SKU: 41630232412
red dress couture backless

red dress couture backless MELANI THE LABEL Women's Dresses DANIELA

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Description

red dress couture backless MELANI THE LABEL Women's Dresses DANIELAAn iconic MLANI signature design in a bold red, this dress features bum gathering for a sculpted fit and adjustable shoulder straps for ease of wear. A delicate chiffon flower sits at the front, while elongated ruffle chiffon back straps flow into an open back for a statement finish. Made for special occasions, wedding guest moments and formal events. Exclusively designed in house by MLANI. Design features: Fully lined True to size Stretch fabrication

An iconic MÉLANI signature design in a bold red, this dress features bum gathering for a sculpted fit and adjustable shoulder straps for ease of wear. A delicate chiffon flower sits at the front, while elongated ruffle chiffon back straps flow into an open back for a statement finish.

Made for special occasions, wedding guest moments and formal events.

Exclusively designed in house by MÉLANI. 

Design features:

  • Fully lined 
  • True to size 
  • Stretch fabrication 
  • V neckline
  • Zip free 
  • Adjustable straps 
  • Chiffon ruffle detailing
  • Maxi length

Composition & Care:
96% Polyester 4% Spandex 

Wash Care: Wash with similar colours on a cold machine wash. Do not bleach, tumble dry or leave wet in machine. Dry cleanable. 

Model & Fit:

Model wears a size XS

  • Height: 170cm/66.9in
  • Bust: 79cm/31.1in
  • Waist: 60cm/23.6in
  • Hips: 90cm/35.4in

Stretch: Stretch fabrication

Made from a stretch fabrication, this dress is designed for a comfortable, body-con fit. It sits close to the body while remaining soft and easy to wear against the skin.

Our MÉLANI Team does their best to ensure that the images provided on our website are as true to colour as possible. Although we try and attain the most accurate colours possible, due to the irregularity of monitors, digital photography and production variations, we are not able to guarantee that the colours seen on your screen faultlessly portray the genuine colour of the product.

 

Shipping Notes
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 41630232412

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4.3 ★★★★★
Based on 27 reviews
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D
Verified Purchase
Donna Menchinger
Cuba, US
★★★★★ 5
Five Stars
Format: Paperback
Fun
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 9, 2017
M
Verified Purchase
MJ
Charlottesville, US
★★★★★ 2
Bent
Format: Paperback
When the book came the cover was crumpled and bent so it was really hard to read
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 6, 2020
N
Verified Purchase
N. Durham
Whiting, US
★★★★★ 5
Quite possibly the best Punisher stories ever told
Format: Hardcover
It's no secret that Garth Ennis' long run on the Punisher (particularly the MAX titles) has been nothing short of superb if not visionary, and this handsome hardcover collection, featuring three seperate one-shots, further proves that point. From First to Last begins with the Tyger, a story in which a young Frank Castle embarks on his first night of vengeance as the Punisher. As he has some mob men in his sights, he recollects to a summer in Brooklyn when he was a young man, and a shocking event that only further shaped Frank's inevitable path to becoming the Punisher. This story is good, but it's not anything really great, though John Severin's art is quite good. Thankfully, everything gets better from this point on. The Cell finds Frank turning himself in and convicted of his many murders and taken to the bowels of Riker's Island. However, Frank has a reason he's here, and it involves five men who all share a secret and a link to Frank that you'll never see coming. This story alone makes this collection worth picking up, and the art by Lewis Larosa (who also worked on the first Punisher MAX TPB, In the Beginning) is gritty, bloody, and brilliant. The third and final story is the spectacular Punisher: The End, featuring art by the legendary Richard Corben, which more than makes it worth checking out alone. As part of Marvel's "The End" line, this one-shot is just that, as an elderly Frank Castle finds himself as one of the last men on Earth after a nuclear holocaust has turned the world to ash and dust. Of course, there are still those that are guilty, and need to be punished. The last two stories alone are some of the best Punisher stories ever written, period. If you missed out on the one-shots when they were first released, now is your chance to read some of the best mainstream comic gold to come along in a long time, and this collection only furthers the notion that is discussed on the book's inside flap: Ennis was born to write the Punisher.
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Reviewed in the United States on December 30, 2006
A
Verified Purchase
A.G.
Chelsea, US
★★★★★ 5
Three really solid stories here.
Art is top notch. We get three really nice stories of pre-Punisher Frank, mid-Punisher Frank and the end of Punisher Frank. I look at this book a couple times a year and Garth Ennis really did a great job on the character. The art by Severin, LaRosa and Corben were all great and fitting for their stories. Good collection if you can find it. Highly recommend.
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Reviewed in the United States on January 22, 2026
T
Verified Purchase
The Critic
Los Angeles, US
★★★★★ 4
Vintage Castle
Garth Ennis renders one of his hectic stories with Frank Castle coming back to his origins. The first story deploys Frank's childhood and the unexpected consequences of it later on. I humbly believe the second part(The cell), is the best of this issue. It narrates the ultimate vengeance of Castle against those who took the lifes of his family, several years ago in the middle of a shooting at day light in Central Park. A mention must be done of the art in The Cell. The pencils of Lewis Larosa, the Inks & Finishes of Scott Koblish and Raúl Treviño's colors, leave nothing to desire and accomplish to portrait that classic look of Castle as a somewhat mature/old man still capable of hell when it comes to seek revenge for his family. The End, however, which puts Castle in a dystopian future of a post-nuclear bombing, fails to blend smoothly Garth Ennis' script with the caricaturesque art from Richard Corben and Lee Loughridge. There is a dissonance between this very old Frank Castle in an apocalyptic environment and the drawings that for some reason maintain a gap with previous artists. As a whole, From First to Last is totally worthy. Garth Ennis is back to team with Castle and that's all what counts. Cristián Gómez O.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 20, 2011

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