SKU: 74170720532
halter top white dress

halter top white dress White Halter Dress Nara

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Description

halter top white dress White Halter Dress NaraWe invite you to experience our unparalleled collection of clothing designed to redefine your wardrobe with exceptional craftsmanship and timeless style. A timeless, simple, and versatile piece that will take you from a day in the office to a date night in the city. Ethically and responsibly made in our Rio de Janeiro atelier, and carefully designed by mother and daughter duo Gabriella and Lilian. Quality That Speaks for Itself Longer Fiber Filaments

We invite you to experience our unparalleled collection of clothing designed to redefine your wardrobe with exceptional craftsmanship and timeless style.

A timeless, simple, and versatile piece that will take you from a day in the office to a date night in the city.

Ethically and responsibly made in our Rio de Janeiro atelier, and carefully designed by mother and daughter duo Gabriella and Lilian. 

Quality That Speaks for Itself

Longer Fiber Filaments

Our commitment to quality begins with the materials we choose. By using longer fiber filaments, we significantly reduce pilling, ensuring that your garments maintain their pristine look and feel over time.

Natural Fibers

We prioritize natural fibers over synthetic materials, offering you the highest quality and breathability. Experience the difference in every wear, as our fabrics allow your skin to breathe while keeping you comfortable throughout the day.

Luxurious Feel

Feel the difference with our knitwear, which is exceptionally soft to the touch and exudes luxury. The moment you slip into one of our pieces, you'll understand why our customers fall in love with the unmistakable comfort and elegance our clothing provides.

Built to Last

Retains Shape

Say goodbye to garments that lose their form. Our expertly woven fabrics are designed to maintain their shape, ensuring that your clothing looks as good as new, wear after wear.

Less Likely for Holes

Our meticulous weaving technique drastically reduces the likelihood of holes appearing in our clothing. Invest in pieces that stand the test of time, providing you with a wardrobe staple that remains flawless.

Pre-Shrunk Fabrics

Forget the worry of shrinking clothes after the first wash. Our fabrics are pre-shrunk before cutting, guaranteeing a perfect fit from the very first wear and every wash thereafter.*

Hand-Made Perfection

Each piece in our collection is meticulously hand-made by a team of skilled seamstresses. From cutting and sewing to ironing and button application, every detail is crafted with precision and care. This dedication to craftsmanship ensures a product of the highest quality and distinctiveness.

Composition:

95% Viscose (Rayon)

5% Spandex

Styling tips:

For a casual look, pair it with simple flats or fun ballerinas, or throw a crisp white shirt over it for office days.

For a nighttime look, we love throwing on a tailored oversized blazer and putting on a sexy pair of strap black heels. 

*Please follow washing instructions written on care label.
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SKU: 74170720532

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4.4 ★★★★★
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Verified Purchase
Tahoeman
Port Orchard, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
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Verified Purchase
David R. Papke
Lowell, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
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Verified Purchase
DoubtfulReader
West Palm Beach, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
Carnegie, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Draper, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014

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