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Ships within 48 hours · Estimated delivery Aug 29 - Sep 3
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Description
high neck wedding dress long sleeve Vintage High Neck Lace Long Sleeve Wedding Dress Detachable TrainWedding Dresses Wedding Guest Dresses Special Occasion Dresses Wedding Accessories Produce Time 25 working days Rush order 15 working days Shipping Methord DHL Fedex Ups TNT Epacket Post air mail Other Shipping Time 3 10 working days by DHL Fedex Ups TNT, 15 35 working days by epacket or post air mail Seller Email tanyanini@126. com Payment Methord: Paypal Brand Name: Tanya Bridal Style: Boho Neckline: HIGH Sleeve Length(cm): Full Wedding Dress
| Wedding Dresses | Wedding Guest Dresses | Special Occasion Dresses | Wedding Accessories |
| Produce Time | 25 working days |
| Rush order | 15 working days |
| Shipping Methord | DHL/Fedex/Ups/TNT/Epacket/ Post air mail/Other |
| Shipping Time | 3-10 working days by DHL/Fedex/Ups/TNT, 15 -35 working days by epacket or post air mail |
| Seller Email | [email protected] |
| Payment Methord: | Paypal |
- Brand Name: Tanya Bridal
- Style: Boho
- Neckline: HIGH
- Sleeve Length(cm): Full
- Wedding Dress Fabric: Lace
- Train: Court Train
- For Pregnant Women: No
- Dresses Length: Floor-Length
- Back Design: Backless
- Item Type: Wedding Dresses
- Sleeve Style: Regular
- Built-in Bra: Yes
- is_customized: Yes
- Decoration: Lace
- Fashion Element: vintage
- Waistline: Natural Factors
- Silhouette: Beach
- We Would like use Strong Marterial,the fabric is soft and looks awesome, Dry clean or cold water hand wash
- For standard size dress. we would come out based on our standard size table, before you order, please make sure the detail measurement matched the size you need. System default size is based on US size.If you need to customize size，please feel free to contact us.
Size Chart:
Buyer can choose size according to the size chart below
If size not fit to you ,you can choose custom made ,but please contact with us first .Thank you !
if you need custom made ,please give us your size according to this guide .
Color Chart:
Buyer can choose any color from the color Chart Below :
Shipping:
After your payment ,we will ship your dress out within 15-20 working days .
Usually we choose DHL ,UPS,Fedex,Aramex And Standard Shipping to ship your dress out according to the order's price and your country policy .
Also we can send to you the tracking number after we ship goods out .
Notes:
1.The item will be sent to your address,please make sure the address is correct and please let me know your contact name (Full name) and your phone number.
2.The dress does not include any accessories such as :wedding veils ,gloves or petticoat.
3.If you are concerned about the return policy before placing the order,please read our return policy carefully at the bottom of page.
4.the taxs are charged by your country,so we will do not cars of them,but if you have suggestion,we will try our best to do it for you ,thank you for your cooperations and standing .
Enjoy your perchase~
Refund policy:
1. You can cancel the order for free within 24 hours after placing the order.
2. If the order is cancelled within 48 hours after the order is placed, 30% of the order amount will be deducted.
3. 50% of the order amount will be deducted if the order is cancelled within 72 hours after placing the order, and cancellation will not be accepted if it exceeds 72 hours.
4. Due to the epidemic situation, there is no quality problem after receiving the wedding dress, and no refund will be accepted.
5. After receiving the goods, if there is any quality problem, please contact us within 72 hours for timely treatment. If it exceeds 72 hours, it will not be handled.
6. Customized dress does not support return and refund.
Thank you for your understanding and your order. Wish you a happy life
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.7 ★★★★★
Based on 7 reviews
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Product Reviews
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
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Reviewed in the United States on February 10, 2014
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
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