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Description
yugioh dark revelation volume 2 booster box Yugioh OricaThis Series Booster Pack includes all the cards you see in the pictures (You can check a full cardlist as well. You can choose between 8 different card backing styles. These cards cannot be played in official tournaments and have the only purpose to be collectibles, or they can be used as tokens. The size is exactly as the official cards, common rarity. Every card will have its own sleeve, and they will be shipped in a bubble envelope to avoid
This Series / Booster Pack includes all the cards you see in the pictures (You can check a full cardlist as well.
You can choose between 8 different card backing styles.
These cards cannot be played in official tournaments and have the only purpose to be collectibles, or they can be used as tokens.
The size is exactly as the official cards, common rarity.
Every card will have its own sleeve, and they will be shipped in a bubble envelope to avoid damages.
Shipping is from Italy
Cardlist:
DR2-EN002 Ojama Black
DR2-EN003 Soul Tiger
DR2-EN004 Big Koala
DR2-EN005 Des Kangaroo
DR2-EN006 Crimson Ninja
DR2-EN007 Strike Ninja
DR2-EN008 Gale Lizard
DR2-EN009 Spirit of the Pot of Greed
DR2-EN010 Chopman the Desperate Outlaw
DR2-EN011 Sasuke Samurai #3
DR2-EN012 D.D. Scout Plane
DR2-EN013 Berserk Gorilla
DR2-EN014 Freed the Brave Wanderer
DR2-EN015 Coach Goblin
DR2-EN016 Witch Doctor of Chaos
DR2-EN017 Chaos Necromancer
DR2-EN018 Chaosrider Gustaph
DR2-EN019 Inferno
DR2-EN020 Fenrir
DR2-EN021 Gigantes
DR2-EN022 Silpheed
DR2-EN023 Chaos Sorcerer
DR2-EN024 Gren Maju Da Eiza
DR2-EN025 Black Luster Soldier - Envoy of the Beginning
DR2-EN026 Drillago
DR2-EN027 Lekunga
DR2-EN028 Lord Poison
DR2-EN029 Bowganian
DR2-EN030 Granadora
DR2-EN031 Fuhma Shuriken
DR2-EN032 Heart of the Underdog
DR2-EN033 Wild Nature's Release
DR2-EN034 Ojama Delta Hurricane!!
DR2-EN035 Stumbling
DR2-EN036 Chaos End
DR2-EN037 Yellow Luster Shield
DR2-EN038 Chaos Greed
DR2-EN039 D.D. Designator
DR2-EN040 D.D. Borderline
DR2-EN041 Recycle
DR2-EN042 Primal Seed
DR2-EN043 Thunder Crash
DR2-EN044 Dimension Distortion
DR2-EN045 Reload
DR2-EN046 Soul Absorption
DR2-EN047 Big Burn
DR2-EN048 Blasting the Ruins
DR2-EN049 Cursed Seal of the Forbidden Spell
DR2-EN050 Tower of Babel
DR2-EN051 Spatial Collapse
DR2-EN052 Chain Disappearance
DR2-EN053 Zero Gravity
DR2-EN054 Dark Mirror Force
DR2-EN055 Energy Drain
DR2-EN056 Chaos Emperor Dragon - Envoy of the End
DR2-EN057 Giga Gagagigo
DR2-EN058 Mad Dog of Darkness
DR2-EN059 Neo Bug
DR2-EN060 Sea Serpent Warrior of Darkness
DR2-EN061 Terrorking Salmon
DR2-EN062 Blazing Inpachi
DR2-EN063 Burning Algae
DR2-EN064 The Thing in the Crater
DR2-EN065 Molten Zombie
DR2-EN066 Dark Magician of Chaos
DR2-EN067 Gora Turtle of Illusion
DR2-EN068 Manticore of Darkness
DR2-EN069 Stealth Bird
DR2-EN070 Sacred Crane
DR2-EN071 Enraged Battle Ox
DR2-EN072 Don Turtle
DR2-EN073 Balloon Lizard
DR2-EN074 Dark Driceratops
DR2-EN075 Hyper Hammerhead
DR2-EN076 Black Tyranno
DR2-EN077 Anti-Aircraft Flower
DR2-EN078 Prickle Fairy
DR2-EN079 Pinch Hopper
DR2-EN080 Skull-Mark Ladybug
DR2-EN081 Insect Princess
DR2-EN082 Amphibious Bugroth MK-3
DR2-EN083 Torpedo Fish
DR2-EN084 Levia-Dragon - Daedalus
DR2-EN085 Orca Mega-Fortress of Darkness
DR2-EN086 Cannonball Spear Shellfish
DR2-EN087 Mataza the Zapper
DR2-EN088 Guardian Angel Joan
DR2-EN089 Manju of the Ten Thousand Hands
DR2-EN090 Getsu Fuhma
DR2-EN091 Ryu Kokki
DR2-EN092 Gryphon's Feather Duster
DR2-EN093 Stray Lambs
DR2-EN094 Smashing Ground
DR2-EN095 Dimension Fusion
DR2-EN096 Dedication through Light and Darkness
DR2-EN097 Salvage
DR2-EN098 Ultra Evolution Pill
DR2-EN099 Multiplication of Ants
DR2-EN100 Earth Chant
DR2-EN101 Jade Insect Whistle
DR2-EN102 Destruction Ring
DR2-EN103 Fiend's Hand Mirror
DR2-EN104 Compulsory Evacuation Device
DR2-EN105 A Hero Emerges
DR2-EN106 Self-Destruct Button
DR2-EN107 Curse of Darkness
DR2-EN108 Begone, Knave!
DR2-EN109 DNA Transplant
DR2-EN110 Robbin' Zombie
DR2-EN111 Trap Jammer
DR2-EN112 Invader of Darkness
DR2-EN113 Gogiga Gagagigo
DR2-EN114 Warrior of Zera
DR2-EN115 Sealmaster Meisei
DR2-EN116 Mystical Shine Ball
DR2-EN117 Metal Armored Bug
DR2-EN118 The Agent of Judgment - Saturn
DR2-EN119 The Agent of Wisdom - Mercury
DR2-EN120 The Agent of Creation - Venus
DR2-EN121 The Agent of Force - Mars
DR2-EN122 The Unhappy Girl
DR2-EN123 Soul-Absorbing Bone Tower
DR2-EN124 The Kick Man
DR2-EN125 Vampire Lady
DR2-EN126 Stone Statue of the Aztecs
DR2-EN127 Rocket Jumper
DR2-EN128 Avatar of The Pot
DR2-EN129 Legendary Jujitsu Master
DR2-EN130 Gear Golem the Moving Fortress
DR2-EN131 KA-2 Des Scissors
DR2-EN132 Needle Burrower
DR2-EN133 Sonic Jammer
DR2-EN134 Blowback Dragon
DR2-EN135 Zaborg the Thunder Monarch
DR2-EN136 Atomic Firefly
DR2-EN137 Mermaid Knight
DR2-EN138 Piranha Army
DR2-EN139 Two Thousand Needles
DR2-EN140 Disc Fighter
DR2-EN141 Arcane Archer of the Forest
DR2-EN142 Lady Ninja Yae
DR2-EN143 Goblin King
DR2-EN144 Solar Flare Dragon
DR2-EN145 White Magician Pikeru
DR2-EN146 Archlord Zerato
DR2-EN147 Opti-Camouflage Armor
DR2-EN148 Mystik Wok
DR2-EN149 Enemy Controller
DR2-EN150 Burst Stream of Destruction
DR2-EN151 Monster Gate
DR2-EN152 Amplifier
DR2-EN153 Weapon Change
DR2-EN154 The Sanctuary in the Sky
DR2-EN155 Earthquake
DR2-EN156 Talisman of Trap Sealing
DR2-EN157 Goblin Thief
DR2-EN158 Backfire
DR2-EN159 Micro Ray
DR2-EN160 Light of Judgment
DR2-EN161 Talisman of Spell Sealing
DR2-EN162 Wall of Revealing Light
DR2-EN163 Solar Ray
DR2-EN164 Ninjitsu Art of Transformation
DR2-EN165 Beckoning Light
DR2-EN166 Draining Shield
DR2-EN167 Armor Break
DR2-EN168 Mazera DeVille
DR2-EN169 Gigobyte
DR2-EN170 Mokey Mokey
DR2-EN171 Kozaky
DR2-EN172 Fiend Scorpion
DR2-EN173 Pharaoh's Servant
DR2-EN174 Pharaonic Protector
DR2-EN175 Spirit of the Pharaoh
DR2-EN176 Theban Nightmare
DR2-EN177 Aswan Apparition
DR2-EN178 Protector of the Sanctuary
DR2-EN179 Nubian Guard
DR2-EN180 Legacy Hunter
DR2-EN181 Desertapir
DR2-EN182 Sand Gambler
DR2-EN183 3-Hump Lacooda
DR2-EN184 Ghost Knight of Jackal
DR2-EN185 Absorbing Kid from the Sky
DR2-EN186 Elephant Statue of Blessing
DR2-EN187 Elephant Statue of Disaster
DR2-EN188 Spirit Caller
DR2-EN189 Emissary of the Afterlife
DR2-EN190 Grave Protector
DR2-EN191 Double Coston
DR2-EN192 Regenerating Mummy
DR2-EN193 Night Assailant
DR2-EN194 Man-Thro' Tro'
DR2-EN195 King of the Swamp
DR2-EN196 Emissary of the Oasis
DR2-EN197 Special Hurricane
DR2-EN198 Order to Charge
DR2-EN199 Sword of the Soul-Eater
DR2-EN200 Dust Barrier
DR2-EN201 Soul Reversal
DR2-EN202 Spell Economics
DR2-EN203 Blessings of the Nile
DR2-EN204 7
DR2-EN205 Level Limit - Area B
DR2-EN206 Enchanting Fitting Room
DR2-EN207 The Law of the Normal
DR2-EN208 Dark Magic Attack
DR2-EN209 Delta Attacker
DR2-EN210 Thousand Energy
DR2-EN211 Triangle Power
DR2-EN212 The Third Sarcophagus
DR2-EN213 The Second Sarcophagus
DR2-EN214 The First Sarcophagus
DR2-EN215 Dora of Fate
DR2-EN216 Judgment of the Desert
DR2-EN217 Human-Wave Tactics
DR2-EN218 Curse of Anubis
DR2-EN219 Desert Sunlight
DR2-EN220 Des Counterblow
DR2-EN221 Labyrinth of Nightmare
DR2-EN222 Soul Resurrection
DR2-EN223 Order to Smash
DR2-EN224 The End of Anubis
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4.3 ★★★★★
Based on 30 reviews
Sort
Product Reviews
★★★★★ 5
Five Stars
Format: Paperback
Brilliant, lucid, engaging and brave, a feminist chthonic journey shimmering with poetic bravado.
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Reviewed in the United States on December 18, 2014
★★★★★ 5
A Feminist Divine Comedy?
Format: Paperback
Let me start with this: The Descent of Alette is difficult to read at first. Notley "puts quotation marks around" "groups of words" "in lines" "that can be off-putting." Note that I'm not quoting from the book there, just giving an example of what the book's text appears like. This forces us to read more slowly, taking in each line a few words at a time. What appears to be awkward is in fact a great solution to the speed-reading most of us do these days. That being said, it's troublesome for the first few poems, less so after that, virtually invisible by the end of the first section.
When talking about this book, I immediately compare it to Dante's Divine Comedy, and I commonly see others do the same (see an earlier review here on Amazon.com). Exchange Hell for a subway, and you've basically got it: an underground realm ruled over by a Tyrant, poor souls being tortured, though in this case there is no indication that they have done anything to deserve it. Notley's language might not be quite as beautiful/harsh as Dante's, but her images stand with anything he created. After introducing two characters on a subway, a woman and her baby, both on fire, Notley writes:
"another woman" "in uniform" "from above ground"
"entered" "the train" "She was fireproof" "she wore gloves, & she"
"took" "the baby" "took the baby" "away from the"
"mother" "Extracted" "the burning baby" "From the fire" "they
made together" "But the baby" "still burned"
("But not yours" "It didn't happen" "to you")
"We don't know yet" "if it will" "stop burning,"
"said the uniformed" "woman" "The burning woman" "was crying"
"she made a form" "in her mind" "an imaginary" "form" "to
settle" "in her arms where" "the baby" "had been" "We saw
her fiery arms" "cradle the air" "She cradled air" ("They take your
children" "away" "if you"re on fire")
"In the air that" "she cradled" "it seemed to us there" "floated"
"a flower-like" "a red flower" "its petals" "curling flames"
"She cradled" "seemed to cradle" "the burning flower of" "herself gone"
"her life" ("She saw" "whatever she saw, but what we saw" "was that flower")
After surviving the horrors of the subway, Alette goes even deeper underground, passing through a series of psychological challenges that at times seem straight out of Freud, at times out of Classical mythology, at times out of collective dreams. Throughout it all, we learn more and more about Alette, who is not just a "hero" who goes through the motions necessary to the plot, but who considers and stumbles and is confused and learns.
The third section of the book is a rebirth, wherein Alette finds a source for a stronger power than the Tyrant's, and it is distinctly feminist in its nature. I need to note here for those who react to feminism in a knee-jerk way: Notley's feminism is not a militant feminism, though it requires brief "military" action on Alette's part. Men are helpful in the story, have purpose besides being the bad guy. If anything, what Notley attacks in the form of the Tyrant is the idea of a corrupt masculinity, a kind of Big Brother who would easily stand as an antagonist in any number of 20th/21st century literary works. Alette's feminism is the discovery of her place in the world, and that place is not slaving away mindlessly for the Tyrant, not acting as just a womb or pair of hands or pretty face. It's a nuanced message, despite the epic (and therefore presumably black-and-white) nature of the whole book.
The fourth section is the showdown with the Tyrant, a great deal of philosophizing, and an ending that I actually find more satisfying than that of Paradiso. I won't spoil it here, but it just works extremely well in conjunction with the themes of Descent as a whole.
If you want to be challenged, if you want to think deep thoughts, if you want surreality and magic, pick up The Descent of Alette. For even more interesting reading from the author and her partner, you could also turn to The Scarlet Cabinet, which contains but actually predates the on-its-own publication of Descent.
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Reviewed in the United States on October 11, 2010
★★★★★ 5
A Contemporary Epic
Format: Paperback
I have a complicated relationship with most of the books I've read by Alice Notley. I admire her facility with the lyric, her ability to get just beneath a concept or sentiment using a very talk-y style so that I always feel like I'm with whatever speaker she's using, inside that mind and her mind all at once. This is a good kind of complication. It's one I yearn for with poems.
The unpleasant complications are when I feel as though I'm just being subjected to her unedited notebook entries. Too much, too much, too much. It comes up especially with her book Mysteries of Small Houses.
I mention these difficulties only to sharpen the accomplishment of The Descent of Alette. Like other reviewers, I feel the tonal similarities to Dante's Inferno. Which becomes a subversive allusion considering Alette seeks after a male Tyrant in order to destroy him, while Dante sought after his Beatrice out of desire. But I read and reread Alette, because Notley continually subverts patriarchal conventions in the book.
I actually find I crave the speaker's intellect, and the mythic logic that gives the book its arc. I want it more. Yes, there are quotations around each fragment in the poems. I actually appreciate them for slowing my reading down, and for sharpening my focus on the use of Notley's language. And it's not just a stylistic tic, or something to be endured. It could actually be described as further subversion of The Tyrant Alette pursues.
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Reviewed in the United States on August 25, 2011
★★★★★ 2
Imagery and diction
Format: Paperback
This book was very challenging to read because everything was written in quotations however, it was intriguing as a different way of writing poetry.
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Reviewed in the United States on August 11, 2020
★★★★★ 5
I tend to leave most books in this genre disappointed. I miss the classics
Format: Hardcover
I bought this book after hearing Stacey Lee speak about narrative tension at a lecture for YA writers - the talk was specifically entitled, "How to keep them up all night." The lecture (alongside Anna Shinoda) bit off a rather large amount of material. Neither woman mentioned vampires. The methods they discussed were smart, creative, and delivered with just enough humor to leave me wondering whether I'd be able to put their debut novels down.
I devoured GONE WITH THE WIND at least six times cover to cover between my sophomore and senior year. While I am more susceptible to the Historical Fiction page turner than the average girl, I tend to leave most books in this genre disappointed. I miss the classics. I opened this book determined to not judge it by its gorgeous pastel cover. I started slowly. I enjoyed the first four or five chapters - leaving each fully appreciative of Lee's craft. I particularly enjoyed her ability to pepper humor though tragedy. I often complain about writers who miss the mark here. Stacey Lee nailed that important believable balance for me. I liked her characters quickly. I left each chapter satisfied, but thoroughly able to get up and go on with my life. Like a jaded Thumper in Walt Disney's BAMBI, this book was more than nice, but I wasn't susceptible to any kind of teen-aged Twitterpation over it. After the sixth or seventh chapter - four or five days after I first picked it up, I quietly closed my copy, placed it on my nightstand, switched off my lamp, fluffed my pillow and turned over. I turned over again. I flipped on the light - OK, just one more chapter... I zombie sleepwalked to work the next day. That night I retired early, making some completely convincing excuse about being exhausted. I was certainly too tired to read. Flash forward to 6AM when I woke up with this novel on my face. I turned it's last page this afternoon, fully satisfied. I am truly sad it's over. This book transported me. It's one I'll want to have in my collection forever, alongside the beautiful books that mattered to me as a teen; JANE EYRE, TO KILL A MOCKINGBIRD, UNDER A PAINTED SKY. Classic in feel, subject matter, and voice - but modern in approach, I'd be as comfortable recommending it to my book club as I would handing it to any teen. Readers of all ages and walks of life will surely find something that resonates with their own stories too. As for me, I am sure I'll be back on the trail with these girls-- I mean boys, before long.
Now I'm off to try my hand at Anna Shinoda's LEARNING NOT TO DROWN. Well, maybe tomorrow. I need a good night's sleep and it's clear these authors know how to keep those pages turning.
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Reviewed in the United States on August 24, 2015