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Description
strapless short dresses prom LaDivine CD0189 Sequin Beaded Lace Applique Short Prom DressStarting at the top, the Sequin Beaded Lace Applique Short Prom Dress by LaDivine CD0189 shapes closely around the torso before opening out below. Its structured upper section gives way to soft tulle tiers that move with ease. The hem lands just above the knee, keeping things simple yet polished. Fluttery fabric adds motion without weighing down the silhouette. A soft plunge at the front pairs with slender straps that leave the arms free. The back
Starting at the top, the Sequin Beaded Lace Applique Short Prom Dress by LaDivine CD0189 shapes closely around the torso before opening out below. Its structured upper section gives way to soft tulle tiers that move with ease. The hem lands just above the knee, keeping things simple yet polished. Fluttery fabric adds motion without weighing down the silhouette.
A soft plunge at the front pairs with slender straps that leave the arms free. The back dips into a neat angle, giving it a sharp close. Inside, gentle structure and even fabric help it hold shape without squeezing. It moves easily, staying light on the body during long moments of motion, holding its look from start to stop.
Key Features:
- V-Neckline & Spaghetti Straps: Provides a minimal, supportive frame for a clear shoulder line
- Beaded Floral Appliqué: Adds depth and texture to the bodice for a detailed finish
- Layered Tulle Skirt: Offers soft volume and movement without feeling heavy
- Mini Length Hem: Hits above the knee for easy walking and a youthful profile
- Built-in Shaping: Provides subtle support through the torso for a secure fit
Available Colors:
Blush, Smoky Blue, Champagne
Perfect for Special Occasions!
A versatile choice for homecoming, graduations, and semi-formal parties where a shorter, more mobile style is required.
Details:
- Silhouette & Fit: A-line with fitted bodice and flared skirt
- Length: Above Knee / Mini
- Fabric: Tulle
- Structure: Fitted bodice with built-in shaping
- Back: Low V-back with zipper
- Hem/Train: Standard mini hem
- Embellishment: Floral appliqué and bead detailing
- Sizes: XS, S, M, L, XL, 2X, 3X
- Model Notes: Model is 5'8"
- Occasion: Prom, Cocktail, Homecoming, Graduation, Birthday
Care Instructions:
- Dry Clean Only: Professional services help maintain the delicate floral lace and beadwork
- Hanging Storage: Use a sturdy hanger to keep the tulle layers from flattening
- Steam with Caution: Use a low-heat setting to remove creases from the skirt
- Spot Clean: Treat small marks gently to avoid pulling the mesh or embroidery
Shipping & Delivery:
- Orders are packed and sent within 2–3 business days
- Arrival is expected in 2–7 business days for most regions
- You will receive a tracking number once your gown is on its way
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4.8 ★★★★★
Based on 9 reviews
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Product Reviews
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
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Reviewed in the United States on February 10, 2014
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
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