notley "puts quotation marks around" "groups of words" "in lines" "that can be off-putting." Note that I'm not quoting from the book there, just giving an example of what the book's text appears like. This forces us to read more slowly, taking in each line a few words at a time. What appears to be awkward is in fact a great solution to the speed-reading most of us do these days. That being said, it's troublesome for the first few poems, less so after that, virtually invisible by the end of the first section. When talking about this book, I immediately compare it to Dante's Divine Comedy, and I commonly see others do the same (see an earlier review here on Amazon.com). Exchange Hell for a subway, and you've basically got it: an underground realm ruled over by a Tyrant, poor souls being tortured, though in this case there is no indication that they have done anything to deserve it. Notley's language might not be quite as beautiful/harsh as Dante's, but her images stand with anything he created. After introducing two characters on a subway, a woman and her baby, both on fire, Notley writes: "another woman" "in uniform" "from above ground" "entered" "the train" "She was fireproof" "she wore gloves, & she" "took" "the baby" "took the baby" "away from the" "mother" "Extracted" "the burning baby" "From the fire" "they made together" "But the baby" "still burned" ("But not yours" "It didn't happen" "to you") "We don't know yet" "if it will" "stop burning," "said the uniformed" "woman" "The burning woman" "was crying" "she made a form" "in her mind" "an imaginary" "form" "to settle" "in her arms where" "the baby" "had been" "We saw her fiery arms" "cradle the air" "She cradled air" ("They take your children" "away" "if you"re on fire") "In the air that" "she cradled" "it seemed to us there" "floated" "a flower-like" "a red flower" "its petals" "curling flames" "She cradled" "seemed to cradle" "the burning flower of" "herself gone" "her life" ("She saw" "whatever she saw, but what we saw" "was that flower") After surviving the horrors of the subway, Alette goes even deeper underground, passing through a series of psychological challenges that at times seem straight out of Freud, at times out of Classical mythology, at times out of collective dreams. Throughout it all, we learn more and more about Alette, who is not just a "hero" who goes through the motions necessary to the plot, but who considers and stumbles and is confused and learns. The third section of the book is a rebirth, wherein Alette finds a source for a stronger power than the Tyrant's, and it is distinctly feminist in its nature. I need to note here for those who react to feminism in a knee-jerk way: Notley's feminism is not a militant feminism, though it requires brief "military" action on Alette's part. Men are helpful in the story, have purpose besides being the bad guy. If anything, what Notley attacks in the form of the Tyrant is the idea of a corrupt masculinity, a kind of Big Brother who would easily stand as an antagonist in any number of 20th/21st century literary works. Alette's feminism is the discovery of her place in the world, and that place is not slaving away mindlessly for the Tyrant, not acting as just a womb or pair of hands or pretty face. It's a nuanced message, despite the epic (and therefore presumably black-and-white) nature of the whole book. The fourth section is the showdown with the Tyrant, a great deal of philosophizing, and an ending that I actually find more satisfying than that of Paradiso. I won't spoil it here, but it just works extremely well in conjunction with the themes of Descent as a whole. If you want to be challenged, if you want to think deep thoughts, if you want surreality and magic, pick up The Descent of Alette. For even more interesting reading from the author and her partner, you could also turn to The Scarlet Cabinet, which contains but actually predates the on-its-own publication of Descent.
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Reviewed in the United States on October 11, 2010
K
Kent Shaw
Charlottesville, US
★★★★★ 5
A Contemporary Epic
Format: Paperback
I have a complicated relationship with most of the books I've read by Alice Notley. I admire her facility with the lyric, her ability to get just beneath a concept or sentiment using a very talk-y style so that I always feel like I'm with whatever speaker she's using, inside that mind and her mind all at once. This is a good kind of complication. It's one I yearn for with poems. The unpleasant complications are when I feel as though I'm just being subjected to her unedited notebook entries. Too much, too much, too much. It comes up especially with her book Mysteries of Small Houses. I mention these difficulties only to sharpen the accomplishment of The Descent of Alette. Like other reviewers, I feel the tonal similarities to Dante's Inferno. Which becomes a subversive allusion considering Alette seeks after a male Tyrant in order to destroy him, while Dante sought after his Beatrice out of desire. But I read and reread Alette, because Notley continually subverts patriarchal conventions in the book. I actually find I crave the speaker's intellect, and the mythic logic that gives the book its arc. I want it more. Yes, there are quotations around each fragment in the poems. I actually appreciate them for slowing my reading down, and for sharpening my focus on the use of Notley's language. And it's not just a stylistic tic, or something to be endured. It could actually be described as further subversion of The Tyrant Alette pursues.
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Reviewed in the United States on August 25, 2011
R
Verified Purchase
Raquel Wilbon
Lake Worth, US
★★★★★ 2
Imagery and diction
Format: Paperback
This book was very challenging to read because everything was written in quotations however, it was intriguing as a different way of writing poetry.
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Reviewed in the United States on August 11, 2020
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Verified Purchase
amber a
Dallas, US
★★★★★ 5
I tend to leave most books in this genre disappointed. I miss the classics
Format: Hardcover
I bought this book after hearing Stacey Lee speak about narrative tension at a lecture for YA writers - the talk was specifically entitled, "How to keep them up all night." The lecture (alongside Anna Shinoda) bit off a rather large amount of material. Neither woman mentioned vampires. The methods they discussed were smart, creative, and delivered with just enough humor to leave me wondering whether I'd be able to put their debut novels down. I devoured GONE WITH THE WIND at least six times cover to cover between my sophomore and senior year. While I am more susceptible to the Historical Fiction page turner than the average girl, I tend to leave most books in this genre disappointed. I miss the classics. I opened this book determined to not judge it by its gorgeous pastel cover. I started slowly. I enjoyed the first four or five chapters - leaving each fully appreciative of Lee's craft. I particularly enjoyed her ability to pepper humor though tragedy. I often complain about writers who miss the mark here. Stacey Lee nailed that important believable balance for me. I liked her characters quickly. I left each chapter satisfied, but thoroughly able to get up and go on with my life. Like a jaded Thumper in Walt Disney's BAMBI, this book was more than nice, but I wasn't susceptible to any kind of teen-aged Twitterpation over it. After the sixth or seventh chapter - four or five days after I first picked it up, I quietly closed my copy, placed it on my nightstand, switched off my lamp, fluffed my pillow and turned over. I turned over again. I flipped on the light - OK, just one more chapter... I zombie sleepwalked to work the next day. That night I retired early, making some completely convincing excuse about being exhausted. I was certainly too tired to read. Flash forward to 6AM when I woke up with this novel on my face. I turned it's last page this afternoon, fully satisfied. I am truly sad it's over. This book transported me. It's one I'll want to have in my collection forever, alongside the beautiful books that mattered to me as a teen; JANE EYRE, TO KILL A MOCKINGBIRD, UNDER A PAINTED SKY. Classic in feel, subject matter, and voice - but modern in approach, I'd be as comfortable recommending it to my book club as I would handing it to any teen. Readers of all ages and walks of life will surely find something that resonates with their own stories too. As for me, I am sure I'll be back on the trail with these girls-- I mean boys, before long. Now I'm off to try my hand at Anna Shinoda's LEARNING NOT TO DROWN. Well, maybe tomorrow. I need a good night's sleep and it's clear these authors know how to keep those pages turning.
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Reviewed in the United States on August 24, 2015
R
Verified Purchase
Ruth Franklin
Lowell, US
★★★★★ 4
Good, Fun, Important Topics
Format: Paperback
Good, solid, read for ages 12+. Somewhat unrealistic and yet believable story of two strong young female characters traveling west disguised as boys. Couldn't stop reading it until I was finished with the book, and now my granddaughter is doing the same. This book has many relevant themes about race, gender, class, religion, and other stereotypes and is an excellent choice for a classroom or family read aloud. Get it.
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Reviewed in the United States on February 26, 2017

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